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My new friends have begun to suspect I haven't told them the full story of my life.
"Why did you leave Sierra Leone?"
"Because there is a war."
"You mean, you saw people running around with guns and shooting each other?"
"Yes, all the time."
"Cool."
I smile a little.
"You should tell us about it sometime."
"Yes, sometime."
This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them.
What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived.
In A Long Way Gone, Beah, now twenty-five years old, tells a riveting story: how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he'd been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts.
This is a rare and mesmerizing account, told with real literary force and heartbreaking honesty.
“A breathtaking and unselfpitying account of how a gentle spirit survives a childhood from which all innocence has suddenly been sucked out. It's a truly riveting memoir.” —Time
“Beah is a gifted writer. . . Read his memoir and you will be haunted . . . It’s a high price to pay, but it’s worth it.” —Newsweek.com
“Deeply moving, even uplifting…Beah's story, with its clear-eyed reporting and literate particularity—whether he's dancing to rap, eating a coconut or running toward the burning village where his family is trapped—demands to be read.”
—People (Critic’s Choice, Four stars)
“Beah’s memoir, A Long Way Gone (Farrar, Straus and Giroux), is unforgettable testimony that Africa’s children—millions of them dying and orphaned by preventable diseases, hundreds of thousands of them forced into battle—have eyes to see and voices to tell what has happened. And what voices! How is it possible that 26-year-old Beah, a nonnative English speaker, separated from his family at age 12, taught to maim and to kill at 13, can sound such notes of family happiness, of friendship under duress, of quiet horror? No outsider could have written this book, and it’s hard to imagine that many insiders could do so with such acute vision, stark language, and tenderness. It is a heart-rending achievement.” —Melissa Fay Greene, Elle
“When Beah is finally approached about the possibility of serving as a spokesperson on the issue of child soldiers, he knows exactly what he wants to tell the world: “I would always tell people that I believe children have the resilience to outlive their sufferings, if given a chance.”
Others may make the same assertions, but Beah has the advantage of stating them in the first person. That makes A Long Way Gone all the more gripping.” —Christian Science Monitor
“In place of a text that has every right to be a diatribe against Sierra Leone, globalization or even himself, Beah has produced a book of such self-effacing humanity that refugees, political fronts and even death squads resolve themselves back into the faces of mothers, fathers and siblings. A Long Way Gone transports us into the lives of thousands of children whose lives have been altered by war, and it does so with a genuine and disarmingly emotional force.” —Minneapolis Star-Tribune
“What Beah saw and did during [the war] has haunted him ever since, and if you read his stunning and unflinching memoir, you'll be haunted, too . . . It would have been enough if Ishmael Beah had merely survived the horrors described in A Long Way Gone. That he has written this unforgettable firsthand account of his odyssey is harder still to grasp. Those seeking to understand the human consequences of war, its brutal and brutalizing costs, would be wise to reflect on Ishmael Beah's story.” —Philadelphia Inquirer
“Beah speaks in a distinctive voice, and he tells an important story.” —The Wall Street Journal
“Hideously effective in conveying the essential horror of his experiences.” —Kirkus Reviews
“Extraordinary . . . A ferocious and desolate account of how ordinary children were turned into professional killers.” —The Guardian UK
"A Long Way Gone is one of the most important war stories of our generation. The arming of children is among the greatest evils of the modern world, and yet we know so little about it because the children themselves are swallowed up by the very wars they are forced to wage. Ishmael Beah has not only emerged intact from this chaos, he has become one of its most eloquent chroniclers. We ignore his message at our peril." —Sebastian Junger, author of A Death in Belmont and A Perfect Storm
"This is a beautifully written book about a shocking war and the children who were forced to fight it. Ishmael Beah describes the unthinkable in calm, unforgettable language; his memoir is an important testament to the children elsewhere who continue to be conscripted into armies and militias." —Steve Coll, author of Ghost Wars: The Secret History of the CIA, Afghanistan, and Bin Laden, from the Soviet Invasion to September 10, 2001, winner of the 2005 Pulitzer Prize for general Nonfiction
"This is a wrenching, beautiful, and mesmerizing tale. Beah's amazing saga provides a haunting lesson about how gentle folks can be capable of great brutalities as well goodness and courage. It will leave you breathless." —Walter Isaacson, author of Benjamin Franklin: An American Life
“A Long Way Gone hits you hard in the gut with Sierra Leone’s unimaginable brutality and then it touches your soul with unexpected acts of kindness. Ishmael Beah’s story tears your heart to pieces and then forces you to put it back together again, because if Beah can emerge from such horror with his humanity in tact, it’s the least you can do.” —Jeannette Walls, author of The Glass Castle: A Memoir
Beah's harrowing story of a boy caught up in the civil strife in Sierra Leone is not an audio to curl up with before bedtime. Beah's even-toned narrative is particularly disturbing because it's almost exactly the same whether he is enjoying the company of a newly found uncle or busy shooting and maiming rebels and even burying them alive. His monotone works particularly well when he is recounting his dreams, for he cannot distinguish his nightmares from his waking life. Beah speaks with a thick accent that omits "th" sounds. Many words are understandable in their context, but a few are not. He also stumbles over some longer and more complex words. Despite these drawbacks, Beah's tale is a riveting snapshot of childhoods stolen from all too many, not just in Sierra Leone but in Somalia, Iraq, Palestine and other places ravaged by civil wars. Simultaneous release with the FSG hardcover (Reviews, Dec. 18). (Mar.)
Copyright 2007 Reed Business InformationRarely does one encounter anything but outrage, sadness, and pain when reading about the exploitation of child soldiers, but Beah's account also offers hope, humility, bravery, and, yes, peace. Beah was 13 years old when rebels attacked nearby villages in his native Sierra Leone. He was separated from his family (he learned later that they perished) and was on the run from both the rebels and the Sierra Leone Military Forces for over a year. Eventually captured by the military, which could behave as horrendously as the rebels, the boy was forced to join the army, carrying guns or grenade launchers. Like the thousands of other children traumatized by these events, Beah needed rehabilitation when his "tour of duty" was over. A former juvenile center turned counseling house afforded him a safe haven. After being chosen to speak at a UN conference in New York, he began the long process of relocating to the United States. The brutality of war is brought out early in this narrative, and just to have survived is amazing. Beah writes with frankness and honesty about his experiences but also with other people in mind; his account of the healing process after the horrors he saw is remarkable. His book, especially relevant in today's world, should be in all high school, public, and academic libraries. [See Prepub Alert, LJ11/15/06; Beah's book is the second title in the new Starbucks book program.—Ed.]
—James Thorsen
Ishmael Beah was born in 1980 in Sierra Leone, West Africa. His writing has appeared in The New York Times Magazine, Vespertine Press, LIT, Parabola, and numerous academic journals. He is a UNICEF Ambassador and Advocate for Children Affected by War; a member of the Human Rights Watch Children’s Rights Advisory Committee; an advisory board member at the Center for the Study of Youth and Political Violence at the University of Tennessee, Knoxville; visiting scholar at the Center for International Conflict Resolution at Columbia University; visiting Senior Research Fellow at the Center for the Study of Genocide, Conflict Resolution, and Human Rights at Rutgers University; cofounder of the Network of Young People Affected by War (NYPAW); and president of the Ishmael Beah Foundation. He has spoken before the United Nations, the Council on Foreign Relations, and many panels on the effects of war on children. His book A Long Way Gone: Memoirs of a Boy Soldier has been published in over thirty languages and was nominated for a Quill Award in 2007. Time magazine named the book as one of the top ten nonfiction books of 2007, ranking it at number three. Ishmael Beah is a graduate of Oberlin College with a B.A. in Political Science and resides in Brooklyn, New York. He is currently completing a novel set in his home country of Sierra Leone.
The first time that I was touched by war I was twelve. It was in January of 1993. I left home with Junior, my older brother, and our friend Talloi, both a year older than I, to go to the town of Mattru Jong, to participate in our friends' talent show. Mohamed, my best friend, couldn't come because he and his father were renovating their thatched-roof kitchen that day. The four of us had started a rap and dance group when I was eight. We were first introduced to rap music during one of our visits to Mobimbi, a quarter where the foreigners who worked for the same American company as my father lived. We often went to Mobimbi to swim in a pool and watch the huge color television and the white people who crowded the visitors' recreational area. One evening a music video that consisted of a bunch of young black fellows talking really fast came on the television. The four of us sat there mesmerized by the song, trying to understand what the black fellows were saying. At the end of the video, some letters came up at the bottom of the screen. They read "Sugarhill Gang, 'Rapper's Delight.'" Junior quickly wrote it down on a piece of paper. After that, we came to the quarters every other weekend to study that kind of music on television. We didn't know what it was called then, but I was impressed with the fact that the black fellows knew how to speak English really fast, and to the beat.
Later on, when Junior went to secondary school, he befriended some boys who taught him more about foreign music and dance. During holidays, he brought me cassettes and taught my friends and me how to dance to what we came to know as hip- hop. I loved the dance, and particularly enjoyed learning the lyrics, because they were poetic and it improved my vocabulary. One afternoon, Father came home while Junior, Mohamed, Talloi, and I were learning the verse of "I Know You Got Soul" by Eric B. & Rakim. He stood by the door of our clay brick and tin roof house laughing and then asked, "Can you even understand what you are saying?" He left before Junior could answer. He sat in a hammock under the shade of the mango, guava, and orange trees and tuned his radio to the BBC news.
"Now, this is good English, the kind that you should be listening to," he shouted from the yard.
While Father listened to the news, Junior taught us how to move our feet to the beat. We alternately moved our right and then our left feet to the front and back, and simultaneously did the same with our arms, shaking our upper bodies and heads. "This move is called the running man," Junior said. Afterward, we would practice miming the rap songs we had memorized. Before we parted to carry out our various evening chores of fetching water and cleaning lamps, we would say "Peace, son" or "I'm out," phrases we had picked up from the rap lyrics. Outside, the evening music of birds and crickets would commence.
On the morning that we left for Mattru Jong, we loaded our backpacks with notebooks of lyrics we were working on and stuffed our pockets with cassettes of rap albums. In those days we wore baggy jeans, and underneath them we had soccer shorts and sweatpants for dancing. Under our long-sleeved shirts we had sleeveless undershirts, T-shirts, and soccer jerseys. We wore three pairs of socks that we pulled down and folded to make our crapes* look puffy. When it got too hot in the day, we took some of the clothes off and carried them on our shoulders. They were fashionable, and we had no idea that this unusual way of dressing was going to benefit us. Since we intended to return the next day, we didn't say goodbye or tell anyone where we were going. We didn't know that we were leaving home, never to return.
To save money, we decided to walk the sixteen miles to Mattru Jong. It was a beautiful summer day, the sun wasn't too hot, and the walk didn't feel long either, as we chatted about all kinds of things, mocked and chased each other. We carried slingshots that we used to stone birds and chase the monkeys that tried to cross the main dirt road. We stopped at several rivers to swim. At one river that had a bridge across it, we heard a passenger vehicle in the distance and decided to get out of the water and see if we could catch a free ride. I got out before Junior and Talloi, and ran across the bridge with their clothes. They thought they could catch up with me before the vehicle reached the bridge, but upon realizing that it was impossible, they started running back to the river, and just when they were in the middle of the bridge, the vehicle caught up to them. The girls in the truck laughed and the driver tapped his horn. It was funny, and for the rest of the trip they tried to get me back for what I had done, but they failed.
We arrived at Kabati, my grandmother's village, around two in the afternoon. Mamie Kpana was the name that my grandmother was known by. She was tall and her perfectly long face complemented her beautiful cheekbones and big brown eyes. She always stood with her hands either on her hips or on her head. By looking at her, I could see where my mother had gotten her beautiful dark skin, extremely white teeth, and the translucent creases on her neck. My grandfather or kamor-teacher, as everyone called him-was a well-known local Arabic scholar and healer in the village and beyond.
At Kabati, we ate, rested a bit, and started the last six miles. Grandmother wanted us to spend the night, but we told her that we would be back the following day.
"How is that father of yours treating you these days?" she asked in a sweet voice that was laden with worry.
"Why are you going to Mattru Jong, if not for school? And why do you look so skinny?" she continued asking, but we evaded her questions. She followed us to the edge of the village and watched as we descended the hill, switching her walking stick to her left hand so that she could wave us off with her right hand, a sign of good luck.
We arrived in Mattru Jong a couple of hours later and met up with old friends, Gibrilla, Kaloko, and Khalilou. That night we went out to Bo Road, where street vendors sold food late into the night. We bought boiled groundnut and ate it as we conversed about what we were going to do the next day, made plans to see the space for the talent show and practice. We stayed in the verandah room of Khalilou's house. The room was small and had a tiny bed, so the four of us (Gibrilla and Kaloko went back to their houses) slept in the same bed, lying across with our feet hanging. I was able to fold my feet in a little more since I was shorter and smaller than all the other boys.
The next day Junior, Talloi, and I stayed at Khalilou's house and waited for our friends to return from school at around 2:00 p.m. But they came home early. I was cleaning my crapes and counting for Junior and Talloi, who were having a push-up competition. Gibrilla and Kaloko walked onto the verandah and joined the competition. Talloi, breathing hard and speaking slowly, asked why they were back. Gibrilla explained that the teachers had told them that the rebels had attacked Mogbwemo, our home. School had been canceled until further notice. We stopped what we were doing.
According to the teachers, the rebels had attacked the mining areas in the afternoon. The sudden outburst of gunfire had caused people to run for their lives in different directions. Fathers had come running from their workplaces, only to stand in front of their empty houses with no indication of where their families had gone. Mothers wept as they ran toward schools, rivers, and water taps to look for their children. Children ran home to look for parents who were wandering the streets in search of them. And as the gunfire intensified, people gave up looking for their loved ones and ran out of town.
"This town will be next, according to the teachers." Gibrilla lifted himself from the cement floor. Junior, Talloi, and I took our backpacks and headed to the wharf with our friends. There, people were arriving from all over the mining area. Some we knew, but they couldn't tell us the whereabouts of our families. They said the attack had been too sudden, too chaotic; that everyone had fled in different directions in total confusion.
For more than three hours, we stayed at the wharf, anxiously waiting and expecting either to see our families or to talk to someone who had seen them. But there was no news of them, and after a while we didn't know any of the people who came across the river. The day seemed oddly normal. The sun peacefully sailed through the white clouds, birds sang from treetops, the trees danced to the quiet wind. I still couldn't believe that the war had actually reached our home. It is impossible, I thought. When we left home the day before, there had been no indication the rebels were anywhere near.
"What are you going to do?" Gibrilla asked us. We were all quiet for a while, and then Talloi broke the silence. "We must go back and see if we can find our families before it is too late."
Junior and I nodded in agreement.
Just three days earlier, I had seen my father walking slowly from work. His hard hat was under his arm and his long face was sweating from the hot afternoon sun. I was sitting on the verandah. I had not seen him for a while, as another stepmother had destroyed our relationship again. But that morning my father smiled at me as he came up the steps. He examined my face, and his lips were about to utter something, when my stepmother came out. He looked away, then at my stepmother, who pretended not to see me. They quietly went into the parlor. I held back my tears and left the verandah to meet with Junior at the junction where we waited for the lorry. We were on our way to see our mother in the next town about three miles away. When our father had paid for our school, we had seen her on weekends over the holidays when we were back home. Now that he refused to pay, we visited her every two or three days. That afternoon we met Mother at the market and walked with her as she purchased ingredients to cook for us. Her face was dull at first, but as soon as she hugged us, she brightened up. She told us that our little brother, Ibrahim, was at school and that we would go get him on our way from the market. She held our hands as we walked, and every so often she would turn around as if to see whether we were still with her.
As we walked to our little brother's school, Mother turned to us and said, "I am sorry I do not have enough money to put you boys back in school at this point. I am working on it." She paused and then asked, "How is your father these days?"
"He seems all right. I saw him this afternoon," I replied. Junior didn't say anything.
Mother looked him directly in the eyes and said, "Your father is a good man and he loves you very much. He just seems to attract the wrong stepmothers for you boys."
When we got to the school, our little brother was in the yard playing soccer with his friends. He was eight and pretty good for his age. As soon as he saw us, he came running, throwing himself on us. He measured himself against me to see if he had gotten taller than me. Mother laughed. My little brother's small round face glowed, and sweat formed around the creases he had on his neck, just like my mother's. All four of us walked to Mother's house. I held my little brother's hand, and he told me about school and challenged me to a soccer game later in the evening. My mother was single and devoted herself to taking care of Ibrahim. She said he sometimes asked about our father. When Junior and I were away in school, she had taken Ibrahim to see him a few times, and each time she had cried when my father hugged Ibrahim, because they were both so happy to see each other. My mother seemed lost in her thoughts, smiling as she relived the moments.
Two days after that visit, we had left home. As we now stood at the wharf in Mattru Jong, I could visualize my father holding his hard hat and running back home from work, and my mother, weeping and running to my little brother's school. A sinking feeling overtook me.
Junior, Talloi, and I jumped into a canoe and sadly waved to our friends as the canoe pulled away from the shores of Mattru Jong. As we landed on the other side of the river, more and more people were arriving in haste. We started walking, and a woman carrying her flip-flops on her head spoke without looking at us: "Too much blood has been spilled where you are going. Even the good spirits have fled from that place." She walked past us. In the bushes along the river, the strained voices of women cried out, "Nguwor gbor mu ma oo," God help us, and screamed the names of their children: "Yusufu, Jabu, Foday ..." We saw children walking by themselves, shirtless, in their underwear, following the crowd. "Nya nje oo, nya keke oo," my mother, my father, the children were crying. There were also dogs running, in between the crowds of people, who were still running, even though far away from harm. The dogs sniffed the air, looking for their owners. My veins tightened.
We had walked six miles and were now at Kabati, Grandmother's village. It was deserted. All that was left were footprints in the sand leading toward the dense forest that spread out beyond the village.
As evening approached, people started arriving from the mining area. Their whispers, the cries of little children seeking lost parents and tired of walking, and the wails of hungry babies replaced the evening songs of crickets and birds. We sat on Grandmother's verandah, waiting and listening.
"Do you guys think it is a good idea to go back to Mogbwemo?" Junior asked. But before either of us had a chance to answer, a Volkswagen roared in the distance and all the people walking on the road ran into the nearby bushes. We ran, too, but didn't go that far. My heart pounded and my breathing intensified. The vehicle stopped in front of my grandmother's house, and from where we lay, we could see that whoever was inside the car was not armed. As we, and others, emerged from the bushes, we saw a man run from the driver's seat to the sidewalk, where he vomited blood. His arm was bleeding. When he stopped vomiting, he began to cry. It was the first time I had seen a grown man cry like a child, and I felt a sting in my heart. A woman put her arms around the man and begged him to stand up. He got to his feet and walked toward the van. When he opened the door opposite the driver's, a woman who was leaning against it fell to the ground. Blood was coming out of her ears. People covered the eyes of their children.
In the back of the van were three more dead bodies, two girls and a boy, and their blood was all over the seats and the ceiling of the van. I wanted to move away from what I was seeing, but couldn't. My feet went numb and my entire body froze. Later we learned that the man had tried to escape with his family and the rebels had shot at his vehicle, killing all his family. The only thing that consoled him, for a few seconds at least, was when the woman who had embraced him, and now cried with him, told him that at least he would have the chance to bury them. He would always know where they were laid to rest, she said. She seemed to know a little more about war than the rest of us.
(Continues...)
Excerpted from A Long Way Gone by Ishmael Beah Copyright © 2007 by Ishmael Beah. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Questions for Discussion
1. How familiar were you with the civil wars of Sierra Leone prior to reading A Long Way Gone? How has Ishmael’s story changed your perception of this history, and of current wars in general?
2. Chapter seven begins with the story of the imam’s death, followed by Ishmael’s recollections of his father and an elder blessing their home when they first moved to Mogbwemo. How do the concepts of faith and hope shift throughout this memoir? What sustains Ishmael emotionally and spiritually?
3. Chapter eight closes with the image of villagers running fearfully from Ishmael and his friends, believing that the seven boys are rebels. How do they overcome these negative assumptions in communities that have begun to associate the boys’ appearance with evil? What lessons could world leaders learn from them about overcoming distrust, and the importance of judging others individually rather than as stereotypes?
4. What did Ishmael’s parents teach him about being a man? How did he define manhood once he began his long walk west? What general life lessons were his parents able to teach him that sustained him during his brutal passage from boyhood, and that he carries with him to this day?
5. Discuss the role of American hip-hop culture in creating a “soundtrack” for Ishmael’s life. Why are rappers so appealing to him?
6. The boys’ discovery of the Atlantic Ocean and their encounter with a cheerful fisherman who heals and feeds them is followed by the tragedy of Saidu’s death after a bird falls ominously from the sky. Discuss Ishmael’s relationship with the natural world. In what way is he guided by the constancy of the earth and sky?
7. When Ishmael arrives at the fortified village of Yele in chapter twelve, what do you discover about the way he began his military career? Was his service, and that of his equally young friends, necessary? What made his conscription different from that of drafted American soldiers serving in previous wars?
8. Ishmael tells us that some of the boys who had been rehabilitated with him later became soldiers again. What factors ensured that he could remain a civilian?
9. Storytelling is a powerful force in Ishmael’s life, even providing a connection to his future mother, Laura Simms. What traits make Ishmael a memorable and unique storyteller? How does his perspective compare to the perspectives of filmmakers, reporters, or other authors who have recently tried to portray Africa’s civil wars?
10. Ishmael describes his use of Krio and many tribal languages to communicate, as well as his ability to quote Shakespeare’s Elizabethan English. What communities and empires are represented in his many speech styles? In which “villages,” from the relatively new UN to the centuries-old Mende and Temne settlements, does the greatest wisdom lie?
11. How does Ishmael’s concept of family change throughout the memoir, from his early life in Mattru Jong, to the uncle with whom he is reunited, to his American family with Laura?
12. It takes many weeks before Ishmael feels comfortable with the relief workers’ refrain that these events are not his fault. What destructive beliefs had he become addicted to? What states of deprivation and euphoria had his body become addicted to?
13. What universal truths does Ishmael teach us about surviving loss and hunger, and overcoming isolation?
14. Ishmael’s dramatic escape during the later waves of revolution concludes with the riddle of the monkey. Is his dream of obliterating the monkey—and its violent endgames—closer to being fulfilled in these early years of the twenty-first century? What would it take for all of humanity to adopt Ishmael’s rejection of vengeance?
15. Ishmael gives credit to relief workers such as Esther, in conjunction with organizations such as UNICEF, for rescuing him. He has dedicated his life to their cause, studying political science and speaking before a broad variety of groups, ranging from the Council on Foreign Relations to the Center for Emerging Threats and Opportunities at the Marine Corps Warfighting Laboratory. What steps has he inspired you to take to help end the use of child soldiers? How can each of us join Ishmael’s cause?
16. After reading the chronology of Sierra Leone’s history, what reasons can you propose for the coups in Ishmael’s homeland? Did the arrival of Portuguese slave traders, or the later colonization by the British, contribute to Sierra Leone’s twentiethcentury woes? What did you discover about the motivations of the army soldiers versus those of the rebels? In your opinion, what made the leaders of the RUF so ruthless for so long?
This book chronicles the childhood of young Ishmael in Sierra Leone. A fairly normal childhood until he is forced to run into the jungle as soldiers attack his village killing everyone they can catch and looting and burning the rest.
For a short while flanked by others his age in similar situations he survives life constantly on the run. Then he is captured by a group of soldiers and retrained to think right and to be a soldier in the conflict. Some of the 'retrainee' soldiers are only 8 or 9 years old! Are these rebels trying to overthrow the government? Or the army protecting the citizens? Turns out not to matter. Each side is equally brutal and vicious. There is no good guys, only bad. He learns to fight, shoot and kill as well as the real soldiers. And to help avoid any feelings or reflection on his activities he is given access to various drugs to 'amp' him up further.
By the grace of whatever higher power you choose to believe in, he gets selected for deprogramming and entry back into society. Not an easy task, but due to the incredible efforts of UNICEF and others it is finally done. Find out what has become of this young man and his new life. It is an unbelievable story.
If it all wasn't the truth. No punches spared. No letting himself off easy after his actions. Most poignantly the story is clearly written by a child.No ghostwriters to neaten it up. You get the whole horrible story from the raw emotional perspective of a 12 year old! I know I would not have survived as well as he has did. You can't help but cry as you turn the pages and confront one terror after another. Everyone should read this book!
11 out of 12 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.SciFiHighFive
Posted Fri Feb 25 00:00:00 EST 2011
I read this book and found Beah's experience quite amazing; I have come to realize that in every aspect of life, it depends on the next generation to preserve a healthy society, and the terrorists in Sierra-Lione or in any other place for that matter aren't making it any easier.
8 out of 11 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.A long way gone is an amazing story about a 12 year old boy named Ishmael Beah, who wants to be a rapper, living in a war torn country. He experience many hard ships through his life including graphic killings, horrific scenery, drug use, and lose of his family members. He is being chased by the ruthless rebels who want to take over the country and is backed into a corner. With hard times and with little combat training by the government he takes his gun and decides to fight back. His only options are kill or be killed.
This book was an amazing book. It opened my eyes to how real and horrible some countries are. Young kids not even teenagers being forced to fight, snort cocaine mixed with gun powder, and watch people they love die gruesome deaths on a regular basis is just mind blowing to me. This book is not your average fairy tale. It is a very graphic and real book but if you are looking for something to open your eyes to what is really going on out there, this is the book for you
7 out of 9 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.drummerboy
Posted Sat Jan 28 00:00:00 EST 2012
In Ishmael Beah’s A Long Way Gone, he presents the ideas of living in poverty in Sierra Leone, Africa, as well as finding a method to survive in times of hardship. Beah has an approach to the writing that leans toward expository, though he still crafts a well-written memoir. Beah’s purpose of writing this novel is to let us feel his emotion through the perilous events rather than having the emotion given to us.
A Long Way Gone is a memoir (pointed out in the novel’s subtitle Memoirs of a Boy Soldier), though the writing does not express a full rendition of a memoir. Beah often lingers off into expository writing, where he informs us of impactful situations instead of showing us true feelings about them. Even though Beah feels strong opposition towards the war, he approaches it in the calmest of ways when he writes. Of course, A Long Way Gone is not for the sensitive reader; it should appeal more to readers who have read a similar book about poverty or hardship in the past. For me personally, A Long Way Gone sends some mixed messages when it comes to reading a piece of writing revolving around war and the extreme efforts to survive through it. However, this novel has a powerful impact on the way I think of discrimination and the terrible lives of the crippled and poor.
As the author, Ishmael Beah’s premises for A Long Way Gone are wrapped around his amazement at how he managed to survive or transport to the United States alive. It was his willingness and urge to write about his experiences that gave us A Long Way Gone.
To sum it up, the story raises issues such as constant depression in the war, where people are forced to survive in harsh conditions while being savagely treated by their enemies. This is a common theme in the book. Quite accordingly, the author emphasizes this theme through the description of hard-to-bear situations such as not being fed, not being protected, and not being the hunter of the game, but the hunted.
The clearness of A Long Way Gone is good enough so that you can recognize characters and their personalities, as well as events, themes, patterns, and significant information. It is also clear enough to see that the book’s life-threatening situations are having an impact on Beah. If Beah’s ultimate goal in writing this book was to expose the injustice of the war and leave it exposed, then I’d say he achieved that goal.
6 out of 6 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This story was heartbreakingly sad and shockingly true in this memoir of war, seen through a child's eyes; not just seeing it and living it, but also killing in it. This brings a view of war to a totally different level. Of course, war is never "pretty", but shown from this 13 year old childs eyes, it caused this mom to shudder at what he had seen and lived through. I was also touched that a stranger here would also become this childs new mentor and parent. It renewed my hope in mankind, and drops me to me knees, praying for peace not only for children but for all of us. And to see what this young man has become... Awe-inspiring.
5 out of 6 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.MrsPearson25
Posted Tue May 19 00:00:00 EDT 2009
I highly recommend this book it was a touching and horrible-to-imagine-this-happens-to-people memoir. Read for yourself!
3 out of 3 people found this review helpful.
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Posted Wed May 01 00:00:00 EDT 2013
Khayman Nunez
Sautner/P6
May 1, 2013
Book Review
A Long Way Gone Review
This nerve-racking novel accounts for the life of a young boy, Ishmael Beah, surrounded by friends and family, living a happy life, practicing his dancing to his American rap cassettes, suddenly gets it all taken away. Forced to flee his home into some unrecognized land, he struggles to stay away and hidden from the rebels, he gets recruited by the national army and becomes a twelve year old soldier. Taught to use an AK 47, he was trained to kill any rebel he saw, whether it was shooting them or stabbing them multiple times until they were for sure dead.
Countless days of fighting went on between the army and the rebels, raiding each other’s camps for food and water, Ishmael was shot for the first time in the foot, barely feeling because of the drugs, Ishmael made it back to his base safely. Luckily he was saved by the United Nations Children Fund (UNICEF), from the murder and drugs he was dragged into. Ishmael was sent to a rehabilitation center to get him off drugs and become a normal teenager. Ishmael had a lot of anger built up in him, but with the help of the nurse was able to let it go and become happy again. Ishmael has seen the worst of humanity as a twelve year old boy and still managed to live a regular life.
Ishmael changed a significant amount in the span of this book, which is the theme of the book. War changes people, Ishmael went from a young innocent boy to a killing machine, and addicted to drugs. When people saw him they got afraid and ran away in terror. This book teaches everyone who reads it about the real world and how violent it can get. Humans can do some really bad things to each other and this book shows and teaches you all about it. This book is written so perfectly, it feels like you are there with him, experiencing what he did. Through his good memories and close to death events, the details are so riveting it feels like you are seeing all of it with your own eyes. “In the sky there are always answers and explanations for everything: every pain, every suffering, joy and confusion.”
2 out of 2 people found this review helpful.
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Posted Thu Mar 08 00:00:00 EST 2012
I cannot even begin to describe just how much i loved this book
I feel as though all people of all nations should read it
2 out of 2 people found this review helpful.
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Posted Sun Jan 29 00:00:00 EST 2012
Most teenage boys are busy getting good grades, growing up, and playing video games; not Ishmael Beah. In his memoir A Long Way Gone, Ishmael recounts his childhood in Sierra Leone. While still being a boy, he has to quickly evolve into a man, a painful and tragic transformation. With vivid description and flowing language, Beah powerfully describes how war changed his life.
When war reaches Ishmael's area of Sierre Leone, he and a group of surviving friends set out to find safety and their loved ones. After travelling the country, the small group of refugees find safety in a village occupied by the Government Army. Eventually he and his friends are recruited by the army to fight the rebels who had destroyed their homes. Beah expertly describes his experiences as a boy soldier and his transformations between being a civilian and a killer. After all Ishmael went through, it is amazing how he was able to write a book such as A Long Way Gone with little hatred or contempt. In fact, despite the story being subjective, the book contains little emotion. The lack of emotion can sometimes be confusing, as I found myself forgetting that the events actually happened to him. This would cause me to read a passage in a surreal-like state, and I would have to reread that section to grasp the actual meaning of the events.
The basis of the story is Beah’s survival through war, a theme found in many other books. But what sets this book apart, is that it also shows his rehabilitation after his participation in the war. This reveals two sides to the war: why it was fought, and what happened afterwards. Having Beah’s rehabilitation incorporated into the story allows the reader to see a side of war that few know about. The reader sees that the two sides are different, but both are battlefields in their own right. Despite its unique content, the book is not designed to entertain the reader, more so, the book's main purpose is to show people what Beah went through as a boy soldier. Anyone who reads this book will gain a deeper understanding of what war is like, and how it changes a person. This makes the book even more special because it can correlate to, not just the war in Serria Leone, but to every war. It unveils the horror of battle and its painful changes thrust upon people, battle-hardened and civilian alike.
The story, as a whole flows very easily, which is a great aspect, despite the fact that some chapters are awkwardly placed. In this way, the story’s flow works against the book, because it causes some chapters to begin or end uncomfortably. This results in an occasional choppy read, as action parts are interrupted or slow parts suddenly jump into fast paced sections. On the other hand, the setting and characters reveal a good amount of Sierra Leone's culture, and the negative impact of the war. The description really helps the reader understand and feel for Ishmael's predicament, an aspect of the book that only a survivor could give. This also makes up for the lack of emotion mentioned before, as the reader unconventionally is required to make his or her own emotions to replace the author’s lack of. However, this book is not immune to criticism. One of the characteristics about the book that really bothered me was the fact that the story never stayed at the same pace. It is in chronological order, but one paragraph might span a few minutes, while the next paragraph happens a few months later. The uneven sp
2 out of 7 people found this review helpful.
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Posted Wed Apr 08 00:00:00 EDT 2009
I felt that Ishmael Beah could have written this book with alot more style and uniquness. When I was reading, the book seemed to linger and drag on through chapters at a time, and made it feel more like a fact sheet than a novel. I enjoyed learnign his tale and the events that occured during this horrible time, I just feel he could have presented it in a more creative way, which in turn would make the book alot more interesting. The book however, did pass on waves of emmotion to the reader. Moments where this occurred were such when Ishmael and Junior were torn from eachother, never to be reunited, or when the children were forced to walk on the burning sand with out the slippers.
If were to recomend this book I would selected my choices carfully. I would recomend this to English teachers because it would give them a good topic to discuss with the class, and I would also recomend it to history teachers. I believe history teachers would find this book useful because it tells a tale of a certain countries hardships, and also is easily relatable to topics discussed in the class, such as the American revolutionary war. Overall i give this book a rating of 2 stars out of 5 because of its lack of interest, and its lagging nature.
2 out of 13 people found this review helpful.
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Posted Tue Jul 15 00:00:00 EDT 2014
This book was really good. I had to read it for global & I hoped it was as good as the comments I read said it was. I was not disappointed. I even got upset when I was reading this book because I really wanted the author to be reunited with his family. The only thing I did not like about this book is that the chaps were too long. Thats the only reason I did'nt complete the book after 3 days.
1 out of 1 people found this review helpful.
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Posted Wed Nov 07 00:00:00 EST 2012
This book is a very true depiction of war that most americans dont see. It especially toutched me since i have a brother from africa who had simalar exeriences with death.i recomend this to anyone who wants to know about the bad stuff that happens ib other countrys.
If you want to know more about things like this look up the anuak genocide in ethiopia.it is a truely terrible thing that isnt that far off from the holocost just in smaller numers
1 out of 1 people found this review helpful.
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Posted Thu Jul 26 00:00:00 EDT 2012
This book changed my life.
1 out of 2 people found this review helpful.
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Posted Mon Jun 25 00:00:00 EDT 2012
Beah is not a great writer, but he is a great storyteller. His account of child soldiering and of the civil war in Sierra Leone is horrific and moving. When I read the book, I was impressed by the direct, to-the-point approach he took to writing and by the sincerity readers could sense beneath the surface of his simple, gut-wrenching diction. Though hard if not impossible to corroborate with evidence, Beah's telling of his experience in the rebel army and in a treatment facility is scary, intense and from the heart. Overall this book is recommended for those interested in global issues and how these issues affect individual lives. This book is a fast read, but it contains a large amount of graphic violence and emotional trauma, and is not recommended for those seeking a fast and fun read.
1 out of 2 people found this review helpful.
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Posted Thu Apr 23 00:00:00 EDT 2009
A Long Way Gone: Memoirs of a Boy Soldier by Ishmael Beah is a personal narrative about his experience in Sierra Leone's civil war. He tries to escape the rebels, is taken in as a boy soldier, and is rehabilitated by UNICEF. The book has a strong message about the child fighting in Africa.
Beah hives accurate descriptions of his day to day life. Some of the events are horrific and scar him for life, such as seeing dead bodies all over invaded and burning villages. His personal feelings and his psychological troubles that are told provide great insight into the effects of the turmoil continuously happening in African countries. While some of the story seems repetitive and drawn out, it is the truth as it happened and as people need to know it.
Most people know of at least some of the things that take place in these hostile environments, but they often do not realize the full impact the battles and killings have on the people, especially the children. This book gives an accurate, well done description of what it is like, and while things like this have to be experienced to understand all of the fear and anger; it reveals some of the truths and horrors to try to stop the injustices.
1 out of 1 people found this review helpful.
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Posted Thu Mar 19 00:00:00 EDT 2009
I am very disappointed in this book. The characters seem to be fictitious/unbelievable. The writer is extremly corney. The book is more like a novel than a memoir. Here are some examples: My hips were gyrating to the music!? One lonely cricket tried to sing but none of it's companions joined in!? I can go on and on and on and on. What west african child soldier writes like this. Fool me once!
1 out of 10 people found this review helpful.
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Posted Thu Mar 01 00:00:00 EST 2007
This book is one of the most mesmerizing books that I have picked up in quite a while. The author's shocking descriptions and vivid imagery can only contribute to this wonderfully narrated and expertly crafted novel. Anyone looking for a good, thought-provoking read--whether interested in the socioeconomic state in Africa or not--will undoubtedly find this book enjoyable. I did!
1 out of 1 people found this review helpful.
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Posted Fri Feb 23 00:00:00 EST 2007
I have not read the book I just bought it and I will read it as soon as it arrives. I saw the young man on John Stewart's show, 'The Daily Show' and was immediately a taken by his story. I am a believer in his story before I even read the book because I too grew up in a war torn country and I could immediately relate. Everything he said, about living in a war state and still come out whole is true. I was born and raised in South Africa during apartheid. In the 80s I was a child who saw death with her own eyes. People ask me how I survived the traumatic experience of seeing a person who has been burned beyong recognition and is lying on the street in front of me. I tell them, simply, I was a child who simply grew up and never looked back. His story is remarkable. I will make sure my children read this book so they can see what other children in third world countries live like. My children are fortunate because they grow up in a first world country, and they cannot begin to understand what their parents went through, and hopefully it will empower them to work for the human race, to be better adults and understand the people on the receiving end of wars.
1 out of 1 people found this review helpful.
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Posted Fri Aug 08 00:00:00 EDT 2014
I recommended...good read
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Posted Sat Jul 05 00:00:00 EDT 2014
A Long Way Gone is a fantastic novel that opens the eyes of the readers. It is learned that ignorance is no longer bliss.
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Overview
My new friends have begun to suspect I haven't told them the full story of my life.
"Why did you leave Sierra Leone?"
"Because there is a war."
"You mean, you saw people running around with guns and ...