Meghe Dhaka Tara is a cinematic tribute to the Bengali Indian film maker and script writer "Ritwik Ghatak" by Kamaleswar Mukherjee. It's a journey into great director's universe. It explores Ritwik Ghatak through a fictional character, Nilkantha Bagchi, who is Ritwik's alter-ego in the film. It explores Ritwik's mental agony, struggles, inner contradictions, disappointments, his tremendous relationship with his wife (played by Ananya Chatterjee) in flashbacks through his dreams, thoughts and visions. The visuals of these flashbacks are hence an overlap across time and space. Nilkantha Bagchi is portrayed by Saswata Chatterjee, a disgraced intellectual while undergoing a treatment in the asylum, writes and stages an act with fellow patients. His wife signifies the reality between them by enduring a message of "separation is essential". He has witnessed the partition of Bengal which attracts him towards communism. A scene has been shown in the film where a book named "How to be a good communist?" is burning. A meticulous depiction of social reality, dissatisfied with communist politics. CBFC Rating U/A. Certificate Number DIL/2/17/2012-KOL

It is one of the stories of his Kakababu-Santu series, where the main protagonist is the retired government official turned detective Raja Roy Chowdhury and his teenage assistant and nephew, Santu. The story revolves around a few pieces of paper containing a secret message written in hieroglyphics by an Egyptian preacher, Mufti Mohammad. He has two rival groups of followers who are after the meaning of the message as they believe it contains the directions to a treasure. The leader of one of the groups, Al Mamun, contacts Kakababu or Raja Roy Chowdhury to help them out. As Kakababu takes on the case, he realizes the message in the hieroglyphics is something much more significant than just a will or a treasure map, and embarks on an adventure which takes him through the alleys of Delhi, finally to the tomb of Queen Hetepheres in Egypt. Kakababu finally cracks the case, but not before he unearths conspiracies and overcomes hurdles, as the charismatic leader of the other warring faction, Hani Alkadi, poses challenge after challenge for him. CBFC Rating U. Certificate Number DIL/1/27/2013-KOL

Maharaja Arunangshu (Anindya Bandyopadhyay), the ruler of a princely sate named Balabantpur, had made a wish list on his death bed in the presence of Dewan Chandrashekhar, the family physician Kaligati (Sibaji Bandyopadhyay) and the High Priest. It laid down certain conditions for his heir, his son Himangshu (Indraneil Sengupta). The first of which forbade Himangshu from marrying a non-Hindu girl, and the second demanded a legitimate heir within three years of his marriage. Bound by his father's conditions of succession, Himangshu is compelled to marry Aloka (Arpita Chatterjee), an aspiring actress. A year and half into the marriage, Harinath, the young palace librarian disappears without any trace. This mystery occasions the arrival of the sleuth Byomkesh (Sujoy Ghosh) and his author friend Ajit (Anindya Chatterjee) to Balwantpur. The visit though is under the pretext of an invitation for a hunting expedition. In course of their stay, they unfold many secrets invoving the residents of the palace and about the topography of Balwantpur. Byomkesh uncovers several clues which connect Kaligati with the disappearence of Harinath. CBFC Rating U/A. Certificate Number DIL/2/34/2013-KOL

Rasmani (Moushumi Chatterjee) lost her husband in her childhood. She expires all of a sudden and her jewellery box goes missing. Everyone is guessing that it must be the handy work of Somlata (Konkona Sen Sharma). Somlata is not bothered about that perception. In these circumstances, Somlata gives birth to a baby girl, who has an uncanny resemblance to Rasmani. But Pisima (Aunt - Father's sister) does not leave the women of later generations, Somlata and Chaitali alone -- she haunts them to act on her whims and fancies. What happens next? Goynar Baksho is a film adaptation of Shirshendu Mukhopadhyay's novel, is about three women, belonging to three generations. It is through the nature of their association with a goynar baksho or jewellery box that the evolving social status of these women gets explored, accompanied with healthy dose of comic elements. CBFC Rating U/A. Certificate Number DIL/2/11/2013-KOL

When they ran to save their lives for the first time, they were mere 12-year-old boys, and the world called them 'refugees'. The war of 1971 gave birth to a new country - Bangladesh. It also gave birth to two young orphans - Bikram and Bala. They witnessed the war and its aftermath, where the world tried to trample over them. Fighting for survival, they clung to each other and escaped to Calcutta. Before they knew the world, they knew each other. Such was their bond, such was their friendship. Each time they sought new beginnings, each time they would rise, the world would crush them down. So, they fought again... and again. Together they were unbeatable. They were unstoppable. They were inseparable. In the years that passed, Bikram and Bala, became Calcutta's most loved, most celebrated, most reckless, most fearless and most powerful GUNDAY! They had everything... then, one fine day, bells rang... Nandita, the most beautiful cabaret dancer, walked into their lives, and they lost everything to her. Their murky world turned magical and colourful. They fell head over heels in love with her. But that was only a blissful lull before an impending storm... And then entered ACP Satyajeet Sarkar, the right for every wrong, a law for every outlaw and a counter force for Bikram and Bala. What follows from here is the most sensational-most thrilling-most dramatic story ever told!