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Get on Up (2014)

PG-13  |   |  Biography, Drama, Music  |  1 August 2014 (USA)
6.9
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Ratings: 6.9/10 from 13,364 users   Metascore: 71/100
Reviews: 102 user | 162 critic | 44 from Metacritic.com

A chronicle of James Brown's rise from extreme poverty to become one of the most influential musicians in history.

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(screenplay), (screenplay), 3 more credits »
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Cast

Cast overview, first billed only:
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Syd Nathan
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Maceo Parker
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DeeDee Brown
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Ralph Bass
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Little Richard (as Brandon Smith)
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Yvonne Fair
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Tariq Trotter ...
Pee Wee Ellis
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Nafloyd Scott
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Storyline

On route to the stage, singer James Brown recalls a life with a turbulent childhood where music was his only constructive release for his passions. A chance demonstration of that in prison led to a new friend who helped get him out and into a musical career. With his fire and creative daring, Brown became a star who defiantly created new possibilities in show business both on and behind the stage in face of racism and conventional thinking. Along the way, James would also become a peacemaker who redefined and raised the African-American community's feeling of self-worth when it was needed most. However, those same domineering passions would lead James Brown alienating everyone around him as his appetites became ever more self-destructive. Only after he hit rock bottom with a serious mistake does Brown realize what he needs to do make his life as the Godfather of Soul truly worthwhile. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

The Funk don't Quit

Genres:

Biography | Drama | Music

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, drug use, some strong language, and violent situations | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

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Language:

Release Date:

1 August 2014 (USA)  »

Also Known As:

Get on Up: Príbeh Jamese Browna  »

Filming Locations:

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Box Office

Opening Weekend:

$13,585,915 (USA) (1 August 2014)

Gross:

$30,513,940 (USA) (12 September 2014)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the scene preceding the 1964 T.A.M.I. show, when James is discussing The Rolling Stones with Pop, one of the other acts, the American rock band The Beach Boys, is depicted in the background rehearsing vocals. See more »

Goofs

At the beginning of 1965, Ben gives James a chauffeur-driven black Cadillac. The car in the scene was a 1967 Cadillac not a 1965. See more »

Quotes

Susie Brown: My baby playing at the Apollo.
James Brown: I ain't your baby, not then, not now. I look after James Brown. You want to know me, I'll tell you. My daddy in the army. My mamma left. No one else helped me. No one else.
See more »

Connections

Featured in Film '72: Episode dated 5 November 2014 (2014) See more »

Soundtracks

Hold It (Live at the Apollo)
Written by Billy Butler and Clifford Scott
Performed by by James Brown
Courtesy of Republic Records
Under license from Universal Music Enterprises
See more »

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User Reviews

 
Chix Chat on Film review: The story of the Godfather of Soul
3 August 2014 | by (Texas, United States) – See all my reviews

This film is long overdue, although it seemed to me that there was so much more content excluded from the storyline. If a film maker chooses to focus on the artistry and creativity that came forth from an individual then it is best not to delve too deeply into the demons, which for James Brown (Chadwick Boseman) were much bigger than portrayed in this film. I wasn't a fan of the style of filmmaking applied to this tale, I would have preferred a more linear approach to the historical events that shaped Mr. Brown's personality. Starting a story with some event that takes place at the end is not that unusual, but there was so much jumping back and forth from childhood to young adult to the 'Godfather of Soul' that it was hard to connect to the story initially. Then there were the soliloquies, I didn't quite fathom why they were needed since they really did not add much to the storytelling other than try to place the audience inside of James' head. This story of the lifelong friendship of James and Bobby Byrd (Nelsan Ellis) was interesting and engaging, but nothing about this film was more entertaining than the music. I tried to be a good moviegoer so I didn't song along aloud, but it was almost impossible to just sit without moving to Caldonia and Get on Up. I couldn't help but reminisce as Please, Please, Please and This is a Man's World permeated the crowded theater. And yes, I fought back the tears during Try Me. The story did include a pivotal encounter with Little Richard (Brandon Smith) and the events that led to Bootsy Collins becoming a band member, but there were other musical icons that touched his life that were not mentioned. I guess the movie would have been too long to cover everyone. Mr. Boseman did a fine job of mimicking the enigmatic dance moves of Mr. Brown and his lip-syncing was palpable, but I just wasn't fully convinced with the vocal recreation. James Brown had a distinctive style of speech that few have been able to capture. Eddie Murphy did it with his comic genius on SNL with Hot tub, but he too may have fallen short if he was expected to maintain the sometimes indistinguishable speak throughout a feature film. I enjoyed this film, I saw it with my mother who is 74 and she loved it. The first concert that I ever attended was a James Brown concert. You don't know at the time that when you're just out for some entertainment, you're actually in the presence of greatness and that you are a part of historic events.


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