Ciao! Manhattan

Plot Summary

Production of CIAO! MANHATTAN began on Easter Sunday in 1967, as a project of Factory regulars John Palmer, David Weisman, Genevieve Charbin, Chuck Wein, Bob Margouleff, Gino Piserchio, with supplemental roles and tasks fulfilled by various other hangers-on. The film originally followed the excessively hip lives of Midtown scenesters Sedgwick and fellow Warhol Superstar Paul America, as they lived life in the fast lane (literally speeding down the West Side Highway on massive amounts of amphetamine). The project was riddled with budget problems and an unfinished, nonsensical script of debauchery, drug use and paranoia. Unreliable actors and rampant drug abuse behind the camera whirled shooting out of control as both Sedgwick and America went missing, putting production on hold. With barely any direction and no end in sight, the film's backers, Bob Margouleff's parents, lost faith in their son's project, and Palmer and Weisman were left with the fragments of a beautifully shot but unpresentable film. To salvage these fragments, Palmer and Weisman decided to reform the script to include the previously shot footage as flashback sequences to tell Sedgwick's tragic story through the personae of Susan Superstar.