Based on a real life group of con artists who pulled off many clever robberies during 1980s, and robbed famous businessmen and politicians by pretending to be the CBI or Income tax officers and conducting raids, on the pretext of conducting raids they would take away all the black money hoarded by them.

Taal is a classic romantic movie about Manav (Akshaye Khanna), a young and dazzling son of an NRI billionaire (Amrish Puri), who comes to Chamba (Himachal Pradesh) for the first time with his family. There he sees Mansi (Aishwarya Rai), a gifted folk singer and dancer, who flatters him with her beauty. They both fall in love eventually and commit to each other. But one day, when Mansi along with her father Tarababu (Aloknath), who is a highly respected folk singer in Chamba, visit Manav's family in Mumbai, they are insulted and thrown out of the house. Infuriated, Mansi vows that she will become someone to reckon with in Manav's world of ruthless materialism. Mansi meets Vikrant (Anil Kapoor), a music composer and the owner of an entertainment company. She joins him and transforms into a successful singer and dancer. Manav traces Mansi's rise to fame and Vikrant helps her achieve it, falling in love with her in the process. Will Mansi be able to get back with Manav? Or will Vikrant be the love of her life?

Kanji Lalji Mehta (Paresh Rawal), a middle-class atheist-Hindu owns a shop of Hindu idols and antiques in Chor Bazaar, Mumbai. One day, a low-frequency earthquake hits the city, and Kanji's is the only shop destroyed.

The story of Water begins in 1938 India as an 8 year old girl, who barely even remembers her wedding and has little comprehension of her marriage, has just been widowed. Required by ancient Hindu laws to now leave society, she is brought to a dilapidated widow house or ashram where, according to custom, her hair will be shorn, her clothes exchanged for white robes and the rest of her life, until her death, will be spent in renunciation. But the feisty, precocious, disbelieving Chuyia (Sarala) soon turns the house upside down with her rebellious spark. She begins to have a profound affect on the other women who live there, in particular the devout Shakuntala (Seema Biswas) and the beautiful Kalyani (Lisa Ray) who has been forced into prostitution by the domineering head widow, Madhumati (Manorama). It is Chuyia who leads Kalyani to meet the alluring law student and Gandhi nationalist Narayan (John Abraham), with whom Kalyani falls in love, despite the taboos. What happens next - an attempt at escape fueled by passion and bravery -- will change Chuyia forever and bring both tragedy and an unexpected ray of hope to the widow house.

Bhoothnath Returns takes Bhoothnath's story forward. As he returns to 'Bhoot World' he is greeted with taunts and condemnation from other ghosts for bringing disrepute to the ghost-community for getting bullied by a kid on Earth. Post the humiliation, Bhoothnath decides to redeem himself and come back to scare a bunch of kids. Bhoothnath's search for kids brings him to Akhrot, a slum kid who is also the only person who can see him. Together they agree to help each other and their friendship sees them get involved in a cause that is bigger than they had ever imagined. To move ahead they will need to take on one of the country's most powerful and corrupt politician Bhau. The Lok Sabha elections are nearing and Bhau's victory is a mere formality, or is it? In a world, where a common man is afraid of politics, will a common man's ghost overcome his fear to stand up for what's right and fight against injustice? Bhoothnath Returns is an entertaining tale of good against evil, weak against powerful, past against future.

Circa 1930 in Chittagong, male teenagers are asked by British soldiers to play football elsewhere. Since there is no other ground they decide to approach widower school-master Surjya Sen and join his band of freedom fighters. Since Gandhi had announced a ban of violence for one year Surjya patiently waits then raises Rs.18000/- With this amount he procures guns, four vehicles, 25 bicycles and inducts two women, Pritilata and Kalpana Dutta in his team. Their plan is to surprise the British by disabling telecommunications and transportation, liberating jailed comrades, taking guns and ammunition from the armory and holding Britishers hostage at the European Club. Before they could carry out their plan both women are instructed by their respective families to re-locate to Calcutta. Surjya nevertheless decides to simultaneously carry out the attacks but his group is unable to hold any hostages due to the holiday of Good Friday and the raid on the armory gets them rifles but no ammunition. They do succeed in cutting off communications and transportation; however, the British do recover and devise plans to capture the group. With no food nor shelter, little or no ammunition, how long will Surjya and his group elude the determined British?

Janardhan Jakhar lives in his own world, encompassed with music and dreams of mesmerizing the world with his voice. Midst unsuccessful auditions, and thwarted attempts in creating music, this Delhi boy imbibes a priceless piece of advice from his mentor friend -- great music is borne from great pain. He who hasn't experienced the pain of heartbreak shall not know the depth and intensity of sublime music.
Janardhan now sets out to find the pain that will make his life and music go beyond the realm of the ordinary. He proposes to Heer, the stunning beauty from the college. Quiet and subdued, Heer has a well of emotion hidden inside, a ocean of unfettered energy waiting to exude. The story of Janardhan and Heer starts off as one of laughter and mirth, but with every passing day, this becomes more intense, more passionate and more vulnerable.
Heer and Janardhan get separated, as she gets married off to Prague. Janardhan's pain of separation translates into words and music, transcending the heart and the soul. Janardhan becomes Jordan, as he relentlessly pursues his love, at once pining away and accepting the absence of Heer in his life. At the end, as he spirals down the road of fame and fortune in his professional life, Jordan realizes that his and Heer's story exists beyond the worldly, in his imagination, where the music is pure and the only drug needed is true love.

NEW YORK is a contemporary story of friendship set against the larger than life backdrop of a city often described as the centre of the world. Omar (Neil Nitin Mukesh) has gone abroad for the first time in his life and soon enough he begins to see and love America through the eyes of his American friends - Sam (John Abraham) and Maya (Katrina Kaif). It is the story of these three friends discovering a new world together.

But one day the world around them changed...

For most of us, larger events in the world are just headlines in the newspapers but these events can change our lives... forever. New York is one such story of 3 young friends whose beautiful lives are turned upside down by the larger event of 9/11 beyond their control.

At this point enters Agent Roshan (Irrfan), an FBI undercover agent who sets the ball rolling for a series of tumultuous events that turn the lives of these friends into a dangerous and thrilling roller coaster ride. Innocence is lost forever!

The story starts with the joining of a new English teacher, Rahul Prakash Udyavar (Shahid Kapoor), in Swaraswati Vidya Mandir School, situated in the outskirts of Mumbai's suburbs. Though he creates an instant rapport with students and teachers alike, he realizes that there is something amiss in this school. Slowly his doubts come true as the manager of the school, Sharma (Saurabh Shukla), makes many monetary obligations compulsory for the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanely when the parents do not fulfill the new unjustified demands of the school. Day by day the stress level of the students increases, leading to unexpected and grim consequences. The situation becomes so explosive that it becomes a national issue. Paathshaala tries to answer many questions related to the sanctity of today's education system. The high morals and basic ethics of the teachings have taken a back seat. Profit and more profit have become a new mantra of educational institutions. Paathshaala is not afraid of telling the truth about the wrong doings of greedy educational institutes; neither does it spare them from exposing the use of unethical media activities for the children who are yet not ready for it.

Harpreet Singh Bedi (Ranbir Kapoor) has just graduated, and his marks are, well, let's say a little embarrassing. But marks never stopped him from dreaming of an exciting and adventurous career, and they never will.

He takes a deep, positive breath and dives into the world of sales, rumoured to be an ultra cool career for all smart people blocked from entering medical, engineering or business schools by brainless entrance exams. It's everything he dreamt of, with its smooth dressing, smoother talking men and women who can sell ice to an Eskimo, dreams to an insomniac, and a lifetime mobile connection to a dying man. But soon, his idea of success begins clashing with the strange ways of these 'professionals' he looked up to.

"ROCKET SINGH - Salesman of the Year" is the sometimes thoughtless, sometimes thoughtful story of a fresh graduate trying to find a balance between the maddening demands of the 'professional' way, and the way of his heart - and stumbling upon a crazy way which turned his world upside down, and his career right side up.

Gurgaon is the most modern boom-town of "India Shining", the new frontier to be conquered by those who understand real estate. This city rose from a small town to a boom town satellite city in just fifteen years.

However the law and order is yet to catch up.
A family of Policemen...
A family of Gangsters...

Under the guise of a respected citizen, Yashwardhan (Jackie Shroff) runs a parallel world -- a world, where he is the Emperor.

To bring down a criminal... the law will have to now think like a criminal
When Vishal (Arjun Kapoor) is planted in Yashwardhan's world in place of Ajay (Arjun Kapoor), the lawmakers (Rishi Kapoor & Prithviraj) roll the dice and a sequence of events unravel -- something much more than what Vishal bargained for, as he finds himself in a predicament that puts him to the test!

Aurangzeb is all about a world where Kingship knows no Kinship and where there can be only one Emperor!

CBFC Rating UA, BBFC Rating 15, India Rating UA Certificate No - DIL/2/82/2013-MUM

In a rare landmark court verdict, business tycoon Ranbeer (Saif Ali Khan) is sentenced to raise the very children whose parents he killed in an accident.

The orphans hate him and want revenge. When Ranbeer & the children pray for divine intervention - Geeta (Rani Mukerji) was not what they had in mind. The Big Man above sends a mischievous, childlike, lovable angel to the rescue, with a mission to bring Ranbeer and the kids together.

And then starts the roller coaster ride of fun, emotions, magic and love.
An angel who doesn't know what love is.
A man who always lost love.
Four orphans who need love.
All come together to bring you a film with fun, excitement, tears, love & magic.

When RV (Saif Ali Khan) is spotted by Harry (Jaaved Jaafery) the Manager of a failing Racing car team Speeding Saddles, everything changes for RV and the team... They shoot to the top.... the dream is complete when he meets Radhika (Rani Mukerji) and the 2 tie the knot... the world is at their feet.

But when he meets with an accident, his world is turned upside down, he not only loses the edge on the track but everything he had once gained, the accolades, the fans, the money, the house the friends and the glory.

It is now that his young family must help him fight his demons and get him back in the driving seat. The family struggles to survive a life that they are not used to - from a big house in a plush locality to the a run down apartment in the Bronx is not what RV wanted for his family - RV is on the road back but can he reclaim the glory for his family?

Subhash Nagre (Amitabh Bachchan) is well known as Sarkar by his followers. Sarkar has his own way to bring in justice in the law system. Rasheed (Zakir Hussain) tries to strike a deal with Sarkar. He promptly refuses on moral grounds and also forbids him from doing it himself. Rasheed tries to eliminate Sarkar's supremacy and challenges his parallel government in Mumbai. After failing in his intentions, Rasheed takes the help of darkness. He approaches Sarkar in the dark of the night with the intent of murdering him. Shankar (Abhishek Bachchan) foils his plan and later kills him. Sarkar's son Shankar Nagre rises to face his enemies. Watch out the check and mate game by Sarkar.