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Seduction in Death Mass Market Paperback – September 1, 2001
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Editorial Reviews
Amazon.com Review
New York Times bestselling author Nora Roberts, writing as J.D. Robb, continues her prolific string of hits with her latest installment in the In Death series of futuristic thrillers starring hard-boiled detective Eve Dallas and a quirky cast of characters, including Eve's husband, Roarke, who owns most of Manhattan and can be relied upon to bring all his considerable resources to bear to help his wife solve the case whether she wants him to or not, and Peabody, Eve's uptight assistant, who has an off-again, on-again thing going with the irreverent Officer McNab. This time Eve is on the trail of a serial killer--or maybe killers--who stalks young women looking for love in online poetry chat rooms. Once a romantic date has been arranged, the murderer sets the scene with roses, champagne, and candlelight, then serves his unsuspecting victims a lethal combination of date-rape drugs that takes them to the height of pleasure and too far beyond. But this killer is really clever, altering his look to become each victim's dream date. What a nightmare! Detective Dallas is on the case, chasing an anonymous psychopath with a twisted taste in romance. But Eve seems a little more fragile this time around, still plagued by the nightmare of childhood abuse. Is retirement from the business of crime solving in the near future for Detective Dallas? Robb has found a winning formula in the genre, so hopefully we'll see a lot more of peppery Eve Dallas. --Alison Trinkle
From Publishers Weekly
In the 13th installment of Robb's (aka Nora Roberts) futuristic In Death series (after Betrayal in Death), New York's Lieutenant Eve Dallas takes on a Casanova killer who targets young women via on-line poetry chat rooms. The killer sets the mood for murder with rose petals, candlelight and expensive wine laced with a deadly date-rape drug. The novel opens (as others have in the past) with Eve reliving the horror of stabbing her abusive father to death. The narrative then switches to another grim scene that of a woman who has been pushed from a balcony. With the technology available in 2059, identifying the culprit should be simple, but this killer is more inventive than most: he becomes each victim's fantasy man. To make Eve's job even more difficult, a psychological profile indicates that there may be two killers or one with a multiple-personality disorder. Robb sprinkles her narrative with the usual supporting characters: Roarke, Eve's rich husband, uses his state-of-the-art computers to assist her with the case; Peabody, Eve's assistant, is still dancing a sexual tango with Officer McNab; and Roarke's lofty but caring butler remains a thorn in Eve's side. Although Robb's energetic prose and hard-edged dialogue will keep readers engrossed, this installment offers little that is new or fresh. (Sept. 4)Forecast: Thirteen may very well be Robb's unlucky number. Although the recent revelation that J.D. Robb is Nora Roberts will prompt many new readers to pick up the latest book in the series, Robb's long-time fans may find that this well is running dry.
Copyright 2001 Cahners Business Information, Inc.
More About the Author
J.D. Robb is the pseudonym for a number-one New York Times-bestselling author of more than 170 novels, including the futuristic suspense In Death series. There are more than 300 million copies of her books in print.
Customer Reviews
Most Helpful Customer Reviews
35 of 36 people found the following review helpful
By
"intentaccess"
on January 18, 2002
Format: Mass Market Paperback
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In this latest installment, Eve Dallas is investigating the serial murder of women who participated in on-line chat rooms, each A victim of romance that was a game set up for a deadly ending.
This novel was of a different format then the last 12 as you know who the killer is early on. The format may have changed but the suspense, wit and character building sure did not! Can eve beat the killer at is game before anybody else is killed???
J.D. Robb has the most wonderful skill of building her characters and this book gets better. Peabody and McNab continue to grow in their involvement and as main characters. Charles and Dr. Louise even grow as more important characters. This is Book 13 , which I have read them all, also read the two short stories and I cannot get enough! Way to go Robb you most certainly did it again!!!
This novel was of a different format then the last 12 as you know who the killer is early on. The format may have changed but the suspense, wit and character building sure did not! Can eve beat the killer at is game before anybody else is killed???
J.D. Robb has the most wonderful skill of building her characters and this book gets better. Peabody and McNab continue to grow in their involvement and as main characters. Charles and Dr. Louise even grow as more important characters. This is Book 13 , which I have read them all, also read the two short stories and I cannot get enough! Way to go Robb you most certainly did it again!!!
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36 of 39 people found the following review helpful
By
gayelle
on August 29, 2001
Format: Mass Market Paperback
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Seduction in Death is a homerun! Highly enjoyable characters and more character development of the series' protagonists, Roarke and Eve; witty dialogue which sparks gut deep belly laughs; new story lines involving characters introduced earlier -- Charles and Louise, simply fantastic! -- good, strong plot; and bad bad-guys. Nobody does it like Robb (Nora Roberts). She's simply the best.
After Amazon's Publishers' Weekly reviewer panned the novel, I had reservations about
quite what to expect. (I think Publishers' Weekly's review ought to read the whole series
and think about things a bit more.) However, J. D. Robb does not at all disappoint. In 354 pages of enjoyable, small print reading, readers familiar with the In Death series are witness to Dallas' further development as a character. Those who are familiar with all the books in
the series will realize the extent of Eve's growth. She has come a long way baby from the woman who could not respond with other than silence to Roarke's expressions of love. Robb gives Dallas a richer complexity, a maturity wrought by love in this novel. I'm not going to sell out the storyline, but the closing pages of this novel are surely a testament to the depth of Robb's creativity and to the richness with which she imbues her characters.
In many places, from the beginning onwards, the dialogue is rip roaringly funny. Some of the
exchanges between Dallas and Peabody, Dallas and Roarke, Dallas and other characters, the Peabody-McNabb situation are so hilarious that this novel ought not be read in public <g>. Robb has more than a touch of the blarney in her and a wonderful way with her pen.Read more ›
After Amazon's Publishers' Weekly reviewer panned the novel, I had reservations about
quite what to expect. (I think Publishers' Weekly's review ought to read the whole series
and think about things a bit more.) However, J. D. Robb does not at all disappoint. In 354 pages of enjoyable, small print reading, readers familiar with the In Death series are witness to Dallas' further development as a character. Those who are familiar with all the books in
the series will realize the extent of Eve's growth. She has come a long way baby from the woman who could not respond with other than silence to Roarke's expressions of love. Robb gives Dallas a richer complexity, a maturity wrought by love in this novel. I'm not going to sell out the storyline, but the closing pages of this novel are surely a testament to the depth of Robb's creativity and to the richness with which she imbues her characters.
In many places, from the beginning onwards, the dialogue is rip roaringly funny. Some of the
exchanges between Dallas and Peabody, Dallas and Roarke, Dallas and other characters, the Peabody-McNabb situation are so hilarious that this novel ought not be read in public <g>. Robb has more than a touch of the blarney in her and a wonderful way with her pen.Read more ›
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25 of 27 people found the following review helpful
By
Wendy Kaplan
on September 15, 2001
Format: Mass Market Paperback
1 Comment
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Two sophisticated serial killers are stalking the women of New York via email. Or is it one man with multiple personalities? Tough homicide lieutenant Eve Dallas must solve the mystery quickly, before any more women are brutally raped and killed.
In perhaps her toughest assignment yet, Eve must unravel clue upon clue to get to the core of the case. And it won't be easy. As she peels away each false identity of the murderers, another even more clever identity emerges. Each victim has been lured to her death by a so-called "poet," who just happens to share a love of art, poetry, the classics, and other intellectual pursuits with his online "soulmate. It is chillingly easy to disguise one's identity on email, especially if, in the case of this murderer, he has multiple accounts that lead to nowhere.
Surveillance tapes and first-hand sightings of the possible suspect or suspects only compound the puzzle, as the killers are adept at face putty and other disguises, and so appear completely different each time they kill. In 2059, such appearance enhancers are all too available, as Eve well knows. When she needs a disguise of her own, she has to be almost literally hogtied as she submits to the "beautification" efforts of her dear friend, "mag" rock star Mavis, and Mavis's sidekick Trina. Those of us who know Eve et al. from the previous "In Death" novels tend to root for Mavis and Trina, as Eve's idea of beauty is primitive at best.
This insertion of comic relief is a Robb trademark, and only serves to intensify the mystery beneath. The genius of it, however, is that with each little interlude such as the beauty session, we learn more about what makes the "In-Death" regulars tick, just as we would in a real-life relationship.Read more ›
In perhaps her toughest assignment yet, Eve must unravel clue upon clue to get to the core of the case. And it won't be easy. As she peels away each false identity of the murderers, another even more clever identity emerges. Each victim has been lured to her death by a so-called "poet," who just happens to share a love of art, poetry, the classics, and other intellectual pursuits with his online "soulmate. It is chillingly easy to disguise one's identity on email, especially if, in the case of this murderer, he has multiple accounts that lead to nowhere.
Surveillance tapes and first-hand sightings of the possible suspect or suspects only compound the puzzle, as the killers are adept at face putty and other disguises, and so appear completely different each time they kill. In 2059, such appearance enhancers are all too available, as Eve well knows. When she needs a disguise of her own, she has to be almost literally hogtied as she submits to the "beautification" efforts of her dear friend, "mag" rock star Mavis, and Mavis's sidekick Trina. Those of us who know Eve et al. from the previous "In Death" novels tend to root for Mavis and Trina, as Eve's idea of beauty is primitive at best.
This insertion of comic relief is a Robb trademark, and only serves to intensify the mystery beneath. The genius of it, however, is that with each little interlude such as the beauty session, we learn more about what makes the "In-Death" regulars tick, just as we would in a real-life relationship.Read more ›
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14 of 16 people found the following review helpful
By
gimme a thinking nurse anyday
on January 28, 2007
Format: MP3 CD
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8 Comments
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I've been an avid fan of the series since it's beginning. I'm on my second time through them. This time I'm listening to the audio versions. The previous recordings have been fabulous. Susan Ericksen is so talented. But this one..... She changed the voices and dropped most of the accents and idiosyncracies. It's like losing friends. It also makes it much harder to follow and tell who is speaking - all the women sound the same! Susan, please, bring back the voices!!!! The book itself is great, as always
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4 of 4 people found the following review helpful
By
paula_k_98
on August 29, 2001
Format: Mass Market Paperback
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Let me start off by saying this, in my opinion, is the best Death book yet. The story is fast paced and best of all, all the secondary characters contribute to the story and many have storylines of their own.
The story opens with Roarke off at the funeral of his old friend Mick and Eve trying to survive the night without him. As she tries to sleep, she finds herself dreaming of her father. Only this time the dreams go further than it ever has leaving her shaken beyond belief. Then the call comes, another homicide, another body, and another death. The man of their dreams is wooing young, single, attractive women in a chat room where they discuss poetry, the arts, and the finer things in life. Each meets him for drinks at a swanky, romantic spot to be safe and then finds herself sexually enamored enough to take him back to her apartment. He turns the lights down low, puts on romantic music, and throws rose petals on the bed. He does everything in his power to make it the most romantic encounter of her life. You see it will be the last thing she will ever know.
I had wondered if Robb was going to let us down... Folks, I was not let down in the least. Yes, there is the usual blood and violence, the sex with Roarke, and we knew who was committing the murders fairly quickly�but what made this book for me was the use and revelations of the secondary characters. They played a prominent role in this book, which makes it worthwhile. Get ready to be seduced, not by murder, but the wonderful interactions that only Robb can produce.
The story opens with Roarke off at the funeral of his old friend Mick and Eve trying to survive the night without him. As she tries to sleep, she finds herself dreaming of her father. Only this time the dreams go further than it ever has leaving her shaken beyond belief. Then the call comes, another homicide, another body, and another death. The man of their dreams is wooing young, single, attractive women in a chat room where they discuss poetry, the arts, and the finer things in life. Each meets him for drinks at a swanky, romantic spot to be safe and then finds herself sexually enamored enough to take him back to her apartment. He turns the lights down low, puts on romantic music, and throws rose petals on the bed. He does everything in his power to make it the most romantic encounter of her life. You see it will be the last thing she will ever know.
I had wondered if Robb was going to let us down... Folks, I was not let down in the least. Yes, there is the usual blood and violence, the sex with Roarke, and we knew who was committing the murders fairly quickly�but what made this book for me was the use and revelations of the secondary characters. They played a prominent role in this book, which makes it worthwhile. Get ready to be seduced, not by murder, but the wonderful interactions that only Robb can produce.
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