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Caníbal (2013) 5.8
Ratings:
5.8/10 from 2,009 users
Metascore: 69/100
Reviews: 10 user | 49 critic | 6 from Metacritic.com Carlos is the most prestigious tailor in Granada, but he's also a murderer in the shadows. He feels no remorse, no guilt, until Nina appears in his life and love awakens. Director:Manuel Martín Cuenca |
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Title: Caníbal (2013)
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12 wins & 23 nominations.
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Cast
| Credited cast: | |||
| Antonio de la Torre | ... |
Carlos
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Olimpia Melinte | ... |
Alexandra /
Nina
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| María Alfonsa Rosso | ... |
Aurora
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Florin Fildan | ... |
Bogdan
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Manolo Solo | ... |
Vecino
(as Manuel Solo)
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| Delphine Tempels | ... |
Mujer Gasolinera
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Gregory Brossard | ... |
Hombre Gasolinera
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Cedric Sester | ... |
Hombre Playa
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Carlos Aceituno | ... |
Agente Judicial
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Yolanda Serrano | ... |
Policía Científica
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Francisco Conde | ... |
Hermano Mayor
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| Rest of cast listed alphabetically: | |||
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Yva Fogiel | ... |
Ada
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Joaquín Núñez |
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Sara Da Pin Up | ... |
Mujer playa
(as Sara Velázquez)
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Plot Summary
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Storyline
Carlos is the most prestigious tailor in Granada, but he's also a murderer in the shadows. He feels no remorse, no guilt, until Nina appears in his life and love awakens.
Plot Keywords:
male frontal nudity | male nudity | granada | pubic hair | male pubic hair |Taglines:
El amor es insaciable (Love is insatiable)Genres:
ThrillerParents Guide:
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Details
Release Date:
25 July 2014 (USA) See more »Also Known As:
Cannibal See more »Company Credits
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Technical Specs
Runtime:
Sound Mix:
Dolby DigitalColor:
ColorAspect Ratio:
2.35 : 1
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Composed by Johann Sebastian Bach
Conducted by Nikolaus Harnoncourt
(P) 1968 Teldec
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Did You Know?
Soundtracks
Misa en Si Minor BWV232: Il Kyrie eleisonComposed by Johann Sebastian Bach
Conducted by Nikolaus Harnoncourt
(P) 1968 Teldec
See more »
"Cannibal" summons to mind vague storyline similarities with Patrice Leconte's moody 1990 film "Monsieur Hire" and James Hamilton- Paterson's roman a clef "Loving Monsters."
Protagonist Carlos is a revered tailor in Granada, Spain, who murders and cannibalizes beautiful young women, and ostensibly does so in a way unencumbered by sadism or sexuality. His monotonic cannibalism is never explained, and left as metaphorical vehicle. Horror is not on offer here, and viewers are left free to imbue Carlos's predilection with personal meaning: in other ways, Carlos is fair, just, and honorable. Do even the very best among us have equally abhorrent gaping erroneous zones?
Romanian actress Olimpia Melinte's fresh-faced, highly-abled and confident screen presence work well in two roles here. Mise en scene, vistas and pacing are lovely, and the languid takes, the confident exposition, the story's ability to achieve both enormity and enormousness with an economy of lines and set-ups, make "Cannibal" well worth immersing in.