Three young men take a holiday that changes their lives forever. Kabir (Abhay Deol) meets Natasha, and six months later they are engaged. He wants to go on an extended bachelor party—a three-week-long road trip with Imraan (Farhan Akhtar) and Arjun (Hrithik Roshan), his two best friends since school. The only problem is Arjun is too tied up with work. After much emotional blackmail and cajoling, the boys set off on a journey they were meant to take four years ago—a fantasy holiday they had planned to take after college but never happened; a road trip where each one gets to do the ultimate sport of his choice and the other two have to do it with him whether they want to or not! Kabir, Imraan and Arjun meet up in Barcelona and set off on an adventure that will not only make them iron out their differences, but also face their fears, alter their perceptions, unravel their fabric, force them to break out of the box and teach them to seize the day, in other words—a holiday that will change their lives forever.

A trio of intelligent musketeers, Sunny (Jimmy Shiergill), Tittli (Binnu Dhillon) and ShortGun (Rana Ranbir) who are inimitable in their job as recovery agents, accidentally arrogate Simmi's (Neha Dhupia) scooty. Comprehending the error, Sunny takes up the responsibility of correcting it by returning Simmi her scooty and in the process falls in love with her. Sunny is the tough Punjabi guy who always has to have his own way and cannot take no for an answer, on the other hand Simmi cannot give in easily. She has her own ways for leading life and fancies filmy tricks to consummate quarrels. The twist in the tail comes when Sunny meets Vimmi (Neha Dhupia) and she tries to shoo him away from Simmi. Now the three take the challenge of setting up Sunny and Simmi together as a couple and hence commence the love-hate story.

The father-son duo of Dharam and Gajodhar (Dharmendra and Bobby Deol) are the biggest con men in Banaras. Their happy-go-lucky existence involves drinking and pulling off hilarious cons on unsuspecting people. The only hitch in their perfect albeit notorious life arrives in the form of Paramveer (Sunny Deol.) A brawny and honest NRI from Vancover, Paramveer lands in Banaras claiming to be Gajodhar's elder brother separated from him at childhood. The duo accepts Paramveer into their fold only to exploit his muscle power to serve their con games. Meanwhile, Gajodhar falls in love with Saheba (Kulraj Randhawa), a beautiful girl from Punjab. As their romance reaches its peak, her brothers arrive and forcibly take her away. Paramveer saves the day with a crazy plan to win the girl back for Gajodhar, which leads them to the rustic heartlands of Punjab. What follows is a rollercoaster ride showcasing the Great Indian Joint Family, eccentric relatives, marriage mayhem, and a classic case of mistaken identities!

Kanji Lalji Mehta (Paresh Rawal), a middle-class atheist-Hindu owns a shop of Hindu idols and antiques in Chor Bazaar, Mumbai. One day, a low-frequency earthquake hits the city, and Kanji's is the only shop destroyed.

A woman goes on the hunt for her dream man, armed with her wild imagination, her passion for Masala-films, and her ultra-sensitive sense of smell.

This is a family slapstick comedy about a botany professor, Dr. Parimal Tripathi who disguises himself as a chauffeur. In this disguise, he goes to his wife's house to meet her highly intellectual brother-in-law, Raghavendra Sharma, who boasts that he can smell a rat or an impersonator automatically. Will Raghavendra see through Parimal's prank?

Janardhan Jakhar lives in his own world, encompassed with music and dreams of mesmerizing the world with his voice. Midst unsuccessful auditions, and thwarted attempts in creating music, this Delhi boy imbibes a priceless piece of advice from his mentor friend -- great music is borne from great pain. He who hasn't experienced the pain of heartbreak shall not know the depth and intensity of sublime music.
Janardhan now sets out to find the pain that will make his life and music go beyond the realm of the ordinary. He proposes to Heer, the stunning beauty from the college. Quiet and subdued, Heer has a well of emotion hidden inside, a ocean of unfettered energy waiting to exude. The story of Janardhan and Heer starts off as one of laughter and mirth, but with every passing day, this becomes more intense, more passionate and more vulnerable.
Heer and Janardhan get separated, as she gets married off to Prague. Janardhan's pain of separation translates into words and music, transcending the heart and the soul. Janardhan becomes Jordan, as he relentlessly pursues his love, at once pining away and accepting the absence of Heer in his life. At the end, as he spirals down the road of fame and fortune in his professional life, Jordan realizes that his and Heer's story exists beyond the worldly, in his imagination, where the music is pure and the only drug needed is true love.

"Housefull" is a romantic comedy that narrates the story of Aarush -- the world's unluckiest man. He believes his bad luck can vanish if he finds true love. In this quest for true love, he learns how one lie leads to another and how people from different walks of life come together. This adds even more confusion to this hilarious comedy resulting in total chaos and mayhem.

The story starts with the joining of a new English teacher, Rahul Prakash Udyavar (Shahid Kapoor), in Swaraswati Vidya Mandir School, situated in the outskirts of Mumbai's suburbs. Though he creates an instant rapport with students and teachers alike, he realizes that there is something amiss in this school. Slowly his doubts come true as the manager of the school, Sharma (Saurabh Shukla), makes many monetary obligations compulsory for the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanely when the parents do not fulfill the new unjustified demands of the school. Day by day the stress level of the students increases, leading to unexpected and grim consequences. The situation becomes so explosive that it becomes a national issue. Paathshaala tries to answer many questions related to the sanctity of today's education system. The high morals and basic ethics of the teachings have taken a back seat. Profit and more profit have become a new mantra of educational institutions. Paathshaala is not afraid of telling the truth about the wrong doings of greedy educational institutes; neither does it spare them from exposing the use of unethical media activities for the children who are yet not ready for it.