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HART 206 INTRODUCTION - HISTORY OF ART Credits 4.00 Spring 2000 * DISTRIBUTION COURSE: GROUP I A survey of painting, sculpture, and architecture from the Renaissance through the twentieth century. An additional hour of tutorial per week will be assigned during the first week. 001 MWF 10:00AM-10:50AM SH*301 Manca, Joseph *CURRENT ENR: 0 001 Papanikolas, Theresa *CURRENT ENR: 0 003 T 02:30PM-03:20PM SH*305 Manca, Joseph *CURRENT ENR: 0 004 T 04:00PM-04:50PM SH*305 Manca, Joseph *CURRENT ENR: 0 005 W 01:00PM-01:50PM SH*207A Papanikolas, Theresa *CURRENT ENR: 0 006 W 02:00PM-02:50PM SH*305 Papanikolas, Theresa *CURRENT ENR: 0 HART 300 ART AND THE WORLD'S RELIGIONS Credits 3.00 Spring 2000 * DISTRIBUTION COURSE: GROUP I Art is presented as a way of thinking about reality. Slide-illustrated lectures will involve visual formulations of: origination, history, destiny,society, the individual, sexuality, gender, power, and the end of the world. Also offered as Reli 300. Limited enrollment:35. 001 T 07:00PM-10:00PM SH*303 McEvilley, Thomas *CURRENT ENR: 0 HART 316 ART AND ARCHITECTURE IN THE MIDDLE EAST Credits 3.00 Spring 2000 This course surveys the art and architecture of the Islamic Middle East from the 13th century onwards. It examines the relationship of art to historical context, its social uses, and the construction of its meaning. Of special concern are the visual productions of the Mamluk, II-Khanid, Timurid, Ottoman and Safavid states, and the development of imperial capitals such as Cairo, Bukhara, Samarkand, Istanbul, and Isfahan. Pre-requisties:none. 001 TTH 10:50AM-12:05PM SH*207A Watenpaugh, Heghnar *CURRENT ENR: 0 HART 322 UNDERSTANDING POST-MODERNISM Credits 3.00 Spring 2000 * DISTRIBUTION COURSE: GROUP I A study of broad cultural change that is still unresolved, and still controversial. Attention will be paid to post-modern issues in history, philosophy, post colonial studies, marxism, feminism, and psychoanalytic theory, with less explicit attention to post-modern issues in literary criticism. The visual arts, including film, will be presented not in isolation but in a matrix of cultural wholeness. Lectures, discussions, slide and film showings. Enrollment is limited to 20. 001 W 01:00PM-04:00PM SH*429 McEvilley, Thomas *CURRENT ENR: 0 HART 331 SEMINAR IN FILM & TV AUTHORS: KUBRICK, S Credits 4.00 Spring 2000 * DISTRIBUTION COURSE: GROUP I Focuses on issues of authorship in film and television. Presents a structuralist and poststructuralist reading of the films of Stanley Kubrick, Martin Scorsese, and Arthus Penn. Their films will be seen in the context of the social issues of the 1960s through the 1990s. Enrollment limited to 15. 001 W 01:00PM-05:00PM MECN*100 Naficy, Hamid *CURRENT ENR: 0 HART 336 TELEVISION, SPECTACLE AND THE VISUAL ART Credits 3.00 Spring 2000 * DISTRIBUTION COURSE: GROUP I This seminar will investigate the myriad ways in which thinking about television (or the "televisual") can be used to reevaluate the meaning and development of the arts of the post-War period. 001 TH 01:00PM-04:00PM SH*207A Joseph, Branden *CURRENT ENR: 0 HART 350 AMERICAN ARCHITECTURE AND DECORATIVE ART Credits 3.00 Spring 2000 * DISTRIBUTION COURSE: GROUP I Major topics will include the furniture styles of early America, the architecture of colonial cities, the life, thought, and architectural ideas from Thomas Jefferson, urban design and building projects in Washington, D.C., and other U.S. cities, and domestic life and interior design in nineteenth-century America. Enrollment limited to 36. 001 MW 11:00AM-12:15PM SH*305 Manca, Joseph *CURRENT ENR: 0 HART 371 ART BETWEEN THE WARS:CULTURAL POLITICS O Credits 3.00 Spring 2000 Dada and Surrealism developed in a cultural climate traumatized by World War I and charged ideologically by the political upheavals that catalyzed WWII. From the vantagepoint of these two major twentieth-century movements,this course will explore how modern artists responded to these transformative historical events. This class will be conducted as a seminar, with a select group of sessions to be held at The Menil Collection. There will be extensive readings, including contemporary theoretical texts both artistic and political, as well as articles by modern scholars. 001 MW 04:00PM-05:30PM SH*207A Papanikolas, Theresa *CURRENT ENR: 0 HART 408 SEMINAR - MIDDLE EASTERN ART Credits 3.00 Spring 2000 * DISTRIBUTION COURSE: GROUP I This seminar focuses on topics in Middle Eastern art. The scope is comparative, and the content of the course is variable. Readings and discussions address historical and theoretical issues. Enrollment limited to 15. 001 T 02:00PM-05:00PM SH*207A Watenpaugh, Heghnar *CURRENT ENR: 0 HART 421 THE IMAGE OF THE ARTIST: SELF-REPREST. F Credits 3.00 Spring 2000 The course concerns self-representations of artists and their environments, both personal and professional. The course topic is essentially iconographic, but considerable attention will be given to the history and techniques of printmaking through the early nineteenth century. 001 W 02:00PM-05:00PM Clifton, James *CURRENT ENR: 0 HART 464 ANDY WARHOL:ARTIST OF THE (NEXT?) CENTU Credits 3.00 Spring 2000 * DISTRIBUTION COURSE: GROUP I The current moment is an excellent time to begin to reevalute the meaning of Warhol's art and his legacy. This course will examine the facets of Warhol's career, as well as his work in photography, fashion, mutli-media happenings, literature, and theatre. A look a Warhol's collaborations with rock musicians and the way Warhol influenced the birth of punk rock will all be examined. 001 TTH 09:25AM-10:40AM SH*307 Joseph, Branden *CURRENT ENR: 0 HART 471 CULTURE, MEDIA, SOCIETY EXILE & DISPORA Credits 4.00 Spring 2000 Examination of cultural productions as vehicles for communication across national, cultural, and other boundaries, using contemporary theories of culture and media. Includes the creation of meaning and cultural capital, the representation of minority and alternative views, and the construction of individual and group identities. Also offered as ANTH 471. 001 TH 01:00PM-05:00PM MECN*100 Naficy, Hamid *CURRENT ENR: 0 HART 491 BAYOU BEND INTERNSHIP Credits 3.00 Spring 2000 * DISTRIBUTION COURSE: GROUP I Internship at Bayou Bend, the American Decorative Arts Center of the Museum of Fine Arts, Houston. Prereq- Offered to the winner of the Jameson Fellowship. 001 TBA TBA Manca, Joseph *CURRENT ENR: 0 HART 492 SPECIAL TOPICS: FOUR MODERN MASTERS Credits 3.00 Spring 2000 A study of the art and criticism of four masters of twentieth-century art: Picasso, Duchamp, Ernst and Mondrian. Prereq- Hart 206 or 475 or permission of instructor. 001 MW 02:30PM-03:50PM Camfield, William *CURRENT ENR: 0 HART 499 INDEPENDENT STUDY Credits 3.00 Spring 2000 Prereq- permission of the faculty. 001 TBA *CURRENT ENR: 0 HART 571 CULTURE, MEDIA, SOCIETY EXILE CINEMA Credits 4.00 Spring 2000 Examination of cultural productions as vehicles for communication across national, cultural, and other boundaries, using contemporary theories of culture and media. Includes the creation of meaning and cultural capital, the representation of minority and alternative views, and the construction of individual and group identities. Also offered as ANTH 571. 001 TH 01:00PM-05:00PM MECN*100 Naficy, Hamid *CURRENT ENR: 0 HART 586 INDEPENDENT READING Credits 3.00 Spring 2000 001 TBA TBA TBA *CURRENT ENR: 0 HART 592 MASTER OF ARTS THESIS Credits 3.00 Spring 2000 001 TBA TBA TBA *CURRENT ENR: 0 HART 594 SPECIAL TOPICS Credits 3.00 Spring 2000 001 TBA TBA TBA *CURRENT ENR: 0 HART 596 SPECIAL TOPICS Credits 3.00 Spring 2000 Prereq- permission of instructor. 001 TBA TBA TBA *CURRENT ENR: 0 HART 800 THESIS AND RESEARCH Credits 3.00 Spring 2000 001 TBA TBA TBA *CURRENT ENR: 0
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