Bodeen, acclaimed as the writer of such picture books as Elizabeti's Doll, turns out a high-wire act of a first novel, a thriller that exerts an ever-tighter grip on readers. Eli, the 15-year-old son of a billionaire techno-preneur, has spent the last six years with his family in the massive underground shelter his father has built, knowing that nuclear war has destroyed the world he knows-and killed his grandmother and his twin brother, who couldn't reach the compound in time. With nine years to go before the air outside will be safe to breathe again, the food supply shows signs of running out, but Eli's father has a solution-provided they jettison all morals and ethics. Repulsed and already suspicious, Eli begins investigating his father's claims, and sets up a family death match against a man who grows increasingly irrational and sinister but no less powerful. As far-fetched as the premise may be, Bodeen keeps Eli's actions true to life and uses clues planted fairly and in plain sight. The audience will feel the pressure closing in on them as they, like the characters, race through hairpin turns in the plot toward a breathless climax. Ages 12-up. (June)
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The Compound
by S. A. BodeenView All Available Formats & Editions
Eli and his family have lived in the Compound for six years.
The world they knew is gone.
Eli's father built the Compound to keep them safe. Now, they can't get out.
He won't let them.
The Compound is a 2009 Bank Street - Best Children's Book of the Year.
Overview
Eli and his family have lived in the Compound for six years.
The world they knew is gone.
Eli's father built the Compound to keep them safe. Now, they can't get out.
He won't let them.
The Compound is a 2009 Bank Street - Best Children's Book of the Year.
Editorial Reviews
Gr 8 Up
Following a nuclear holocaust, nine-year-old Eli and his family race into the underground compound his billionaire father created in this post-apocalyptic novel (Macmillan/Feiwel & Friends, 2008) by S.A. Bodeen. The hatch is slammed shut, but without Eli's twin and their grandmother. The family must stay underground for 15 years until the radiation levels are safe. Fast forward six years and Eli is beginning to have some doubts, as do his two sisters and mother. They have trusted their father, but now he is behaving strangely. Eli believes that his father created the entire scenario as some kind of sick hoax, right down to cloning and creating human babies, The Supplements, who might actually be needed someday as a food supply. Repulsed and frightened, Eli teams with his sisters, his mother, and The Supplements in a race to discover what is really going on, what happened that fateful night, and how to escape the powerful madman who has them trapped. Suspense galore is brought to life by Christopher Lane's masterful reading, fraught with tension, anger, and a gamut of powerful emotions. The taut, fast-moving plot will grip listeners.-Jane P. Fenn, Corning-Painted Post West High School, NY
Debut novelist Bodeen effectively builds the claustrophobic suspense with each chapter as readers slowly discover the Compound is not the refuge it seems. Combining elements of Margaret Peterson Haddix's Running Out of Time (1995) and Kazuo Ishiguro's Never Let Me Go (2005), published for adults, this post-apocalyptic thriller will also pique the interest of Nancy Werlin and L.J. Adlington fans.
Product Details
- ISBN-13:
- 9780312578602
- Publisher:
- Square Fish
- Publication date:
- 09/01/2009
- Series:
- Compound Series, #1
- Edition description:
- Reprint
- Pages:
- 272
- Sales rank:
- 70,780
- Product dimensions:
- 5.40(w) x 8.20(h) x 1.00(d)
- Age Range:
- 12 - 17 Years
Read an Excerpt
I knew what had happened that night. We had been prepared. Other kids got bedtime stories about fairies and dogs. We fell asleep with visions of Weapons of Mass Destruction dancing in our heads. . .
Dad gripped my shoulders and pulled me away from the silver door, twisting me around to follow the rest of my family. What was left of it. I clung to my father’s hand. He rushed ahead of me, his hand dropping mine.
I lifted my hand to my face. It reeked of fuel.
The corridor ended. We paraded through an archway strung with twinkling white lights, then entered an enormous circular room. The place reminded me of a yurt we’d built in school, but about 80 times bigger. The curved walls were made of log beams; the same type which criss-crossed over our heads in an intricate pattern. The roundness of the room was odd yet comforting . . . Dad flicked a switch.
A plasma television dropped down from the ceiling, blank monitor glowing. “I figured we’d be in here a lot.” The blue from the television tinted Dad’s face and blonde hair in a garish way. He startled me when he threw his arms out to the side. “Cozy, yes? What do you think?”
“It’s not what I expected.” Mom’s voice was shaky.
Dad rubbed his jaw. “What did you expect?”
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