Disco and Atomic War

Plot Summary

Winner of the Best Documentary prize at the Warsaw International Film Festival, this witty, charming, and provocative film recounts how in the mid 1980s, the nation of Estonia still lay firmly in the grip of the Soviet Union, and the repressive authorities controlled virtually all aspects of Estonian life. The totalitarian government's power was derived in no small part from their ability to censor cultural life and keep Western culture on the other side of the border. Rock and Roll was but a rumor and the only television shows on the air were dreary propaganda. But one day everything changed. Just a few miles across the border in Finland, a huge new television antenna was built that broadcast western signals in all directions—including directly into the heart of Tallinn, the capital of Estonia. Filmmakers Jaak Kilmi and Kiur Aarma grew up in Tallinn in the 80s, and in Disco & Atomic War they make use of wonderfully playful but credible recreations to set their true personal coming of age story against the backdrop of the rapid collapse of the Soviet government in Estonia. As illicit television antennas sprung up in Northern Estonia, rumors about the attempted murder of J.R. Ewing spread by word of mouth to the rural south, and the nation of Estonia was as gripped by the saga as the USA had ever been. Teenagers went to their school dances and imitated the disco moves they saw on television, clothing and hairstyles began to change radically, and things would never be the same. The government controlled media scrambled to create western-style soap operas and disco-saturated television programming that vaguely reinforced communist values, but it was far too little, and much too late. The genie was out of the bottle, Estonians were now in the grip of American television, and they began to dream that one day, they too would spend their days working in skyscrapers and their nights drinking fine whiskey by the pool, alongside their robot cars.