‘Becoming Freud offers more than enough proof that Phillips is the ideal author of a book about Freud.’—Talitha Stevenson, Financial Times
(Talitha Stevenson
Financial Times 2014-05-31)
‘The book’s structure is bound by two constraints: the brevity of the period covered – the first 50 years of Freud’s life (he lived until he was 83) - and his Jewishness. But, as with Shakespeare working within the strictures of the sonnet form, Phillips presses these potential limits to acute and dazzling effect.’—Salley Vickers, The Daily Telegraph
(Salley Vickers
The Daily Telegraph 2014-06-21)
‘[T]his short, meditative succeeds superbly in delineating the culture and thought processes that lay behind his work.’—Ian Critchley, The Sunday Times
(Ian Critchley
The Sunday Times 2014-06-15)
‘More a biographical essay than a comprehensive biography, since it ends with Freud aged 50, this beautifully lucid book is jargon-free and richly informative, which is hardly surprising since Phillips was the series editor of The New Penguin Freud.’—Helen Meany, Irish Times
(Helen Meany
The Irish Times 2014-08-15)
"As a writer, Mr. Phillips specializes in paradoxes and antitheses — almost all of which he puts forth thoughtfully and gracefully . . . An intelligent and well-written book."—Steven Marcus, New York Times
(Steven Marcus
New York Times)
"An audacious book. . . . Its implicit goal, never stated but always clear, is to help us salvage the best parts of Freud’s work while leaving behind the rest—the outmoded theories and unwieldy jargon that make Freud a caricature rather than an intriguing thinker."—Joshua Rothman, New Yorker Blog (Joshua Rothman
New Yorker Blog)
"Clear and engaging."—Kirkus Reviews
(
Kirkus Reviews)
"A compact intellectual biography. . . . Phillips often illuminatingly reads Freud's thinking against the background of his life circumstances. . . . Probably more than any other psychoanalytically informed writer, Phillips has continued to enrich this mode of thought by literary means, through sheer force of style."—Kenneth Baker, San Francisco Chronicle
(Kenneth Baker
San Francisco Chronicle)
"Phillips excels at re-describing concepts and experiences whose meanings appear settled, stale or too technical."—Kenneth Baker, San Francisco Chronicle
(Kenneth Baker
San Francisco Chronicle)
"Telling a great story gracefully and with the clarity it deserves, in all its layers, Adam Phillips demonstrates that Freud remains central to the urgent questions of modernism— social, political and cultural, as well as psychological. I will be thinking about specific sentences in this book for a long time."—Robert Pinsky
(Robert Pinsky)
Praise for Adam Phillips
Adam Phillips is one of the richest and most rewarding essayists of our time." Los Angeles Times
Phillips has made psychoanalytic thought livelier and more poetic than ever.”New York Times
The curious thing about reading Phillips is that he makes you feel smart and above the daily grind at the same time as he reassures you that you are not alone in your primal anxieties about whether you are lovable or nuts or, perhaps, merely boring.” New York Times Magazine
Adam Phillips writes with far-sighted equanimity. . . . He’s a little like an Oliver Sacks of psychoanalysis, both affable and unalarmed.” Boston Sunday Globe
[Phillips is] one of the finest prose stylists at work in the language, an Emerson of our time.” John Banville
"Phillips’s authority as a writer comes in no small part from his own experience as a highly regarded therapist." Boston Globe
"[Phillips is] adept at making the complex comprehensible.”Independent
In Phillips’ hands, nothing is as ordinary as it appears to be. Each essay is a kind of mystery tour; you never know where you are going to end up.”Times Literary Supplement
[Phillips has] punched lovely skylights into the gloomy Freudian edifice and in general done much to rehabilitate the psychoanalytic enterprise by honoring the idiosyncrasy of human experience and by wielding method lightly, playfully, humanely.”Esquire