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Desde allá (2015)

6.4
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Ratings: 6.4/10 from 168 users   Metascore: 88/100
Reviews: 1 user | 14 critic | 4 from Metacritic.com

Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.

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(based on a story by), (based on a story by), 1 more credit »
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Title: Desde allá (2015)

Desde allá (2015) on IMDb 6.4/10

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Cast

Cast overview, first billed only:
...
...
Jericó Montilla ...
Amelia
Catherina Cardozo ...
Maria
Jorge Luis Bosque ...
Fernando
Greymer Acosta ...
Palma
Auffer Camacho ...
Mermelada
Ivan Peña ...
Yoni
Joretsis Ibarra ...
Deysi
Yeimar Peralta ...
Yerlin
Scarlett Jaimes ...
Yuli
Ernesto Campos ...
Kleiber
Marcos Moreno ...
Manuel
Armando Volcanes ...
Padrino quinceañera
Jesús Las Rosas ...
Roca
Edit

Storyline

Armando, a 50 year man, seeks young men in Caracas and pays them just for company. One day he meets Elder, a 17 years boy that is the leader of a criminal gang, and that meeting changes their lives forever.

Plot Summary | Plot Synopsis

Genres:

Drama

Edit

Details

Country:

|

Language:

Release Date:

10 September 2015 (Italy)  »

Also Known As:

From Afar  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.66 : 1
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User Reviews

 
TIFF 2015 -- Desde Allá (From Afar): A long-distance relationship
17 September 2015 | by (Toronto, Canada) – See all my reviews

'Desde Allá' (From Afar) slowly and carefully brings you into the world of Armando, a wealthy loner who spends his free time coercing Caracas street gang youths to go back to his apartment so he can enjoy their company while pleasuring himself. He finds Elder, another street youth, who he runs into trouble with at first, but eventually end up bonding to the point that their relationship becomes physical.

In terms of both Armando and Elder's chemistry, it's nothing to rave on about. Because they are such opposites, it's easy to see how they clash, but that's as far as it goes. It's more of a strange encounter because they are such different people, especially Elder, who starts off the film as being vehemently homophobic but oddly changes after some time with a very limited showing of affection and care.

The film, which recently won the Golden Lion at the Venice Film Festival, goes about its storytelling by long tracking shots or stationary frames that have a lot happening inside of them. Very little dialogue is exchanged, but looks and actions speak louder than words in this picture. While it keeps the suspense a bit on the up, others might want consistent dialogue, which this film doesn't have.

The film should be praised for several things: talking about a taboo subject in a country like Venezuela, and showing the issues that are happening in the country, which includes the long lineups for basic necessities and consistent criminal activity.

Without writing spoilers, what really makes this film is the ending. It's fairly open- ended, and it's a bit shocking to say the least. During the TIFF Q&A, Directory Lorenzo Vigas was rather inquisitive of the audience, trying to find out what they thought the ending was about. Not all films should provide the necessary answers for the viewer, but good films allow for interaction and further interpretation.

On a further note, this film was NOT selected by Venezuela as its Best Foreign Film selection for the upcoming Academy Awards. I'm not sure if this has to do with the topic. I haven't seen the actual selection 'Gone with the River' (Lo que lleva el río), so I can't comment. However, it seems odd that this film, which is showing at several world film festivals, and was in competition for the Golden Lion — and won — was NOT Venezuela's official selection.


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