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Day Watch

  R HD

Timur Bekmambetov

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Plot Summary

A dazzling mix of state-of-the-art visual effects, amazing action sequences, and nail-biting horror set in contemporary Moscow, Day Watch (Dnevnoi Dozor) revolves around the conflict and balance maintained between the forces of light and darkness -- the result of a medieval truce between the opposing sides. From the Director of Wanted.

Rotten Tomatoes Movie Reviews

TOMATOMETER

64%
  • Reviews Counted: 96
  • Fresh: 61
  • Rotten: 35
  • Average Rating: 5.9/10

Top Critics' Reviews

Rotten: Although more flashily assembled, pic's relentless onslaught charms less over a running time almost 25 minutes longer. – Leslie Felperin, Variety, Jul 7, 2010

Fresh: One hell of a movie. – Michael Wilmington, Chicago Tribune, Jun 24, 2010

Fresh: At 2 hours and 20 minutes, this zippy follow-up to Night Watch delivers a killer pace, blasts of heavy-metal, vexed characters, and gory allegory wherein occult terrorists suck blood, cast spells and escape to a spooky zone known as the Gloom. – Bill Stamets, Chicago Sun-Times, Jun 24, 2010

Fresh: Day Watch deploys head-spinning cinematography and cool special effects. It's a trippy affair, even if it's just about impossible to track. – Steven Rea, Philadelphia Inquirer, Oct 30, 2007

Read More About This Movie On Rotten Tomatoes

Customer Reviews

WARNING

The movie is great in English but this rental is in Russian. It is difficult to follow with all of the subtitles and what is most upsetting is that there is no warning by itunes that the movie is in Russian

Admirably ambitious, but confusing quasi-vampire sequel

This is yet another sequel to a blockbuster special-effects extravaganza to open in the summer of 2007. If you haven’t heard of it, that’s because Night Watch was a Russian hit that saw only limited release in the US. This is part two of a planned trilogy, adapted by director Timur Bekmambetov from novels by Sergei Lukyanenko, that envisions a Moscow where powerful humans called “Others” live alongside ordinary folks. Divided into Light and Dark Others, they’ve maintained an uneasy peace for a thousand years partly maintained by a special law enforcement branch that keeps Dark Others from staging vampiric attacks when the Lights are in control. This and more is explained in an English-language voiceover that I would have replayed had I been watching the DVD. (I wish the Pirates of the Caribbean and Lord of the Rings producers had been kind enough to supply such summaries.) The main character, Anton (Konstantin Khabensky), is an enforcement agent whose new trainee (Mariya Poroshina) proves to be unusually skilled. She’s also a potential love interest. Anton’s asked to hide some evidence to protect one of the intruders, but winds up in trouble himself. That’s the short version of the plot. I’d tell you the long version if only I’d been able to follow it.

Those not burdened by the need to be able to follow everything that’s happening will find a visually compelling world with a knock-your-socks-off finale to equal most any Hollywood blockbuster. Part police procedural, part alternate-universe fantasy, and part horror-thriller, with a bit of off-kilter humor in the mix, Day Watch is very mainstream. The characters have a lot of history, but little depth, and, apparently unlike the novels, moral ambiguities are in short supply. But you can see why Day Watch, like its predecessor, set Russia’s all-time box-office record in 2006. This is not only because of the special effects and the industrial-rock-scored action sequences, but because of the complete alternate universe imagined by its creators. (I didn’t understand all of the rules of this world, but it’s clear that Bekmambetov did, and presumably all is explained in the novels.) No doubt Russian geeks have spent as many hours dissecting these movies as, say, The Matrix.

In addition to the altered voiceover, the subtitles in the English-language version are also worth commenting on. As with Night Watch, they don’t merely translate, but add to the atmosphere, shuddering along with the image when Anton tries to exceed his powers by entering the “second level of gloom,” turning red when blood is mentioned, and so on. The business about the different levels is just one of the ideas the movie introduces but has no time to develop. I haven’t even mentioned most of the characters, the Great Others who could bring about the end of the truce, or the Chalk of Fate, an ancient object of Asian provenance with the power to change history. This isn’t the sort of movie I tend to enjoy, with a confusing plot revolving around supernatural powers, but I admire the scope of Bekmambetov’s ambitions.


No indication that the movie is not in English

It is misleading to not have any indication that the movie is not in English. We didn't finish the movie and there is no way to switch language (that we know off). The subtitle are very distracting and you constantly find yourself having to choose between reading the subtitle or watching the movie with ok special effects.

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