Amazon.com Review
In
My Bloody Life, Reymundo Sanchez tells a chillingly sad tale, from his birth in the back of a pickup truck in Puerto Rico to the day he quit the Latin Kings gang, 21 years later. From the first page, his narrative is unpretentious, disarmingly honest, and horrifyingly riveting. His early years were so full of pain and abuse that by the time he opts, at age 11, to hang out with the local gang, the Latin Kings, it seems a perfectly logical choice. In his shoes, any one of us--smacked nightly by a mother and beaten ragged whenever the stepfather got the chance--would likely have chosen the same path. The gang was the family that accepted him as well as the peer group that offered girls who didn't say "no." Any violence that went with the territory couldn't match the atmosphere of brutality that permeated his own home.
Sanchez was a Latin King for six years and participated in innumerable bloody gang battles--years rife with sex, drugs, booze, and acts of gang revenge. He finally got up his pluck to leave (and the only way was to be "violated" out through a gang beating), but admits in his conclusion that life since then has, in some ways, been even harder. He's had to quit drugs, lose the only community he's known, support himself, and deal with the nightmares of all the horrors he's seen and done. Though Sanchez still hasn't accomplished his dream of completing college, he has managed to leave the Kings, leave Chicago, leave behind his mother's legacy of violence, and write an impressive first book. --Stephanie Gold
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Chicago in the 1980s provides the setting for this extremely disturbing and raw account of a Puerto Rican teenager who lost himself to violent gang activity. Now repentant, Sanchez (a pseudonym) writes in a voluble voice, replete with operatic asides declaiming the immorality of his actions. But he offers a forceful and unusual perspective on ChicagoAin Sanchez's telling, it's a place of territorial graffiti and racist cops, in which a slow-motion riot of drugs, sex and gunplay constantly unfolds. Sanchez recounts his family's arrival in Chicago's Northwest Side in the late 1970s, when he was a small boy; he describes the beatings his grifter stepfather regularly doled out; and he portrays the allure of the mysterious and ritual-bound lives of tough, teenaged gangsters. When his family returned to Puerto Rico, he stayed behind. Soon, he joined the fearsome Latin Kings, and his given street name "Lil Loco" attested to his youth and ferocity. While graphically describing what he witnessed as a gang memberAsenseless killings, inter-ethnic hatreds and sexual abuse of gang-affiliated womenASanchez also pursues harder truths, arguing that it is a minority of promiscuous drug-users accompanied by community-wide silence that keeps the gangs in business. In the end, he condemns his former gang for masquerading as a Latino "public service" organization while high-ranking members become rich from their youthful recruits' drug dealing. And he scoffs at their reliance on conformist rituals and violence (violations of the rituals were punished with full body beatings). Offering very little hope, this book captures the dark, self-destructive lot of countless urban teens. Like other gangland memoirs (such as Monster and Always Running), it is significant because it takes the reader deep inside a secretive and brutal ethnic gang subculture. (Aug.)
Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.