Performer-humorist Loh (A Year in Van Nuys, 2001) isn’t going crazy. She is heading straight into menopause, and her experiences and thoughts on the topic are hilarious, comforting, and enlightening. Here she speaks honestly about herself and others, sparing little about the perils of being a middle-aged woman, single or married, in the twenty-first century. As she points out, “By 2015 nearly one-half of American women will be menopausal.” Moreover, many of these same women will be also working, raising children, and taking care of their parents. Sound grim? Or, perhaps, sound familiar? Loh has cleared this treacherous, necessary path with her own wildly humorous story, a few facts here and there, and her funny and eye-opening summations of advice from the many change-of-life books she has plowed through. Loh made a mess of things—impulsively divorcing her husband for a lover, then kicking the lover out, then letting him back in—yet Loh also put everything back together in a different, blessedly workable form. Misery may never prove better company. --Eloise Kinney
Review
“
The Madwoman in the Volvo reads like a weekend away with the best friend you ever had—blazingly vulnerable, scorchingly smart, and funny as hell. It’s both an intimate portrait of one woman as she approaches menopause and a full-throated cultural howl about what it means to be female and forty or fifty or sixty something in America today. I was filled with recognition as I read the book’s first pages and flooded with gratitude by the end. . . . A beautiful book you’re going to miss after you’ve read the last page.” (Cheryl Strayed)
“[Reading this book] I laughed maniacally, nodded in empathy, hooted, teared up, and laughed some more. And while you could make the case that with a menopausal woman, that could have happened even had I spent the time gardening, in this case I am pretty certain it was the author’s doing.” (Mary Roach)
“Loh is that rare writer who is howlingly funny on the surface and subtly brilliant just beneath. Here, she turns her eagle eye to her own midlife "crises": motherhood, marriage, men (old and young), and madness of all kinds—not least her own. Goes down like cheap wine—fast and furiously—yet at the end, instead of a hangover, you have a bold and beautiful new view of life.” (Cathi Hanauer, author of Gone and editor of The Bitch in the House)
“[A] brave and witty memoir.” (Judith Newman - New York Times Book Review)
“Does what every memoir ought to do: it reminds the reader she’s not alone.” (Claire Dederer - Los Angeles Review of Books)