Set in the idyllic countryside in Southern France, Lucy (Pauline Etienne), a teenager, lives an isolated life with her father Hugo (Olivier Rabourdin). The two share a close relationship until her warward mother returns unexpectedly. Angered by her leaving him and his daughter, Hugo incarcerates her. Meanwhile, Lucy is exploring her sensuality with a young neighboring farmer, who gets up caught in the chaos of Lucy's highly dysfunctional family.

Highly controversial and previously unavailable in North America, Oscar-winner Marion Cotillard sizzles as the young and naive high school student Chloe. Her desire for a new and exciting life leads her to a charming stranger in the streets of Paris. In turn, he takes her down a dark path of prostitution and violence.

Wanderings and shenanigans are part of Raph's daily life! All he wants to do is hang out with his friends and find a way to earn big bucks without actually having to work. Convinced that he is about to pull off an effortlessly lucrative drug deal, he persuades his friend Alex, a small-time dealer, to partner up with him. Raph has lots of "friends" whom he too easily trusts. With friends like these, who needs enemies?

In the months after the heady weeks of May '68, a group of young people search for a way to continue the revolution believed to be just beginning. For Gilles (Clément Mettayer), this means having to balance his political commitments with his desire to explore painting and filmmaking; for his girlfriend Christine (Lola Créton), this means throwing herself wholeheartedly into the task of organizing.

When Cyril's father (Jérémie Renier) abandons him, he obsessively searches for his bicycle - placing his last bit of hope in this symbol of their relationship. Almost by accident, he becomes the ward of a kind hairdresser (Cécile de France - Clint Eastwood's HEREAFTER), who seems surprised to find herself so determined to help him. With his wild, unpredictable behavior and his disastrous search for father figures, Cyril risks losing her - though she refuses to give up without a fight.

A powerful banker and his mistress enter a world of insatiable - and deadly - erotic desire that gradually consumes them.

Atmospheric, fantastical, tragic and hopeful, the film chronicles the parallel fates of Jacqueline, a young mother with a disabled son in 1960s Paris, and Antoine, a recently divorced, successful DJ in present day Montreal. What binds the two stories together is love - euphoric, obsessive, tragic, youthful, timeless love.

A successful businesswoman who pays young male escorts for sex finds herself torn between her desire for love and her lust for anonymous encounters.

Starring Jean Reno and Melanie Laurent, Rose Bosch's La Rafle recounts the true story of the infamous Vel 'D'Hiv Roundup. A big box office hit in France, La Rafle reveals a dark chapter in France's history.

Directed by Claude Miller (A Secret and La Petite Lili) and his son Nathan Miller. Based on a true story, I'M GLAD MY MOTHER IS ALIVE explores childhood trauma and its dire consequences on adult life. Given up for adoption as a toddler, troubled teenager Thomas becomes obsessed with tracking down his birth mother. After years of searching Thomas finds her single, with a small child, living in a nearby suburb and introduces himself. Traumatized by years of emptiness and longing for his mother, he starts an ambiguous relationship with her (part courtship, part obsession) which slowly drives him to an act of madness.

The Secret of the Grain is a touching and resoundingly humanistic story set in the rustic port of Sete in southeastern France. Slimane has worked in the same shipyard job for over 35 years, when his growing dissatisfaction prompts him to try to open his own restaurant. His dream seems unbelievable, but his contagious conviction and persistence work their way into the hearts of his loyal but dispersed family; the four children from his first marriage, his ex-wife, current girlfriend and her bright, outspoken daughter, Rym (played to great acclaim by the stunning newcomer Hafsia Herzi). A grand film about ordinary people, The Secret of the Grain is a deliciously slow-burning indie drama about fate, food and family.

Grégoire Canvel has everything a man could want. A wife he loves, three delightful children and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema—free and true to life—is precisely his reason for living. His vocation. It fulfills him and Grégoire devotes almost all his time and energy to his work. He's hyperactive, he never stops. Except on weekends, which he spends in the country with his family—gentle interludes, as precious as they are fragile. With his bearing and exceptional charisma, Grégoire commands admiration. He seems invincible. Yet his prestigious production company, Moon Films, is on its last legs. Too many productions, too many risks, too many debts. Storm clouds are gathering. But Grégoire plows on at all costs. Where will his blind obstinacy lead him? One day, he is obliged to face the facts. In one word: failure. He is overwhelmed by fatigue. Which soon, secretly, turns into despair.

Louis Garrel (THE DREAMERS) stars in this deeply poignant drama directed by none other than his father, major post-New Wave auteur Philippe Garrel. After separating from his wife, Louis moves into a garret apartment with his fellow actor girlfriend Claudia (Anna Mougladis) as they struggle with fidelity and the temptation to give up their art for an easier life. Shot with Garrel's celebrated attention to faces, bodies, and the intricacies of the human heart, JEALOUSY is an enthralling tale of love, temptation and betrayal.

Based on true events, celebrated director Joachim Lafosse's intense, multi-layered thriller about the breakdown of an unorthodox family unit received rapturous acclaim at the Cannes Film Festival and won Emilie Dequenne the prestigious Best Actress Award. Young and full of life, Murielle (Dequenne, ROSETTA) has a promising future ahead of her when she meets and falls head over heels for Mounir (Tahar Rahim, A PROPHET). A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father (Niels Arestrup, A PROPHET, WAR HORSE). As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.

Based on two works by the playwright Jean Anouilh, You Ain't Seen Nothin' Yet opens with a who's-who of French acting royalty (including Mathieu Amalric, Michel Piccoli and frequent Resnais muse Sabine Azema) being summoned to the reading of a late playwright's last will and testament. There, the playwright (Denis Podalydes) appears on a TV screen from beyond the grave and asks his erstwhile collaborators to evaluate a recording of an experimental theater company performing his Eurydice--a play they themselves all appeared in over the years. But as the video unspools, instead of watching passively, these seasoned thespians begin acting out the text alongside their youthful avatars, looking back into the past rather like mythic Orpheus himself. Gorgeously shot by cinematographer Eric Gautier on stylized sets that recall the French poetic realism of the 1930s, You Ain't Seen Nothin' Yet is an alternately wry and wistful valentine to actors and the art of performance from a director long fascinated by the intersection of life, theater and cinema..

When beautiful kitchen maid Augustine (French recording artist Soko) suffers an inexplicable, violent seizure, she is sent to a psychiatric hospital specializing in the treatment of feminine "hysteria" and presided over by Dr. Jean-Martin Charcot (a founding father of modern neurology and a mentor to Sigmund Freud). Fascinated by his new patient, Charcot (Vincent Lindon) quickly makes Augustine the star attraction in a series of hysteria presentations, hypnotizing her to induce spectacular fits for crowded lecture halls. As the full nature of Augustine's affliction begins to emerge, the relationship between doctor and patient becomes more complicated and personal power dynamics start to shift. Based on a true story from late 19th century Paris, Augustine is a lush, darkly sensuous tale of romance, psychology, and sexual politics.