Bach: Music in the Castle of Heaven Hardcover – Deckle Edge, October 29, 2013

“[I]t is hard to imagine what the English maestro John Eliot Gardiner. . . might do to surpass Bach: Music in the Castle of Heaven in its commitment, scope and comprehensiveness. . . . [He] has done a masterly, monumental job of taking the measure of Bach the man and the musician.”
      –The New York Times
 
“With Bach we seek the elusive man hiding, perhaps, under the dense, spectacular music. . . .As eloquent a writer as he is a musician, Gardiner brings to his study the invaluable perspective of the practitioner. . . . One of the stars of the revolution over the past 50 years that has brought period instruments into the mainstream of early-music performance. . . . [Gardiner’s] depth of knowledge permeates his writing.”
      –The New York Times Book Review

“Mr. Gardiner writes in the refreshing voice of a man who has studied and performed Bach's music for decades. . . . Like his conducting, the author's writing is lively, argumentative and passionate. He believes deeply in Bach's music and wants to understand each aspect of its construction. . . . Bach's music is one of mankind's greatest achievements, and his genius touches upon matters eternal and profound. His choral music is less well-known than it should be—especially the cantatas, which Gardiner lauds as "gripping musical works of exceptional worth." Spurred by Bach: Music in the Castle of Heaven, many listeners will discover them for the first time. In performance and now in print, Mr. Gardiner is Bach's most eloquent champion…”
      –The Wall Street Journal

“It never happens often enough, but now and then, a subject gets the book it deserves. So it is with John Eliot Gardiner’s Bach: Music in the Castle of Heaven, a biography so thoughtful, well-researched, and beautifully written that it should satisfy both the well-informed enthusiast and readers simply seeking to become better acquainted with a musical giant.”
      –The Daily Beast

Bach: Music in the Castle of Heaven is an inspiring book. . . . [it] is a superb, timely, thought-provoking, authoritative and extremely useful and readable book. It should find its way onto any serious music-lover’s shelves. From there it must often and regularly be taken off and read.”
      –Classical.Net
 
“[I]t is Gardiner’s experience as a conductor that informs so much of this book. Not only does he explain the harmonic, contrapuntal and polyphonic underpinnings of Bach’s music. . . he also comments on these scores from practical experience, having spent countless hours working out instrumental balances and sonorities, textures and dynamics, in concert halls and churches alike.”
      –The Washington Post

“Gardiner presents a nuanced account of the constellation of personal, musical, religious, and cultural forces that shaped Bach’s astonishing body of compositions. He writes with the care of a scholar, the knowledge of an expert musician, and the passion of a believer (in Bach if nothing else).”
      –The Christian Science Monitor

“An erudite work resting on prodigious research and experience and deep affection and admiration.”
      –Kirkus

“Typical John Eliot to combine so much erudition with even more passion and enthusiasm. It made me want to rush and listen to all the pieces whether familiar or unfamiliar. A treasure chest.” 
      –Simon Rattle, principal conductor of the Berlin Philharmonic

“Bach: Music in the Castle of Heaven is a unique portrait of one of the greatest musical geniuses of all time by one of the greatest musical geniuses of our own age. John Eliot Gardiner uses his extraordinary immersion in Bach’s music to illuminate Bach the man more brilliantly than in any previous work, and has created his own deeply moving work of art.” 
      –Amanda Foreman, author of A World on Fire
 
“A superb achievement, scholarly, lively, controversial and judicious. Like all great biographies of creative artists it builds a bridge from the past to the present and brings the work to new life.”
      –Ian Bostridge
  
“John Eliot Gardiner’s book is, apart from anything else, a tremendous feat of narrative: he has the rare gift of always putting the camera in the right place. He tells this long and richly involved story in a way that makes everything clear, and sets the life and the music in a historical perspective where every detail is relevant and every comment illuminating. Simply as a biography this is splendid, but the fact that it comes with such a wealth of musical understanding and experience makes it invaluable. I learned an enormous amount, and I know I'll return to it again and again.”
      –Philip Pullman

John Eliot Gardiner is one of the world’s leading conductors, not only of Baroque music but across the whole repertoire. He founded the Monteverdi Choir and Orchestra, the Orchestre de l’Opéra de Lyon, the English Baroque Soloists, and the Orchestre Révolutionnaire et Romantique. He has conducted most of the world’s great orchestras and in many of the leading opera houses. He lives and farms in Dorset, England.