Janardhan Jakhar lives in his own world, encompassed with music and dreams of mesmerizing the world with his voice. Midst unsuccessful auditions, and thwarted attempts in creating music, this Delhi boy imbibes a priceless piece of advice from his mentor friend -- great music is borne from great pain. He who hasn't experienced the pain of heartbreak shall not know the depth and intensity of sublime music.
Janardhan now sets out to find the pain that will make his life and music go beyond the realm of the ordinary. He proposes to Heer, the stunning beauty from the college. Quiet and subdued, Heer has a well of emotion hidden inside, a ocean of unfettered energy waiting to exude. The story of Janardhan and Heer starts off as one of laughter and mirth, but with every passing day, this becomes more intense, more passionate and more vulnerable.
Heer and Janardhan get separated, as she gets married off to Prague. Janardhan's pain of separation translates into words and music, transcending the heart and the soul. Janardhan becomes Jordan, as he relentlessly pursues his love, at once pining away and accepting the absence of Heer in his life. At the end, as he spirals down the road of fame and fortune in his professional life, Jordan realizes that his and Heer's story exists beyond the worldly, in his imagination, where the music is pure and the only drug needed is true love.

Agent Vinod undertakes a mission around the world to discover why his colleague was murdered.

The son of Zamindar (Landlord) Narayan Mukherjee, Devdas was born with a silver spoon in his mouth. He grew up in the lush village of Taj Sonapur, where he spent his childhood with his playmate Paro. They grew up sharing a special relationship. Oblivious to all the differences of status and background, a bond that would never break grew between them. Soon, Devdas is sent to London for his education. Years later Devdas returns. Devdas besotted by Paro's stunning beauty, longs to marry her. But Devdas' father meets Paro's mother with condescending arrogance. It causes a rift between the families and even though Devdas tries to convince his father, his father doesn't relent. Paro then enters into a chaste marriage with a wealthy, much older man, Zamindar (Landlord) Bhuvan, while a shattered Devdas walks towards anguish, alcoholism and Chandramukhi, a stunning courtesan, who passionately loves him. Meanwhile, Paro, performs her worldly duties sincerely, but inside her, she could never forget Devdas. Strange was the fate of Devdas. Intensely loved by two women, who were never meant to be his. One whom he could never love and one whom he could never stop loving.

"Housefull" is a romantic comedy that narrates the story of Aarush -- the world's unluckiest man. He believes his bad luck can vanish if he finds true love. In this quest for true love, he learns how one lie leads to another and how people from different walks of life come together. This adds even more confusion to this hilarious comedy resulting in total chaos and mayhem.

The story starts with the joining of a new English teacher, Rahul Prakash Udyavar (Shahid Kapoor), in Swaraswati Vidya Mandir School, situated in the outskirts of Mumbai's suburbs. Though he creates an instant rapport with students and teachers alike, he realizes that there is something amiss in this school. Slowly his doubts come true as the manager of the school, Sharma (Saurabh Shukla), makes many monetary obligations compulsory for the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanely when the parents do not fulfill the new unjustified demands of the school. Day by day the stress level of the students increases, leading to unexpected and grim consequences. The situation becomes so explosive that it becomes a national issue. Paathshaala tries to answer many questions related to the sanctity of today's education system. The high morals and basic ethics of the teachings have taken a back seat. Profit and more profit have become a new mantra of educational institutions. Paathshaala is not afraid of telling the truth about the wrong doings of greedy educational institutes; neither does it spare them from exposing the use of unethical media activities for the children who are yet not ready for it.