Seconds (1966)

During one's life, there comes a time when the wisdom accumulated during the early years does not serve to make a choice any easier in later life. There are not too many films which offer the viewer a choice to finish watching or not. When one is a youngster and watching a monster film, one can always run screaming from the theater if the scenes get frightening. That will be the reaction when you're watching this film. It starts easy enough when a middle-age man, John Randolph (Arthur Hamilton) decides to accept an offer to 'exchange' his given life, and trade it for a more youthful one. The transition is casual enough, but director John Frankenheimer, adroitly uses the Black and White images to lure not only the audience, but the subject into a false sense of security and tranquility. During the fantastic transformation from old John Randolph to youthful, handsome and attractive Antiochus 'Tony' Wilson, (Rock Hudson) he and the audience is gently beaconed and eased into the new, but alien life by a calm and compassionate guide, called the "Old Man. (Will Geer)" It's his job to ally the fears and reassure suspicions that 'everything is going to be alright.' The fact is the film is so tranquil, one hardly suspects the new life, unless the subject and the audience want to go home. John/Tony choose this option. The way back however is impossible, but only the audience is privy to it. The subject is removed from his 'second' life and given a quiet room, to collect his thoughts. It's here, the subject and the audience are once again joined by the Old Man, who will ease us not to the comfort of a New Life, but to make us aware that escape and the exit doors are twenty feet away. It's time to choose again, but you'd better hurry. The end is terrifying in it's finality. *****