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Doctor Who (1996)

TV Movie  |   |  Adventure, Drama, Sci-Fi  |  14 May 1996 (USA)
6.4
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Ratings: 6.4/10 from 6,981 users  
Reviews: 113 user | 14 critic

The newly-regenerated Doctor takes on the Master on the turn of the millennium, 31 December 1999.

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Title: Doctor Who (TV Movie 1996)

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Cast

Cast overview, first billed only:
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Michael David Simms ...
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Wheeler (as Catherine Lough)
Dolores Drake ...
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Pete (as William Sasso)
Jeremy Radick ...
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Bill Croft ...
David Hurtubise ...
Professor Wagg (as Dave Hurtubise)
Joel Wirkkunen ...
Ted
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Storyline

The Doctor, an alien time traveller from the planet Gallifrey, is transporting the remains of his nemesis, the Master back to their homeworld. However the Master is not as dead as the Doctor thinks. The Master's essence escapes and sabotages the TARDIS, the Doctor's time machine causing it to crash land in San Franscisco on December 30th 1999. The Doctor requires a beryllium atomic clock to repair the TARDIS, but is shot as he leaves it. Taken to hospital, the Doctor's seventh regeneration is triggered by a surgeon, confused by his alien physiology, while the Master takes over a paramedic's body. He needs a Time Lord's body to survive and be able to regenerate again so he needs the Doctor's. The newly regenerated the Doctor must fight to save his own eighth body, and the world when the Master sabotages the TARDIS' power source. By midnight on December 31st 1999, the Earth will be pulled through this power-source, a mini-black hole, and only the Doctor can stop if only he can remember ... Written by Dave Gardner <is6131@dcs.napier.ac.uk>

Plot Summary | Add Synopsis

Taglines:

He's Back... And It's About Time See more »


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Parents Guide:

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Details

Country:

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Release Date:

14 May 1996 (USA)  »

Also Known As:

Doctor Who: Enemy Within  »

Box Office

Budget:

$5,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The Master's human body was originally supposed to slowly degrade throughout the film. This plan was abandoned when Eric Roberts found the make-up prosthetics to be too uncomfortable. One scene of this plotline remains, when he peels off a fingernail in front of the ambulance dispatcher. See more »

Goofs

The entire ambulance/hospital sequence is a symphony of errors: A bystander would not be permitted to ride in the back of the ambulance, nor would his (or anybody's) consent be required to provide care to an unconscious patient with life-threatening injuries. Nobody was performing the routine care and monitoring that medics would have performed. An external EKG, and not an internal probe, would be used to assess the heart's electrical activity. The Doctor was not intubated, as he would have been for surgery. The cardiologist would have doffed her gown and put scrubs on over her underwear in the locker room, then scrubbed for surgery, rather than scrubbing first then being stuffed into scrubs over a ball gown. See more »

Quotes

[first lines]
The Doctor: [voiceover] It was on the planet Skaro that my old enemy the Master was finally put on trial. They say he listened calmly as his list of evil crimes was read... and sentence passed. Then he made his last and I thought somewhat curious request. He demanded that I, the Doctor, a rival Timelord, should take his remains back to our home planet; Gallifrey
The Doctor: [pause]
The Doctor: It was a request they should never have granted...
The Doctor: [Cue the opening credits]
See more »

Crazy Credits

Rather than credit the creator of "Doctor Who" (1963), Sydney Newman, a title card reads: "Based upon the television series broadcast by the BBC." Ron Grainer, composer of the film's theme music, and Delia Derbyshire, designer of the TARDIS sound effect, do not receive screen credit. See more »

Connections

Referenced in Doctor Who: Human Nature (2007) See more »

Soundtracks

In A Dream (I Called Out Your Name)
Written by Barbara L. Jordan and William Peterkin
Performed by Pat Hodges
Courtesy of Heavy Hitters Music
Played on a grammophone when the Doctor is sitting in the lounge of his Tardis, just before the Master escaped
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Oh, dear.
28 July 2003 | by (Burlington, Ontario) – See all my reviews



The summary says it all: Oh, dear.

I don't particularly like it when Hollywood attempts to "glamourize" an existing phenomenon in order to rope in lots and lots of new viewers (to make money, of course, what other reason can there be?) but I've grown to accept the fact that it's an established part of the entertainment business. I approached this movie with what I hoped was an open mind, and I was even slightly intrigued by the first five minutes or so of the movie...

This changed, of course, when suddenly stuff started blowing up, pointless FX started popping up all over the place, and the scriptwriters apparently forgot that they were writing for DOCTOR WHO and seemed to think that they were employed by Chris Carter and the X-FILES, as they started a direct rip-off of the black oil creature, which is suddenly all that's left of the Master. (That this flies in the face of all previous background established by a show that had run for over twenty-five years is only to be expected; after all, it was only a cheesy little British sci-fi show and everyone KNOWS that Hollywood knows best, after all!) I was left with my mouth hanging open, aghast at the mess to which I was being subjected.

Paul McGann tried. God, how he tried. I can almost see him as the Doctor if I squint. This has nothing to do with the man's acting ability, which is superb, nor does it have to do with his comparatively young age--he was about the same age as Peter Davison was when he took over the role, after all. I just could not believe in a Doctor who was playing second fiddle to a completely new and fictitious TARDIS--say, last time I looked, wasn't the Eye of Harmony something to do with Rassilon back on Gallifrey?

Let us mercifully pass over the spectacle of the Doctor's first on-screen kiss--except to say that if he was never tempted by some of the companions in his past (particularly Romana, who at least was of the same species!) then why the heck would he be tempted by some jittery Earth woman who didn't particularly like him?

Please, o scriptwriter, if you're going to use characters and equipment that have been established over a quarter of a century, does it not make sense to have some passing familiarity with what you are writing? Or am I being ridiculous?

Never mind. At least I still have access to all of the videos of the classic episodes. Be sure that this travesty is one that I have zero interest in acquiring. If you're a fan of the television series, avoid this movie or spend the duration of it weeping for the mess they've made of DOCTOR WHO. If you've never seen the series and are a big fan of on-screen stuff that is really special effects in search of a movie, well, this will be right up your alley. Just don't subject a true fan to this nightmare, please.


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