
Victoria
The best thing about Victoria isn’t actually its technical prowess—it’s the lead performance from the mesmerizing Laia Costa as the title character.
The best thing about Victoria isn’t actually its technical prowess—it’s the lead performance from the mesmerizing Laia Costa as the title character.
As a piece of social satire, Knock Knock winds up being not just toothless but anticlimactic.
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A review of "A Girl at My Door".
On the set of "The Knick"; Swedish cinema gives women a bigger role; When Amazon dies; Stories of "Star Wars" extras; Chatting with Abi Morgan.
Eight films to check out before Guillermo Del Toro's "Crimson Peak" comes out Friday.
Made between 1948 and 1960, Walt Disney’s “True Life Adventures” won three Oscars for best documentary feature, and several other titles won in the since-discontinued category of tworeel short features. Now the studio has returned to this admirable tradition with “earth,” opening today, on Earth Day. It’s a film that younger audiences in particular will enjoy.
To be sure, Disney didn’t produce the movie. It is a feature-length compilation from the splendid BBC and Discovery Channel series “Planet Earth,” using the big screen to make full use of its high-def images. The feature’s original narrator, Patrick Stewart, has been replaced by James Earl Jones.
What we see is astonishing. Polar bear cubs tumble their way to the sea. Birds of paradise make displays of ethereal beauty. Storks fly above the Himalayas. Elephants trek exhausted across a bone-dry desert. Humpback whales swim 3,000 miles to their summer feeding grounds offAntarctica. A predator cat outruns a springbok. Ducklings leap from their nest to fly and plummet to the ground — a learning experience.
The most poignant sequence shows a polar bear, lost at sea and searching for ice floes in a time of global warming, finally crawling ashore, exhausted and starving. Desperate for food, he hopelessly attacks a herd of walruses, fails and slumps dying to the earth; nearbywalruses are indifferent.
In the tradition of such favorites of my childhood as Disney’s “The Living Desert” and “The Vanishing Prairie,” the narration provides these animals with identities. It opens with a mother polar bear and her two cubs. The desperate polar bear is identified as their father, although I will bet a shiny new dime that the authors of the narration have absolutely no evidence of the bear’s paternal history. I’m not complaining; in a film like this, that goes with the territory.
“Earth” is filled with unexpected facts. Did you know the fir trees beginning at the northern tree line circle the globe with an almost unbroken forest, harbor almost no birds and mammals because they are not edible, and supply more of the planet’s oxygen than the rain forests? Or that baby whales have to be taught to breathe?
This “earth” is beautiful and worthwhile. At its pre-opening press screening, co-sponsored by the Lincoln Park Zoo, we were supplied not with free popcorn but tiny evergreens to take home and plant.
Note: As part of its “Buy a Ticket, Plant a Tree” program, Disney will donate one tree for each ticket purchased to “Earth” during the film’s opening five-day weekend (today through Sunday). Thanks to strong advance sales, more than 500,000 trees have been pledged so far.
This message came to me from a reader named Peter Svensland. He and a fr...
A review of Steven Spielberg's "Bridge of Spies" from its NYFF premiere last night.
Our monthly series digs into the career of Wes Craven and comes out with his 3D 2010 film, "My Soul to Take".