In four years, five young men dear to Ward died of various causes, from drug overdose to accident to suicide, but the underlying cause of their deaths was a self-destructive spiral born of hopelessness. Surrounded by so much death and sorrow, Ward closely examined the heartbreakingly relentless deathsof her young relatives and friends growing up in the small town of DeLisle, Mississippi, with few job prospects and little to engage their time and talents other than selling and using drugs and alcohol. She herself had partially escaped, going on to college in Michigan and California; but the pull of close family ties and a deep appreciation of southern culture lured her back each summer. Ward, author of Salvage the Bones (2011), lovingly profiles each of those she lost, including a brother, a cousin, and close friends, and their tragic ends as she weaves her family history and details her own difficulties of breaking away from home and the desperate need to do so. This is beautifully written homage, with a pathos and understanding that come from being a part of the culture described. --Vanessa Bush
--This text refers to the
Hardcover
edition.
Review
"An important, and perhaps even essential, book." —San Francisco Chronicle
"[Ward] chronicles our American story in language that is raw, beautiful and dangerous… [Her] singular voice and her full embrace of her anger and sorrow set this work apart from those that have trodden similar ground." —The New York Times Book Review
"Heart-wrenching… A brilliant book about beauty and death… at once a coming-of-age story and a kind of mourning song… filled [with] intimate and familial moments, each described with the passion and precision of the polished novelist Ward has become… Ward is one of those rare writers who’s traveled across America’s deepening class rift with her sense of truth intact." —Los Angeles Times
"A memoir that is as searing as her fiction, as poignant and as timely... in a country that is supposed to be post racial but still seems hell-bent on the epidemic destruction of young black men." —Edwidge Danticat, The Progressive