We Don't Care About Music Anyway…

Plot Summary

From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classic instrument hijacking (Sakamoto Hiromichi), Tokyo’s avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, We Don't Care About Music Anyway… offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction. “We don’t care about music anyway..." In a manner of speech, "we make it and that's all..." Beyond the music and beyond its performance, the future and mode of existence of a city, and society as a whole, are in motion.