Fonts and font facilities
supplied with Ghostscript

Table of contents

For other information, see the Ghostscript overview.

About Ghostscript fonts

Ghostscript is distributed with two kinds of files related to fonts:

Most of the font files supplied with Ghostscript have the extension .pfb, and a few have .pfa or .gsf. Each file defines one ordinary PostScript Type 1 outline font which any PostScript language interpreter can use. Files with .pfa or .pfb extensions are also compatible with Adobe Type Manager (ATM) and with tools that don't include a full PostScript language interpreter; files with .gsf extension are incompatible with ATM and other tools. Ghostscript compiled with the "ttfont" option can also use TrueType fonts with the extension .ttf.

When Ghostscript needs a font, it must have some way to know where to look for it: that's the purpose of the Fontmap file, which associates the names of fonts such as /Times-Roman with the names of font files, such as n021003l.pfb. Fontmap can also create aliases for font names, so that for instance, /NimbusNo9L-Regu means the same font as /Times-Roman.

Ghostscript's free fonts

Two sets of free fonts are supplied for Ghostscript:

Font packages
System    File name    Contents    Types

DOS and
MS Windows   Basic   .pfb   Miscellaneous   Various, for
different fonts

Unix   ghostscript-fonts-std-#.##.tar.gz   Basic   .afm, .pfb,
    ghostscript-fonts-other-#.##.tar.gz   Miscellaneous   .afm, .gsf,
.pfa, .pfm

"#.##" and "###" are the version number with and without punctuation. Fonts can be found at (for a particular version) (for several versions)

Other free fonts

Computer Modern Fontmap

Don Knuth's Computer Modern fonts are popular, free, and widely available. A Fontmap appropriate for these fonts is available from:

or from other CTAN sites.

CJK CID-keyed fonts by Adobe

Adobe has created sample CID-keyed PostScript fonts for Traditional Chinese, Japanese and Korean, from existing free glyph data (thus, manufactured by Adobe but not commercial-quality). They are available from:
Also essential CMaps should be installed to use these CID-keyed fonts. For detail of how to use CID-keyed font, refer CJK.htm.

Adobe CMaps

The essential CMap files mapping from character encodings to CID are published under freely redistributable license with no modification, available from:
The CMap files mapping from CID to Unicode are available from "PDF Core Font Information" at
The CMap files mapping from CID to vendor specific encodings (Big5, PRC, ShiftJIS, Wangsung) are available from Asian font packages for Adobe Acrobat Reader. The license for included CMap files are same as above, but the included fonts are "solely for Acrobat". Do not use them with Ghostscript.

Free Chinese (Hanzi) fonts

A free PostScript font for Traditional Chinese "KaiSu" in OCF format, originally provided courtesy of Jackson Technology, Ltd., Taiwan under the GPL and now distributed by the Taiwan NeXT User Group, is available from:

Prof. Wu of the Department of Economics of National Taiwan University has created several free Type 1 Chinese fonts designed to be used with TeX. His e-mail is The fonts are available from

Arphic Technology Co., Ltd., has created 4 free TrueType Chinese fonts (2 for Traditional Chinese and 2 for Simplified Chinese) available under the Arphic Public License, a license very similar to the GPL. These fonts can be used as CID-keyed font via on-the-fly CIDFontType2 conversion. Refer CJK.htm The fonts and license are available from various GNU mirrors, or

Free Japanese (Kanji) fonts

Mr. Tetsurou Tanaka of the Department of Engineering, University of Tokyo, has created a set of free Kanji Type1 fonts available from

along with documentation in Japanese and English describing their conditions of use and how to use them. An older copy of these fonts, under somewhat different names, is available at the Ghostscript site:

Mr. Norio Katayama has done some work to make Ghostscript work well with Kanji fonts. An easy-to-install Kanji font for Ghostscript, with installation instructions, is at

The same site has patches to make Ghostscript work with Japanese outline fonts via VFlib, with documentation in both English and Japanese:

Here are some other resources in Japanese relating to VFlib and using Ghostscript with Japanese fonts:
Author <>
Author <>

Free Korean (Hangul and Hanja) fonts

Hwan Design Inc. created Hangul TrueType fonts (including Hanja) and released under license similar to BSD. These fonts can be used as CID-keyed font via on-the-fly CIDFontType2 conversion. Refer CJK.htm

Free Cyrillic fonts

N. Glonty and A. Samarin created in 1989 a Cyrillic extension of TeX's "Computer Modern" fonts, now freely available through the Comprehensive TeX Archive Network (CTAN), for instance at

CTAN's entire collection of Cyrillic fonts is, for instance, at

Basil K. Malyshev created the "Paradissa Fonts Collection" in 1993. It contains 165 fonts, including the Glonty and Samarin font above plus other Computer Modern, Euler, and LaTeX fonts, all in PostScript Type 1 format with .AFM and .PFM files, compatible with ATM. The collection could once be found through CTAN, for instance at

but the CTAN archive has been reorganized and it is not clear where to find the fonts. These fonts are covered by this license:

Paradissa fonts collection.
Copyright © 1993, Basil K. Malyshev. All Rights Reserved.

Licensing agreement

The author of this fonts grants to any individual or non-commercial organization the right to use and to make an unlimited number of copies of full collection or selected fonts when this is done WITHOUT CHARGE and has attached this licence agreement.

This fonts cannot be sold or distributed with any commercial product without written authorization from the author. If you want to charge a small fee for distribute fonts as is or with any software, you should contact the author.

This restriction is not intended to apply to connect time charges, or flat rate connection/download fees for electronic bulletin board services.

Basil K. Malyshev <> 22 December 1993, Protvino, Russia.

(Partial) Unicode fonts

George W. Wilson is distributing some free partial Unicode fonts he created. These fonts currently lack Arabic and CJK characters, but they include a very large subset of the remaining Unicode set. They are available in both Type 1 and TrueType formats. See

How Ghostscript gets fonts when it runs

Fonts occupy about 50KB each, so Ghostscript doesn't load them all automatically when it runs. Instead, as part of normal initialization Ghostscript runs a file, which arranges to load fonts on demand using information from the font map. To preload all of the known fonts, invoke the procedure


The file contains code to print a sample page of a font. Load this program by including it in the gs command line or by invoking

( run

Then to produce a sampler of a particular font XYZ, invoke

/XYZ DoFont

For example,

/Times-Roman DoFont

For more information about how Ghostscript loads fonts during execution, see here.

Platform fonts

Ghostscript displays text on screen using whatever font technology is provided by the system on which it runs, by calling the system's API to display text. On platforms with X Windows, this is X Windows; on MS Windows it may be TrueType or ATM; Ghostscript neither knows nor cares.

The PostScript language specifies that fonts are data structures with particular contents (for instance, they include a bounding box for the font, an Encoding vector to specify the character set, etc.), and it is common for PostScript files to use this fact; also, characters can be used as clipping regions, and can be arbitrarily algorithmically rotated, skewed, expanded or condensed, etc. Most of this information is available in some form from the underlying graphics system, but one crucial piece is not: the actual scalable outlines of the characters, which Ghostscript needs in order to implement both clipping with character shapes and arbitrarily transformed characters. Consequently

Ghostscript needs the scalable outlines of any font mentioned in a document, and loads them from the disk (.pfa, .pfb, or .gsf file) in the usual way, even if it uses the platform's font machinery to display the characters. In other words, Ghostscript must still be able to find its font files.

To make matters worse, platforms use different names for their standard fonts. For example, the Times Roman font, for which PostScript files use the name "Times-Roman", may be known as "Times-Roman", "Times Roman", "Tms Rmn", "Times New Roman", or "TimesNewRoman". The name may even be completely different: the usual Helvetica-equivalent TrueType font is called "Arial". It is possible to deal with this situation by introducing aliases in Fontmap, but there are two reasons why Ghostscript does not currently do this:

  1. Methods of naming in different systems are so unstandardized that there seems to be no small set of alternative names likely to cover most situations. All five of the names above for Times Roman have been seen under Windows and OS/2, depending on the version of the system, whether it uses TrueType or ATM, and other unknown factors.
  2. Each alias takes up space at run time. If each of the standard fonts has three additional aliases, this might amount to 50KB of wasted space, which may be a lot on some smaller systems.

If you don't seem to be getting nice characters on the screen under MS Windows, you can try adding aliases to Fontmap, according to the documentation you'll find in there.

Adding your own fonts

Ghostscript can use any Type 0, 1, 3, 4, or 42 font acceptable to other PostScript language interpreters or to ATM, including MultiMaster fonts. Beginning with release 4.0, Ghostscript can also use TrueType fonts if it was compiled with the "ttfont" option.

To add fonts of your own, you must edit Fontmap to include at the end an entry for your new font; the format for entries is documented in Fontmap itself. Since later entries in Fontmap override earlier entries, a font you add at the end supersedes any corresponding fonts supplied with Ghostscript and defined earlier in the file.

In the PC world, Type 1 fonts are customarily given names ending in .PFA or .PFB. Ghostscript can use these directly: you just need to make the entry in Fontmap. If you want to use with Ghostscript a commercial Type 1 font (such as fonts obtained in conjunction with Adobe Type Manager), please read carefully the license that accompanies the font to satisfy yourself that you may do so legally; Aladdin Enterprises takes no responsibility for any possible violations of such licenses. The same applies to TrueType fonts.

Converting BDF fonts

Ghostscript provides a way to construct a (low-quality) Type 1 font from a bitmap font in the BDF format popular in the Unix world. The shell script bdftops (Unix) or the command file bdftops.bat (DOS) converts a BDF file to a scalable outline using . Run the shell command

bdftops BDF_filename [AFM_file1_name ...] gsf_filename fontname
          UniqueID [XUID] [encodingname]

The arguments have these meanings:

BDF_filename    Input bitmap file in BDF format     
AFM_file1_name   AFM files giving metrics   (Optional)
gsf_filename   Output file    
fontname   Name of the font    
UniqueID   UniqueID (as described below)    
XUID   XUID, in the form n1.n2.n3... (as described below)   (Optional)
encodingname   "StandardEncoding" (the default), "ISOLatin1Encoding",
"SymbolEncoding", "DingbatsEncoding"

For instance

bdftops pzdr.bdf ZapfDingbats.afm pzdr.gsf ZapfDingbats 4100000 1000000.1.41

Then make an entry in Fontmap for the .gsf file (pzdr.gsf in the example) as described above.

For developers only

The rest of this document is very unlikely to be of value to ordinary users.

Contents of fonts

As noted above, Ghostscript accepts fonts in the same formats as PostScript interpreters. Type 0, 1, and 3 fonts are documented in the PostScript Language Reference Manual (Second Edition); detailed documentation for Type 1 fonts appears in a separate Adobe book. Type 2 (compressed format) fonts are documented in separate Adobe publications. Type 4 fonts are not documented anywhere; they are essentially Type 1 fonts with a BuildChar or BuildGlyph procedure. Types 9, 10, and 11 (CIDFontType 0, 1, and 2) and Type 32 (downloaded bitmap) fonts are documented in Adobe supplements. Type 42 (encapsulated TrueType) fonts are documented in an Adobe supplement; the TrueType format is documented in publications available from Apple and Microsoft. Ghostscript does not support Type 14 (Chameleon) fonts, which use a proprietary Adobe format.

Precompiling fonts

You can precompile -- convert -- any Type 1 font into C, then compile and build it into the Ghostscript executable. (Type 1 fonts include any font whose name ends with .pfa or .pfb, and it also includes all the Ghostscript .gsf fonts except the Hershey fonts.) This has no effect on rendering speed, but it eliminates the time to load the font dynamically, which may make a big improvement in total rendering time, especially for multi-page documents. It also reduces the number of auxiliary files required at run time. Fonts precompiled and built into Ghostscript this way need not appear in Fontmap, although if they do appear there, no harm is done.

The utility for precompiling fonts is named font2c. Note that since font2c uses the PostScript language program, Ghostscript must already be available to run it, and Fontmap must contain entries for the fonts you want to compile. For example, to precompile the Times-Italic font,

font2c Times-Italic ptmri.c

The first argument ("Times-Italic" above) is the font's name and the second ("ptmri.c") is the name of the resulting C file. You can use any file name you want, as long as it ends in ".c". It needn't be limited to eight characters unless your operating system requires this. If "XYZ.gsf" or "XYZ.pfa" is the font file's name in Fontmap, "XYZ.c" is a good choice for the C file.

Under VMS, or other systems whose the C compilers limit the length of identifiers, you must do something slightly more complicated; for that see the section on short identifiers in C. On VMS also, you must quote the font name ("{font name}") to preserve the name's mixed upper and lower case. For VMS environments in general see the VMS directions in the documentation on building Ghostscript, and ignore the rest of this section.

Note that fonts are not supplied with Ghostscript in precompiled form, since those files are quite large and can easily be recreated using font2c. There is a makefile target to run font2c on all the fonts supplied with Ghostscript. Invoke it with

make fonts_standard_c

Besides running font2c, you must compile the fonts and link them into the executable. To do this, add the compiled fonts feature to your platform-specific makefile. See the overview of makefiles in the documentation on building Ghostscript for the list of makefiles for each platform. Find the definition of the FEATURE_DEVS macro in the makefile, which looks something like this:


and add "":


Next you must add the specific fonts to int.mak, the platform-independent makefile for the interpreter. This makefile already has rules for the standard fonts supplied with Ghostscript, so if you just want to compile the standard fonts, you needn't do anything else. Now we describe how to compile other fonts into the executable, such as the Utopia or Kana fonts, or your own fonts.

Suppose you want to compile the Kana fonts into the executable. First pick one of ccfonts10 through ccfonts15 as the place you will do this, say ccfonts10. Add your compiled font file names, for instance


(Note the underscore "_".) If this makes the line too long, use another line of the same form, for instance,


Just below the ccfonts10_= line is a line


(Note no underscore.) Add your own fonts to the end of this line, replacing dashes ("-") with underscores ("_") in the font names. For instance:


Again, if a line becomes too long, add another line of the same form, for instance,


After all the lines of this form, add a pair of lines to compile each font, separating these entries from the "ccfonts*" lines and from each other with a blank line. In our example this becomes

$(CFOBJ)fhirw.$(OBJ): $(CFGEN)fhirw.c $(CCFONT)
	$(CFCC) $(CFO_)fhirw.$(OBJ) $(C_) $(CFGEN)fhirw.c

$(CFOBJ)fkarw.$(OBJ): $(CFGEN)fkarw.c $(CCFONT)
	$(CFCC) $(CFO_)fkarw.$(OBJ) $(C_) $(CFGEN)fkarw.c

Finally, run make to build an executable that includes the fonts you added. They are present in FontDirectory when Ghostscript starts up.

Precompiling fonts on platforms with identifier length limits

On some platforms the C compiler or linker limits the number of significant characters usable in an identifier. On such platforms, you must do a little extra work.

Let N be the maximum number of significant characters in an identifier (typically 31). For each font whose name is longer than N-5 characters, pick an arbitrary identifier that we will call the "short name". This can be any string you want, as long as it contains only letters, digits, and underscores; is no longer than N-5 characters; and is different from all other font names and short names. A good choice for this is the name of the C file. There is no harm in doing this for fonts with names shorter than N-5 characters, but it's unnecessary.

You must do two different things for fonts that require a short name.

  1. You must supply the short name as a third argument to font2c. For example, to compile NewCenturySchlbk-BoldItalic using the short name pncbi,
    font2c NewCenturySchlbk-BoldItalic pncbi.c pncbi
  2. Then when you add the font name to the definition of one of the ccfonts* macros in the makefile, use the short name, not the actual font name, for instance,
    Use      ccfonts12=pncbi
    Rather than   ccfonts12=NewCenturySchlbk_BoldItalic

Everything else is as described above. This procedure doesn't change the name of the font in Fontmap or as seen from within Ghostscript; it just works around a limitation of some older compilers.

Font names and unique IDs

If you create your own fonts and will use them only within your own organization, you should use UniqueID values between 4000000 and 4999999, coded like this (see the tables of codes for font file names below):

Coding of UniqueID "4TTWVE0"
TT    Typeface    two-digit identifier
W   Weight   normal, bold, etc.
V   Variant   normal, italic, etc.
E   Expansion   normal, condensed, etc.

This scheme will not work forever: as soon there are more than 99 typefaces, or more than 9 weights or variants, we will have to do something else. But it suffices for the near future.

If you plan to distribute fonts, ask Adobe to assign you some UniqueIDs and also an XUID for your organization. Contact

Unique ID Coordinator
Adobe Developers Association
Adobe Systems, Inc.
345 Park Avenue
San Jose, CA 95110-2704
+1-408-536-9000 telephone (ADA)
+1-408-536-6883 fax

The XUID is a Level 2 PostScript feature that serves the same function as the UniqueID, but is not limited to a single 24-bit integer. The bdftops program creates XUIDs of the form "[-X- 0 -U-]" where "-X-" is the organization XUID and "-U-" is the UniqueID. (Aladdin Enterprises' organization XUID is 107; do not use this for your own fonts that you distribute.)

Because Ghostscript runs on many different systems, including DOS, the names of font files can be no longer than 8 characters. We therefore construct a font's filename FTTWVVVE.gsf similarly to the construction for temporary UniqueIDs.

Coding of font file name "FTTWVVVE.gsf"
F    Foundry     
TT   Typeface   two-digit identifier
W   Weight   normal, bold, etc.
V   Variant   normal, italic, etc.
E   Expansion   normal, condensed, etc.

Since a font can have multiple variants (for example, Lucida Regular Sans Typewriter Italic) we allocate three letters to that; if a font has four variants, you're on your own. If a font does have multiple variants, it's best to add the expansion letter "r" to make clear which letters are variants and which the expansion. This scheme is very close to the one proposed in "Filenames for fonts", published in the first 1990 issue of TUGboat (the journal of the TeX Users Group).

Codes used to make font file names

In the following tables we make no attempt to be exhaustive: instead we have simply allocated entries for those things that we needed for the fonts that we are actually distributing.

Font foundry codes
ID    Foundry

b    Bitstream
f   Freely distributable and public-domain
hr   Hershey
n   IBM
p   Adobe ("p" for PostScript)
u   URW[++]

Typeface codes
ID    Name    Filename

08   Avant Garde   pag   Adobe
11   Bookman   pbk   Adobe
01   CharterBT   bch   Bitstream
02   Courier   ncr   IBM
03   Helvetica   phv   Adobe
04   New Century Schoolbook   pnc   Adobe
09   Palatino   ppl   Adobe
05   Symbol   psy   Adobe
06   Times   ptm   Adobe
--   Utopia   put   Adobe
07   Zapf Chancery   zc   public domain
10   Zapf Dingbats   pzd   Adobe
12   public domain Cyrillic   fcy   public domain
13   Kevin Hartig Hiragana   fhi   shareware
14   Kevin Hartig Katakana   fka   shareware
90   Hershey Gothic English   hrge   freeware
91   Hershey Gothic Italian   hrit   freeware
92   Hershey Gothic German   hrgr   freeware
93   Hershey Greek   hrgk   freeware
94   Hershey Plain   hrpl   freeware
95   Hershey Script   hrsc   freeware
96   Hershey Symbol   hrsy   freeware

Font weight codes
ID    Type    Filename

0    normal    r
1   bold   b
2   book   k
3   demi   d
4   light   l

Font variants
ID    Type    Filename

0    normal    r (omitted when weight is normal)
1   italic   i
2   oblique   o
3   script, handwritten, swash   w

ID    Type    Filename

0    normal    r (omitted when weight and variant are normal)
1   narrow   n

Using Ghostscript fonts on X Windows displays

The standard X11 distribution can display various kinds of fonts, including the Adobe Type 1 format, so font files distributed with Ghostscript can be used on X Windows displays. Beginning with Ghostscript version 6.0, the font archive contains the directory files needed to map Ghostscript's font files to XLFDs. Those files are named "fonts.dir" and "fonts.scale". There are two main methods to configure your display to use these files.

Using xset

Users without root access can add the Ghostscript font directories to the font search path using xset. Such a setting is transient and must be repeated each time the display server is reset or restarted, typically at login, so the call to xset should be added to the user's ".xsession" or ".xinitrc" startup script to make the fonts available at each login.

To add a new font directory, invoke xset like this:

xset fp+ {directory}

where {directory} is the full pathname to the directory containing the fonts on the host running the X display server. For common Ghostscript installations the path is


Permanent installation

A system administrator, or anyone with the necessary root privilege, can make Ghostscript's fonts permanently available to the managed X display servers. This setup depends on the servers and the methods used to make the fonts available.

Configuring the xfs font server

An X display server can obtain its font resources from a dedicated X font server. xfs is a prototype font server included in the X Consortium X11 distribution. It is configured with a file located in a directory whose exact location is installation-dependent and could be any of


or some similar name. You can also use xfs's "-config" command-line option to specify the location of the configuration file.

The configuration file designates a list ("catalog") of directories, each of which contains fonts and a font mapping database (the file "fonts.dir"). This list is specified with the "catalogue=" keyword followed by a list of absolute directory paths separated by commas. To add the Ghostscript directory, include its full name in the catalog list, for example:

catalogue = /usr/local/share/Ghostscript/fonts/,

The fonts are searched in the order the directories are specified, so an XLFD mapped by the Ghostscript directory could shadow a previous similar description specified in the following directories. Once the file is modified, instruct the font server to reload the configuration file by sending it the USR1 signal:

kill -HUP {pid}

where {pid} is the font server process's numeric process ID, as obtained with the "ps" command. Be sure to check that the server is still alive after signaling it: it is very picky and could decide to shut itself down if something is wrong in the new configuration. If this happens, restart the server by hand and try to figure out from its output what's happening. If the font server dies, display servers using it will experience problems, so be sure to send the signal from the console or from a display not using that font server!

Xfree86 display servers

With the family of Xfree86 display servers, adding a new font directory permanently requires editing the "/etc/XF86Config" setup file to add a new "FontPath" to the "Files" section:

Section "Files"
     RgbPath    "/usr/X11R6/lib/X11/rgb"
     FontPath   "/usr/local/share/Ghostscript/fonts"
     FontPath   "/usr/X11R6/lib/X11/fonts/misc:unscaled"
     FontPath   "/usr/X11R6/lib/X11/fonts/75dpi:unscaled"
     FontPath   "/usr/X11R6/lib/X11/fonts/100dpi:unscaled"
     FontPath   "/usr/X11R6/lib/X11/fonts/Type1"
     FontPath   "/usr/X11R6/lib/X11/fonts/Speedo"

The fonts are searched in the order the directories are specified, so an XLFD mapped by the Ghostscript directory could shadow a previous similar description specified in the following directories. Once this global configuration is edited, the new fonts become available to all Xfree86 servers in use on that host. If a server is running, it must be restarted to take effect: just quit the current session in the usual way. If the server is under the control of xdm, you may have to kill it, because it is usually reset only between successive sessions.

This section by Bertrand Petit <eegs at phoe dot frmug dot org>

Copyright © 1996, 1997, 1998, 1999, 2000 Aladdin Enterprises. All rights reserved.

This file is part of GNU Ghostscript. See the GNU General Public License (the "License") for full details of the terms of using, copying, modifying, and redistributing GNU Ghostscript.

GNU Ghostscript version 6.53, 13 February 2002