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La Strada (1954)
"La strada" (original title)

Not Rated  |   |  Drama  |  16 July 1956 (USA)
8.1
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Ratings: 8.1/10 from 43,484 users  
Reviews: 118 user | 80 critic

A care-free girl is sold to a traveling entertainer, consequently enduring physical and emotional pain along the way.

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(story), (story), 2 more credits »
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Title: La Strada (1954)

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Top 250 Movies #243 | Won 1 Oscar. Another 11 wins & 4 nominations. See more awards »
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Cast

Complete credited cast:
...
...
...
Aldo Silvani ...
Giraffa
Marcella Rovere ...
Widow
Livia Venturini ...
Nun
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Storyline

Sad story of a waif, Gelsomina, who is sold by her mother to Zampano for 10,000 lire and a few kilos of food. Zampano is a traveling showman who exhibits feats of strength by breaking a chain wrapped around his chest. He performs in village squares and then passes the hat for whatever the normally small crowd is prepared to give. He teaches Gelsomina a drum roll as part of his introduction. He doesn't treat her well and when she tries to run away, he beats her. They eventually join a small traveling circus where they meet a tight-rope walker who convinces Gelsomina to question her choices. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

You've been hearing about a great picture called La Strada (The Road)...now it is here!

Genres:

Drama

Certificate:

Not Rated | See all certifications »

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 »
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Details

Country:

Language:

Release Date:

16 July 1956 (USA)  »

Also Known As:

La Strada  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Director Federico Fellini has admitted that he each of the principal characters in the film represented the elements. Zampanò represented the Earth, Gelsomina represented water, and the Fool represented air. See more »

Goofs

After Gelsomina has spend the night in the hole on the farm, she climbs out and wakes Zampanò. She is wearing a striped shirt under her coat. She then tells Zampanò she is leaving, walks away and takes off her coat. She is now wearing a solid-color sweater. See more »

Quotes

Zampanò: [reciting his act by rote before a crowd] Here we have a piece of chain that is a quarter of an inch thick. It is made of crude iron, stronger than steel. With the simple expansion of my pectoral muscles, or chest, that is, I'll break the hook.
[collecting money from the crowd]
Zampanò: Thank you, thank you. Now, to do this feat, I must fill myself up like a tire. If a blood vessel should break, I would spit blood. For instance, in Milan a man weighing 240 pounds lost his eyesight doing this trick. That ...
[...]
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Connections

Referenced in Tripping the Rift: Emasculating Chode (2004) See more »

Soundtracks

Zampano
(1954) (uncredited)
Music by Nino Rota and Michele Galdieri
Published by Leeds
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User Reviews

Often Sad, Sometimes Surreal, Always Human
21 December 2004 | by (Ohio) – See all my reviews

Fellini's "La Strada" is memorable, atmospheric, entertaining, thoughtful, and many other things. It is often sad, not even so much because of the things that happen, but simply for what it reveals about the human condition. It is sometimes surreal, not in a bizarre visual sense, but in the unexpected combinations of emotions that it sometimes evokes. And it is always human, commenting on individuals and humanity as a whole with a keen eye and with cinematic skill.

The three main characters make an odd and interesting mix of personalities. Anthony Quinn gives plenty of life to Zampano, who is hard to like, but hard not to have compassion for. Fellini's repeated filmings of Zampano's chain act bring out the pitiable side of his character even more so than the dramatic scenes do.

Giulietta Masina gives a rather stylized performance as Gelsomina, at times bearing a surprising resemblance to comics such as Harpo Marx or even Harry Langdon. Yet she is completely engaging and sympathetic, and she creates a memorable character. Richard Basehart likewise manages to make The 'Fool' an idiosyncratic, rather annoying, but again sympathetic character.

Fellini's approach, of course, adds much to the characters and to the story. Some of the vignettes, such as the wedding banquet sequence and the convent sequence, would stand up very well on their own with just a minimum of outside context. The camera is often used in subtle ways to bring out the symbolism or significance of the scene.

Nino Rota's music is also an essential part of making "La Strada" what it is, at times establishing an atmosphere all by itself. (And, while it is completely extraneous to an appreciation of "La Strada", there are moments when it is hard not to be reminded of Rota's score for "The Godfather".) Probably the only real weakness of the movie is the dubbing, which is too noticeable not to become distracting at times.

Finally, the movie is a worthy classic not least because Fellini, his cast, and his crew all work together to turn the lives of some very ordinary human beings into a worthwhile and sympathetic look at humanity.


33 of 38 people found this review helpful.  Was this review helpful to you?

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Did Gelsomina and Zampano Have Carnal Relations? bebop63-1
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