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Till det som är vackert (2009) 6.9
Katarina is 20 years old. With a troubled past in a dreary suburb, her life seems to be already set in stone - until she discovers music. Everything changes when she hears a performance of ... See full summary » Director:Lisa LangsethWriter:Lisa Langseth |
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Title: Till det som är vackert (2009)
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5 wins & 1 nomination.
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Cast
| Cast overview, first billed only: | |||
| Alicia Vikander | ... |
Katarina
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Samuel Fröler | ... |
Adam
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Josephine Bauer | ... |
Birgitta, mamman
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| Martin Wallström | ... |
Mattias
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Helén Söderqvist Henriksson | ... |
Personalchefen
(as Helén Söderqvist)
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Kim Lantz | ... |
Vaktmästaren
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Frederik Nilsson | ... |
Henrik
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Elisabeth Göransson | ... |
Agneta, socialsekreteraren
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Ylva Gallon | ... |
Sjuksköterskan
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| Anna Åström | ... |
Cicci
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Magnus Lindberg | ... |
Nille
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Adama Gharbi | ... |
Jasse & Hans Killgäng
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Edwin Chalusi | ... |
Jasse & Hans Killgäng
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Caesar Kobb | ... |
Jasse & Hans Killgäng
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Felix Stegemann | ... |
Jasse & Hans Killgäng
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Plot Summary
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Storyline
Katarina is 20 years old. With a troubled past in a dreary suburb, her life seems to be already set in stone - until she discovers music. Everything changes when she hears a performance of Mozart's Requiem at the Gothenburg Concert Hall that sends her reeling and opens up a beautiful new world. She feels that she has to change her life and get as far away from her ugly reality as possible. But the path she has to follow proves a treacherous one, filled with lies, betrayal and a dangerous liaison with the married conductor Adam. Yet Katarina is ready to do anything to gain her new identity. Written by Anonymous
Taglines:
Katrina's eyes and mind are opened when listening to the beauty of Mozart.Genres:
DramaCertificate:
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Details
Country:
SwedenLanguage:
SwedishRelease Date:
22 October 2010 (Sweden) See more »Also Known As:
Pure See more »Filming Locations:
Gothenburg, Västra Götalands län, SwedenBox Office
Budget:
SEK 14,700,000 (estimated)Company Credits
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IMDbPro »
About music? Or what, exactly.
Glam? Music is an art form.
To make a film about music, one should respect the subject and performers within the confines of the script.
Pretty faces do not music make.
Nor does production values film make. Scripting is story, production is canvas,direction is product.
Any musician would see, any at all, poor research on behalf of the writer(s).
Go for it with gusto next time, practice, practice, practice.
Makes perfect.
It is with dull merit that I had to include more lines than needed to get this review submitted. So be it. This film does not express what it tried to say, but follies about with faces and drama.