Everyone, especially children, knows that the holiday season is a time for miracles. However, six-year-old Susan Walker (Mara Wilson) has doubts about childhood's most enduring miracle...Santa Claus. This holiday season, Susan is going to receive the most precious gift of all: something to believe in. And she's about to discover that miracles do occur...The story relates the arrival of one Kris Kringle (Richard Attenborough), a department store Santa who believes he's the genuine article, and who subsequently turns a skeptical child's world upside-down. When Kris is put on trial to prove he's Santa, the youngster -- and everyone around her -- learns the true meaning of faith, the importance of family... and that even today, we all need something to believe in.

Jim Douglas (Gregory Peck) rides into town the night before the hanging of four outlaws. He's been on their trail, believing they raped and killed his wife. But hours before the execution, the four escape, taking a beautiful young woman hostage. Now it's a murderous race to the Mexican border. Taking charge of the posse, Douglas tracks down the criminals one by one-until the stunning, powerful conclusion reveals a terrible secret that leaves Douglas more desperate for salvation than revenge!

Henry Fonda and Henry Morgan star in this 1943 Best Picture Oscar® Nominee about justice -- and injustice -- on the wild frontier. Two men (Fonda and Morgan) who ride into a town plagued by cattle rustling are recruited into a posse that aims to lynch three potentially innocent men accused of the crimes. It's soon clear that vengeance could prevail as rationality faces off against mob mentality.

The House On Telegraph Hill is an intriguing cliffhanger set in a spooky Victorian mansion below Coit Tower in San Francisco. Victoria Kowelska (Valentina Cortese) has lived through World War II bombings and relocation camps, and has finally emigrated to America. Now she should be blissfully happy with her devoted husband (Richard Basehart) in their mansion overlooking the San Francisco Bay, but Victoria is not who she seems. Her child belongs to someone else, and her husband and housekeeper are frightening her half to death.

Shirley Temple stars in this entertaining musical|co-staring tap dancing George Murphy and the legendary Jimmy Durante. Shirley stars as Betsy|an orphan adopted by a kind hotel manager (Edward Ellis) who rents rooms out to down-on-their-luck entertainers. When the owner of the hotel (Edna Mae Oliver) complains about the noise her show biz tenants make and the back rent they owe her|she threatens to have the hotel closed and Betsy sent back to the orphanage.

The film is highlighted by Shirley's delightful ""We should Be Together"" song and tap dance routine with George Murphy|and the upbeat ""Be Optimistic.""

An all-star cast that includes Ethel Merman, Dan Dailey, Marilyn Monroe, Donald O'Connor, Johnnie Ray and Mitzi Gaynor sparks this tuneful Irving Berlin musical that depicts the trials and triumphs of a veteran vaudeville family. Molly (Merman) and Terry (Dailey) Donahue start out as a duo and keep adding kids to the act until they finally become The 5 Donahues. Their busy, sometimes tumultuous lives aren't always easy, but the Donahues have plenty of love to get them through the hard times and more than enough talent to keep them on top. Highlighted by one classic Irving Berlin song after another and an array of dazzling production numbers, this upbeat, utterly delightful tale of life on the stage proves, beyond and doubt, that There's No Business Like Show Business!

Debbie Reynolds stars as Lucretia Rogers, a young widow who moves with her children to a raucous Arizona town on the frontier. At first having trouble coming to grips with frontier life, she adjusts well enough to get herself appointed sheriff. She is courted by a couple of cowpokes, both of whom ride to the rescue when the young widow bites off more than she can chew and she is captured by outlaws. But which one will she choose to be her new man? This musical romance also stars Andy Griffith, Steve Forrest, Juliet Prowse and Thelma Ritter.

An ulterior motive lurks beneath the Sheriff's badge in the unsuspecting small town still recovering from the Civil War. In this story created by Aaron Spelling, Mitch, a Confederate veteran, plots revenge after his wife's senseless death. By wheedling his way into the town's good graces, Mitch becomes sheriff and slowly but surely begins to exact vengeance.

Rodgers & Hammerstein's® cinematic treasure, "The Sound of Music" is the winner of five Academy Awards®, including Best Picture. In this true-life story, Julie Andrews lights up the screen as Maria, a spirited young Austrian woman who leaves the convent to become a governess for Captain von Trapp's (Christopher Plummer) seven unruly children. Her charm and songs soon win the hearts of the children -- and their father. But when Nazi Germany unites with Austria, Maria is forced to attempt a daring escape with her new family.

Rodgers and Hammerstein's only score written expressly for the screen highlights this delightful film about an Iowa family's adventures at the fair. The Frakes, a farming family, go to the Iowa State Fair to show the father's prize hog, Blue Boy, and enjoy the big event of the year. On the first day, both sourpuss daughter Margy and her brother Wayne find new romance, as does Blue Boy. As the fair proceeds, so do the romances! Includes the Academy Award®-winning songs It Might as Well be Spring and It's A Grand Night for Singing.

On their third identical voyage from London to the Riviera, Joanna Wallace (Audrey Hepburn) and husband Mark (Albert Finney) explore their 12-year marriage in a series of wry and illuminating flashbacks. They reminisce about the glorious beginning of their love affair, the early years of marriage and the events that led to their subsequent infidelities. As they try to understand their relationship, they must accept how they have changed if they are to rekindle their original love. The film's lush score, one of Henry Mancini's finest, received a Golden Globe nomination. Audrey Hepburn also received a Golden Globe nomination for Best Actress. The film is arguably one of the most stylistically influential movies from the '60s.

The real Frank and Jesse James were murderous thugs, light years away from the Robin Hood image imposed on them by revisionist dime novelists. But in 1939, 20th Century-Fox wasn't about to build an expensive Technicolor feature around the exploits of a couple of low-lives, thus Jesse James upholds the mythos, offering us the standard whitewashed version of the James boys. According to Nunally Johnson's irresistibly entertaining screenplay, Jesse (Tyrone Power) and Frank (Henry Fonda) become train and bank robbers to avenge the death of their mother (Jane Darwell), killed at the behest of greedy railroad interests. Once he feels his work is done, Jesse settles down to a life of marital domesticity--only to be shot in the back by cowardly Bob Ford (John Carradine). Frank James is left alive at film's end, paving the way for the 1941 sequel The Return of Frank James. Director Henry King stages the action sequences in glorious outsized fashion, notably the famous bank-robbery scene in which Jesse rides his horse through a plate glass window. The scenes involving both James brothers are stolen hands-down by Henry Fonda, not so much because he was a better actor than Tyrone Power but because his character had all the best lines. Jesse James was filmed largely on location in Missouri, resulting in crowd-control nightmares for the picture's beleaguered assistant directors.

This epic masterpiece has never been more glorious. Meticulously restored with a stunningly vivid picture and breathtaking sound, this legendary winner of 4 Academy Awards® stars Elizabeth Taylor as Cleopatra, the cunning queen of Egypt, who seduces Rome's rulers, only to meet her match in Mark Antony (Richard Burton). Their passionate romance could decide the fate of the world's greatest empires.

Charlton Heston and Rex Harrison portray two of the Renaissance's most colorful figures in this historical drama based on Irving Stone's best-seller set in the early 16th century. When Pope Julius ll (Rex Harrison) commissions Michelangelo (Charlton Heston) to paint the ceiling of the Sistine Chapel, the artist initially refuses. Virtually forced to do the job by Julius, Michelangelo later destroys his own work and flees to Rome. Eventually resumed, the project becomes a battle of wills fueled by artistic and temperamental differences that form the core of this movie. The Agony and the Ecstasy was nominated for an Oscar for Cinematography, and named one of the best films of 1965 by the National Board of Review.

When a Mexican revolutionary, Yaqui Joe, absconds with 6,000 dollars to help further his country's revolution, an Arizona lawman is sent into Mexico to track him down. The three dodge the law and the military with the help of a local Mexican woman, Sarita. Led by an ambitious military leader, they find themselves chased through the mesas of Mexico and are captured. Their salvation comes in the form of Yaqui Joe's band of Mexican revolutionaries, who free the three and help overturn the despotic military government in their state.

The Day The Earth Stood Still depicts the arrival of an alien dignitary, Klaatu (Michael Rennie), who has come to earth with his deadly robot, Gort (Lock Martin), to deliver the message that earthlings must stop warring among themselves--or else. After being shot at by military guards, Klaatu is brought to a Washington, D.C. hospital, where he begs a sympathetic but frank Major White (Robert Osterloh) to gather all the world's leaders so he can tell them more specifically what he has come to warn them about. Losing patience, Klaatu slips into the human world, adapting a false identity and living at a boarding house where he meets a smart woman with a conscience and her inquisitive son. Both mother and son soon find themselves embroiled in the complex mystery of Klaatu, his message and the government's witch hunt for the alien. Seen by many as a political, religious and humanitarian effort, the film is based on Harry Bates' story, "Farewell to the Master."