Cube (1997)

Vincenzo Natali. Funny sounding name right? Well just a little funny. Keep that name in your mind though over the next few years. After this film the Cube, Natali's follow up was the superb Cypher. He seems to be a master of a difficult genre, Sci-Fi. In a genre that is primarily known for having a high pap ratio, the fact that Natali's first two features have been cult classic science fiction movies then bodes well for Sci-fi fanatics who will eagerly anticipate his next movie. The Cube is a superbly crafted low budget film. On a shoestring budget and a dangerously basic premise full of intrigue, the film succeeds because of imaginative effects and taut directions as well as a superbly written script, delving into the human psyche in such an extreme situation. The plot is basically thus: A group of strangers wake in a cube room. They don't know where they are or how they got there but they know they must find a way out. It also transpires that when they leave each room the enter another room that is virtually identical in look. There will perhaps be a different colour in the lighting. The must find their way out before they starve tp death or go nuts, but to add to their woes, it seems that some of the rooms are booby trapped, ranging from sound activated, to pressure activated traps. They soon discover that each of them has a specific gift that can perhaps hold the key to their escape. There is a maths genius who may hold the key to discovering a way out. The rooms are numbered and the numbers could signify the type of room but also a map. The film is excellent and just when they think they have figured it out the Cube bites them in the behind. The dynamic of the characters is excellent as inevitably some go crazy. I do think that for a film shot for less than 300,000 dollars this is amazing looking. It works well for a film that is set in the same environment for the 90 minutes of the film. I have to say this film is one of those pleasant surprises that comes from nowhere and when word of mouth finally gets to you, please listen! ****