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Network (1976)

R  |   |  Drama  |  27 November 1976 (USA)
8.1
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Ratings: 8.1/10 from 93,783 users  
Reviews: 309 user | 158 critic

A television network cynically exploits a deranged former anchor's ravings and revelations about the news media for its own profit.

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Top 250 Movies #175 | Won 4 Oscars. Another 15 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
Arthur Burghardt ...
Bill Burrows ...
TV Director
John Carpenter ...
George Bosch
...
Harry Hunter
Kathy Cronkite ...
Mary Ann Gifford
Ed Crowley ...
Joe Donnelly
Jerome Dempsey ...
Walter C. Amundsen
...
Barbara Schlesinger
Gene Gross ...
Milton K. Steinman
Edit

Storyline

In the 1970s, terrorist violence is the stuff of networks' nightly news programming and the corporate structure of the UBS Television Network is changing. Meanwhile, Howard Beale, the aging UBS news anchor, has lost his once strong ratings share and so the network fires him. Beale reacts in an unexpected way. We then see how this affects the fortunes of Beale, his coworkers (Max Schumacher and Diana Christensen), and the network. Written by Bruce Janson <bruce@cs.su.oz.au>

Plot Summary | Plot Synopsis

Taglines:

Television will never be the same! See more »

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 November 1976 (USA)  »

Also Known As:

Poder que mata  »

Box Office

Budget:

$3,800,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

To celebrate Faye Dunaway's first Oscar victory, husband-to-be photographer Terry O'Neill arranged to meet her at the Beverly Hills Hotel at 6:30 am the morning after the Academy Awards for a photo shoot. What transpired was the famous image of a listless Dunaway, reclining beside the tranquil hotel swimming pool with her Oscar statuette standing upright on the table beside her. Thrown in for good measure were various newspapers scattered on the ground and table, the headlines of which mostly echoed the previous night's festivities. Dunaway had not slept since her win and so appears totally fatigued, prompting O'Neill to title his photograph "The Morning After" shot. See more »

Goofs

It is said early on that at one point, Beale's evening news program had as high as a 16 HUT rating. As HUT stands for Households Using Television, a HUT rating of 16 would mean only 16% of sets were in use, a low figure for that time of day where at least 60% would be expected. Additionally, the HUT rating applies to all programs airing at that hour. Individual program figures are reported as Household ratings or Household share. A rating is a percentage of all sets in the survey area, a share is a percentage of all sets in use at that hour. See more »

Quotes

[first lines]
Narrator: This story is about Howard Beale, who was the news anchorman on UBS TV. In his time, Howard Beale had been a mandarin of television, the grand old man of news, with a HUT rating of 16 and a 28 audience share. In 1969, however, his fortunes began to decline. He fell to a 22 share. The following year, his wife died, and he was left a childless widower with an 8 rating and a 12 share. He became morose and isolated, began to drink heavily, and on September 22, 1975, he was fired, ...
[...]
See more »

Connections

Referenced in Two for the Money (2005) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Network
2 May 1999 | by (Marietta, OH) – See all my reviews

Engrossing satire from Paddy Chayefsky and Sidney Lumet about sensationalism and the almighty dollar in television. All the performances astound, especially Beatty as the tycoon who tells Peter Finch his ideal America and his ideal philosophy on where America is heading. The film is a fine mix of black comedy and drama, brought to life by Chayefsky's incredible script and Lumet's superb direction. Dunaway won a much deserved Oscar for her performance. It's a performance that makes your jaw drop to the floor from start to finish. She makes being a bitch look so darn good.


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