The third installment in Ulrich Seidl's PARADISE trilogy, PARADISE: HOPE tells the story of overweight 13-year-old Melanie and her first love. While her mother travels to Kenya (PARADISE: LOVE) and her aunt does missionary work (PARADISE: FAITH), Melanie spends her summer vacation at a strict diet camp for overweight teenagers. Between physical education and nutrition counseling, pillow fights and her first cigarette, Melanie falls in love with the camp director, a doctor 40 years her senior. As the doctor struggles with the guilty nature of his desire, Melanie had imagined her paradise differently.

When Myriam, a pretty, thirty-something woman, discovers her husband's frequent visits to the brothels in Holland, she toys with the idea of giving prostitution a try. As she starts moonlighting at the local bordello, she quickly enters a secret world filled with new sexual discoveries.

After being abandoned by their Nazi parents at the end of World War II, five German siblings embark on a harrowing journey across their war-torn country. Led by the eldest, 14 year-old Lore (Saskia Rosendahl, in a luminous debut), the children are forced to confront their parents' actions and the reality of the new world in which they find themselves. When the group encounters the mysterious Thomas, a Jewish refugee, Lore finds herself racked by conflicting emotions - her innate contempt for his kind and her burgeoning sexual desire. Lyrical, haunting, and unforgettable, LORE is at once a strikingly unique coming-of-age tale and an unforgettable look at the human legacy of the holocaust.

With Auschwitz, controversial director Uwe Boll depicts the harsh reality of the process inside one of the most infamous Nazi death camps by using brutally realistic imagery. By shining a light on a small corner of the holocaust, Boll effectively shows us just how depraved and sadistic life in the camps could be - and how short. Auschwitz is not for the faint of heart. Boll combines documentary footage and interviews with a fictional narrative in an attempt to understand the horrors that were visited on the victims of the Nazis. Auschwitz explores humankind's capacity for evil and examines our understanding of one of the bleakest periods of our history.

TV producer Rainer has it all: big salary, luxurious penthouse, high life, hot car, even hotter girlfriend. The 30-something go-getter has reached the top by creating TV shows of the most stupid and vulgar kind. One day, mysterious young woman Pegah vengefully drives full speed into his car. After this near-death experience, Rainer has a major change of heart and decides to produce a thought-provoking news show for his station's prime-time lineup. Devastated by the show's poor ratings, Rainer quits his job and embarks on an investigation of the audience measurement system that keeps intelligence-insulting programs at Number One. Teaming up with the beautiful Pegah and a gang of unemployed social misfits, Rainer sets out to prove that a conspiracy surrounds the boxes used in select households to estimate audience percentage.

It is spring 1809. Katharina's Tyrolean husband, Franz, is arguing with a French soldier in Augsburg's marketplace. It ends with the soldier dead by accident and the young couple fleeing the city for Franz's homeland.

The Holy Land of Tyrol tells the story of the Tyrolean uprising of 1809 in a way it has never been seen previously. The film takes viewers on a breathtaking journey into the past through the lives of a Bavarian physician's daughter and a South Tyrolean mountain farmer's family.

With unique historical images and original locations, The Holy Land of Tyrol captures not only one woman's life, but provides powerful and poetic feelings for the great issues of our time: love, war, religion and the search for our own identity.

The film is a South Tyrolean-Bavarian co-production of director Philipp J. Pamer and producer Florian Reimann demonstrating that 200 years after the war between Bavaria and Tyrol, a shared future through common history is possible.

In East Germany in 1980, Barbara Wolff is a young doctor who has applied for an exit visa from the GDR and, as punishment, has been transferred from her prestigious post in Berlin to a small pediatric hospital in the country. She must weigh her absolute dedication to her patients against a potential escape to the West, and her newly found attraction to a doctor in whom she sees a kindred spirit.

In a village in Protestant northern Germany, on the eve of World War I, the children of a church and school run by the village schoolteacher and their families experience a series of bizarre incidents that inexplicably assume the characteristics of a punishment ritual. Who could be responsible for such bizarre transgressions? 2009 X Filme Creative Pool, Wega Film, Les Films du Losange, Lucky Red, ARD Degeto, Bayerischer Rundfunk, Osterreichischer Rundfunk Fernsehen and France 3 Cinema. All Rights Reserved.

Marianne, a thirty-something photographer, begins to look at things anew after discovering that she is pregnant. Then things go haywire when a model dies after a photo shoot. A hidden world of darkness and disorder, mistrust and lies breaks into the open. Told as a web of interlocking anecdotes, Headshots tells the course from fragile love to betrayal, from complicity to self-annihilation, and back through twists that are comical, poignant, and ridiculous in a Berlin you have never seen before.

Germany today. During project week, high school teacher Rainer Wenger (Jürgen Vogel) comes up with an experiment in order to explain to his students how totalitarian governments work. A role-playing game with tragic results begins. Within a few days, what began with harmless notions like discipline and community builds into a real movement: THE WAVE. By the third day, the students start ostracizing and threatening others. When the conflict finally erupts into violence at an intramural water polo game, the teacher decides to break off the experiment. But it's too late. THE WAVE is out of control...

A young girl is brutally murdered in a wheat field on a hot summer day in 1986. The killer is never found. 23 years later, a 13-year-old girl disappears in similar circumstances, leading the police to suspect the same killer may be at work. As the retired investigator of the earlier case joins a widowed young detective to delve into the mystery of the parallel crimes, the parents of the missing girl, the mother of the original victim, and an accomplice to the 1986 killing all have their worlds begin to crumble as they are drawn deeper into a web of guilt, despair and uncertainty. Luminously shot and commandingly directed by Baran bo Odar, The Silence is a startling, cinematic and utterly mesmerizing thriller.

Germany 1772 -- the young and tumultuous Johann Goethe (Alexander Fehling) aspires to be a poet; but after failing his law exams, he is sent by his father (Henry Huebchen) to a sleepy provincial court to mend his ways. Unsure of his talent and eager to prove himself, Goethe soon wins the praise and friendship of his superior Kestner (Moritz Bleibtreu). But then Lotte (Miriam Stein) enters his life and nothing is the same as before. However, the young lovers are unaware that her father has already promised Lotte's hand to another man.

Young restaurant owner Zinos is down on his luck. His girlfriend Nadine has moved to Shanghai, his Soul Kitchen customers are boycotting the new gourmet chef, and he's having back trouble! Things start looking up when the hip crowd embraces his revamped culinary concept, but that doesn't mend Zinos's broken heart. He decides to fly to China for Nadine, leaving the restaurant in the hands of his unreliable ex-con brother Illias. Both decisions turn out disastrous: Illias gambles away the restaurant to a shady real estate agent and Nadine has found a new lover! But brothers Zinos and Illias might still have one last chance to get Soul Kitchen back if they can stop arguing and work together as a team.