If you were born in the '40s, your decade began with the election of Franklin Delano Roosevelt to an unprecedented third term ... the country was isolationist ... American workers got the forty hour work week ... Walt Disney Studios released Fantasia and Pinocchio ... Nylon stockings went on sale for the first time ... and Glen Miller wrote the decade's signature song, In the Mood.

What has happened to us? Despite the most advanced medical technology in the world, we are sicker than ever by nearly every measure.

Two out of every three of us are overweight. Cases of diabetes are exploding, especially amongst our younger population. About half of us are taking at least one prescription drug. Major medical operations have become routine, helping to drive health care costs to astronomical levels. Heart disease, cancer and stroke are the country's three leading causes of death, even though billions are spent each year to "battle" these very conditions. Millions suffer from a host of other degenerative diseases.

Could it be there's a single solution to all of these problems? A solution so comprehensive but so utterly straightforward, that it's mind-boggling that more of us haven't taken it seriously?

FORKS OVER KNIVES examines the profound claim that most, if not all, of the so-called "diseases of affluence" that afflict us can be controlled, or even reversed, by rejecting our present menu of animal-based and processed foods. The major storyline in the film traces the personal journeys of a pair of pioneering yet under-appreciated researchers, Dr. T. Colin Campbell and Dr. Caldwell Esselstyn.

Authors Michael Pollan & Eric Schlosser star in a vital doc that lifts the veil on how our food is made, exposing surprising secrets that the food industry tries to hide from the American consumer. You'll never look at dinner the same way. MPAA Rating: PG

Former Secretary of Labor Robert Reich makes an eloquent and impassioned argument about how the devastating effects of America's widening income inequality not only threaten the middle class but also the very foundation of democracy itself.

BUCK, a richly textured and visually stunning film, follows Brannaman from his abusive childhood to his phenomenally successful approach to horses. A real-life "horse-whisperer", he eschews the violence of his upbringing and teaches people to communicate with their horses through leadership and sensitivity, not punishment. Buck possesses near magical abilities as he dramatically transforms horses -- and people -- with his understanding, compassion and respect. In this film, the animal-human relationship becomes a metaphor for facing the daily challenges of life. A truly American story about an unsung hero, BUCK is about an ordinary man who has made an extraordinary life despite tremendous odds.

Located alongside the Tennessee River, Muscle Shoals, Alabama has helped create some of the most important and resonant songs of all time. Overcoming crushing poverty and staggering tragedies, Rick Hall brought black and white together to create music for the generations. He is responsible for creating the "Muscle Shoals sound" and The Swampers, the house band at FAME Studios that eventually left to start its own successful studio known as Muscle Shoals Sound. Gregg Allman and others bear witness to Muscle Shoals' magnetism, mystery and why it remains influential today.

The next chapter on America's food crisis from the people that brought you FOOD, INC: 1 in 4 kids don't know where their next meal is coming from. Hunger is a growing epidemic in the US, and we can fix it. Jeff Bridges, Tom Colicchio star.

Imagine a school where the cool kids are the chess team! Welcome to I.S. 318. This irresistibly uplifting doc tells the stories of five members of the chess team at an inner city junior high school that has won more national championships than any other in the country. The film follows the challenges these kids face in their personal lives as well as on the chessboard, and is as much about the sting of their losses as it is about the anticipation of their victories. These are kids that you will not soon forget. A FilmBuff Presentation. MPAA Rating: PG

If you were born in the '60s, your decade opened with John F. Kennedy as the 35th President of the United States ... Over 850,000 "war baby" students entered college as freshman ... the cartoon The Flintstones appeared on Television for the first time ... Chubby Checker started a new dance craze with the sensational Twist ... the U.S. men's ice hockey team won gold in the winter Olympics at Squaw Valley, California ... and Alan Shepard made the first U.S. space fight.

Every year, thousands of aspiring dancers enter one of the world's most prestigious ballet competitions, the Youth America Grand Prix, where lifelong dreams are at stake. In the final round, with hundreds competing for only a handful of elite scholarships and contracts, practice and discipline are paramount, and nothing short of perfection is expected. Bess Kargman's award-winning documentary, FIRST POSITION, follows six young dancers as they prepare for a chance to enter the world of professional ballet, struggling through bloodied feet, near exhaustion and debilitating injuries, all while navigating the drama of adolescence. A showcase of awe-inspiring talent, tenacity and passion, FIRST POSITION paints a thrilling and moving portrait of the most gifted young ballet stars of tomorrow.

REJOICE & SHOUT covers the 200 year history of African-American Christianity, featuring the legends of Gospel music, including The Staple Singers, The Clara Ward Singers, The Dixie Hummingbirds, and Sister Rosetta Tharpe. Culled from hundreds of hours of music, tracing the evolution of gospel music through its many styles -- the spirituals and early hymns, the four-part harmony-based quartets, the integration of blues and swing, the emergence of "soul," and the blending of rap and hip-hop elements. It connects the history of African-American culture with gospel as it first impacted popular culture at large and captures so much of what is special about this music and African-American Christianity.

This all-star musical adaptation of Lewis Carrolls classic tale will delight children and adults alike. Employing virtually every prominent British performer of its time, from a pre-Bond girl Fiona Fullerton as Alice and Michael Crawford as the White Rabbit, to comic luminaries Peter Sellers and Dudley Moore, this magical and intoxicating version explores Alices dizzying adventures in the rabbit hole both faithfully and metaphorically as a coming of age story.

A feature documentary about the resurgence of psychedelics as medicine.  Psychedelics can be potent tools for getting to know who we are, who we can be. and for healing the trauma of a society that is addicted to greed and consumerism. This film dares to break the taboo surrounding psychedelic medicines, by examining and revealing their proven potential to heal and alleviate suffering on a global scale. Through interviews with the world’s foremost researchers, writers, psychologists and pioneers in psychedelic psychotherapy, the film explores the history of five powerful psychedelic substances (LSD, Psilocybin, MDMA, Ayahuasca and Cannabis) and their previously established medicinal potential.

One of the first Hollywood films to explore bigotry follows the story of three World War II soldiers who become suspects in the murder of a Jewish hotel guest.

With extraordinary beauty, talent and grace, Spanish dancer Maria Vargas (Ava Gardner) was born to be a star. Aided by American movie director Harry Dawes (Humphrey Bogart), she attains great success and fortune in Hollywood's land of dreams. But, though she gives her all for stardom, there is one thing Maria will never compromise -her soul. No matter what the cost, The Barefoot Contessa will dance to no one's music but her own.

Shirley Temple stars in this entertaining musical|co-staring tap dancing George Murphy and the legendary Jimmy Durante. Shirley stars as Betsy|an orphan adopted by a kind hotel manager (Edward Ellis) who rents rooms out to down-on-their-luck entertainers. When the owner of the hotel (Edna Mae Oliver) complains about the noise her show biz tenants make and the back rent they owe her|she threatens to have the hotel closed and Betsy sent back to the orphanage.

The film is highlighted by Shirley's delightful ""We should Be Together"" song and tap dance routine with George Murphy|and the upbeat ""Be Optimistic.""