The Interior Circuit: A Mexico City Chronicle

Publishers Weekly

From the Publisher

“Remarkable…Sentence by sentence, Goldman brings to life a city that is bewitching, terrifying, beautiful….Goldman brings something new to the [chronicle] form.”—John Freeman, Boston Globe

"So sneakily brilliant it's hard to put into words. Part travelogue, part memoir, part reportage on Mexican politics and the scourge of narco-terrorism, it is also, in the finest sense, a book that creates its own form....the genius of "The Interior Circuit," [is that it] link[s] Goldman's grief for Aura to the grief of all these families and indeed of Mexico. It's an audacious move, but it works because of the offhand beauty of the writing, which shifts from individual to collective with the fluid grace of circumstance."—David Ulin, Los Angeles Times

"Both an homage to the (albeit flawed) city [Goldman] calls home and a meditation on the many residents — himself included — who have experienced loss there...Goldman is a keen observer and an apt guide to Mexican politics and society."—Adam Goodman, Washington Post

Goldman is a keen observer and an apt guide to Mexican politics and society.
"An indispensable contribution to the growing body of artistic representations of Mexico’s most recent years of darkness...there is an urgent, raw beauty in Frank’s prose, as if we are plugged into an only slightly edited version of his journals, and it is full of “cortos”: journal gives way to reportage, reportage to lament, lament to polemic, polemic to erudite rumination...Frank throws himself into the Heavens case with tremendous journalistic energy, badgering officials, cultivating confidential sources, scouring what looks like just about every press account, and, most importantly and at some risk, by crossing the social border and stepping into the old barrio to interview the relatives of the disappeared...Here Frank joins a growing crew of writers (among them Marcela Turati, Oscar Martínez, Cristina Rivera Garza, John Gibler, Magali Tercero, Sergio González Rodríguez, Diego Osorno, Daniel Hernández, Lydia Cacho, Anabel Hernández*) who undertake dogged investigative journalism — the kind there is precious little support for in the digital age, and which in the Latin American context can get you killed — and dedicate themselves to revealing the victims, itself an eminently political (and also spiritual) task that is the heart of Javier Sicilia’s movement...Interior Circuit confronts the corto, the short-circuit, as in too-brief-is-our-time, by recognizing the absurdity of both “freakish” and politicized death, and of the necessity of mourning both intimately and in community — of reconnecting the broken circuit with the language of pain itself."—Rubén Martínez, Los Angeles Review of Books

"Goldman draws an imagined geography that depicts very well the harsh realities which those of us who live in the DF face. We must be grateful that a foreigner has given back to us the feeling that, in spite of everything, it's worth it to live so intensely the interior circuits of [Mexico] city."—Roger Bartre, Letras Libres

"Though much can be said about the elegance of Goldman's writing and the piercing quality of his reportage, it's really the emotion-driven moments - his identification with those seeking to improve the city's living conditions and with those affected by the Tepito victims' deaths - that take "The Interior Circuit" to a commendable height that even crónica doesn't set out to reach...Altogether moving and eye-opening, "The Interior Circuit" is as much a love letter to Mexico City as it is to his late wife."—Rigoberto González, San Francisco Chronicle

"Suddenly, thanks to the keen eye and sympathetic imagination of the journalist and novelist Francisco Goldman, I care about the place that locals call the D.F....Goldman is by turns impassioned and detached, loving his adopted city while by no means blind to its many faults...Goldman made me care. That’s what the best writers do."—Chris Tucker, Dallas Morning News

"Incisive observation, flashing wit, intense curiosity...vivid prose...The vibrant life of Mexico City makes for a compelling story in its own right, and not merely as the backdrop for Goldman's personal quest, as absorbing as that continues to be. In either of its incarnations, this is a story about love, whether for a person or for a city, in all the complicated, rewarding and painful messiness that emotion entails."—Harvey Freedenberg, Book Reporter.com

"Much of the pleasure of The Interior Circuit builds on Goldman's knowledge and love of Mexico City and his unabashed personalization of its streets and student dives....If The Interior Circuit is partly Goldman's chronicle of overcoming personal sorrow, it is even more his take on the politics, complexity, romance and vibrancy of one of the great megacities of the world."—Shelf Awareness

"Exquisite...perceptive, funny, and philosophical...Throughout this remarkable book, Goldman is highly attuned to the pulse and rhythm of one of the world’s most captivating cities."—Publishers Weekly (starred review)

“This book is an exquisite, deeply funny, truly gorgeous panorama of Mexico City by a writer of enormous sensitivities who notices everything. This book will charm and urgently engage you like no other, because it is so totally original. It includes the dirty parts.”—Rachel Kushner

Praise for SAY HER NAME

“Quietly devastating . . . Powerful . . . As the story builds—inevitably, unbearably—toward Aura’s last day, Goldman has so convincingly brought her to life that her death still somehow comes as a shock. . . . Goldman’s beautifully written, deeply felt ode to his wife . . . lets you meet this unusual woman through Goldman’s lovestruck gaze, and you can’t help falling for her a little too. Even after the book ends, the sting of Aura’s absence lingers.” —Entertainment Weekly (A-)

"A masterpiece of storytelling and scene-setting."—Colm Toibin, The Guardian (Best Books of 2011)

"Goldman's searing novel Say Her Name is for me the book of the year. . . . A soaring paean to a brilliant young woman and to the infinite invincible power of love."—Junot Diaz, New York (Favorite Books of the Year)

“Passionate and moving . . . Beautifully written… the truth that emerges in this book has less to do with the mystery of [Aura’s] death . . . than with the miracle of the astonishing, spirited, deeply original young woman Goldman so adored….So remarkable is this resurrection that at times I felt the book itself had a pulse.”—The New York Times Book Review

“To call Francisco Goldman’s book about the death of his young Mexican wife an elegy hardly represents it. Lament is closer, but insufficient. It is a chain of eruptions, a meteor shower; not just telling but bombarding us in a loss that glitters. With the power and fine temper of its writing, it is as much poem as prose. . . . Tense set pieces, respectively heartbreaking and chilling…generate the book’s propulsive drama. What they propel, though, is its most remarkable achievement: the incandescent portrait of a marriage of opposites.”—The Boston Globe

"Say Her Name brings something new to the rime of the grieving survivor: fresh supplies of imagination, ruthlessness and over-the-edge crazy love. . . . The intensity, tenderness and heat of this love is extraordinary; how many of us have ever been loved so well? Or would recognize such love, were it not laid out with such intelligence and precision?” —Newsday

“[Say Her Name] is exhilarating, a testament to love that questions our suppositions about luck, fate, good fortune, and tragedy, and demands our agency in interpreting the narrative arc of an altered life. . . . Goldman’s novel stands as an incisive, diamond-sharp act of love.” —Vanity Fair

“Extraordinary . . . The more deeply you have loved in your life, the more this book will wrench you. . . . In a voice that is alternately lush and naked, lyrical and sardonic, philosophical and wry . . . Say Her Name will transport you into the most primal joy in the human repertoire—the joy of loving…[It] pushes back against the tides of forgetting, and gives Aura a new body, a literary body, to inhabit—a body so vivid that by the end of the book we feel as though we ourselves have met and loved this woman.”—San Francisco Chronicle

“Beautiful, raw, haunting . . . [Say Her Name is] a working diagram of love, all its wiring and bolts. . . . Losing a spouse is like contracting an incurable illness. Many medicines will be essayed [but] the only real cure is the return of the lost. Writing a book must present itself as the next best remedy, given . . . how many writers have had recourse to its purgative powers: Joan Didion, Joyce Carol Oates, Calvin Trillin. . . All wrote memorable books about losing their mates. These are essential volumes in the library of grief and remembrance; with Say Her Name, the inimitable powers of poetic fiction are added to the memorial shelf. . . . Writing like this, immediate, hopeful, vibrant, can only be considered an act of creative restoration. It is also a prayer to prevent another loss: forgetting." —Melissa H. Pierson, The Barnes & Noble Review

“A heartbreaking novel of loss and grief.”—O Magazine

“Goldman has called on his formidable resources to tell the story of Aura’s life, their life together and his grief as a widower. . . . Harrowing and often splendid reading . . . these pages manage to bring Aura Estrada back to life. She is unforgettable. Count me glad and grateful to know her name.” —The Cleveland Plain Dealer

"Riveting . . . In giving Aura’s imagination—as well as her impish humor, her anxieties, her academic and creative struggles, her writing, her love—room to play, Goldman, remarkably, vividly, brings her to life.” —Bookpage

“An earthy, sexy book . . . Say Her Name resonates with sense of place and grasp of character. . . . [Goldman] describes Aura so vividly it is as though she regains life as a free spirit of remarkable imagination.” —Pittsburgh Post-Gazette

"In telling the story of an exuberant young woman coming into her own as a scholar and writer, [Francisco Goldman] finds a kind of haunted solace—and tremendous commemorative power...Published as fiction, Goldman's tribute to his late wife rings devastatingly true." —Vogue

“Goldman's power of description lulls you into forgetting that you're reading a tragedy. . . . He blurs the line between lover and biographer. . . . [Say Her Name] is a map of grief and work and missed chances " —NPR.org

“[Say Her Name] unfolds as a sequence of long flashbacks leading toward Aura’s death, which ticks grimly through the narrative like a bomb. . . . Trapped in a Chinese puzzle box of anguish, [Francisco Goldman] revisits moments, words, thoughts, anecdotes and images. His life with Aura seems still to be happening inside him, playing itself over and over, inevitably interrupted but never ended.” —The Washington Post

“Say Her Name is the real thing—350 mesmerizing pages that don’t fit the usual script. . . . Honest and exquisitely written . . . alove story with real emotional power.” —The Seattle Times

“Wrenching . . . The story moves inexorably toward [Aura’s] death, but along the way it beautifully preserves the mementos of her life . . . touched with essential and painful wisdom about love.” —Wall Street Journal

"Thanks to Goldman’s powers of revivification, Aura [is] about as forgettable as Cleopatra. Both a beautiful evocation of love and loss, and a searing dispatch written from within a personal Ground Zero. . . . [Say Her Name is] the must-read novel of the summer.” —Sunday Times (UK)

“This is a beautiful love story, and an extraordinary story of loss. Say Her Name has a forensic honesty, a way of treating each detail, each moment, each emotion, with detailed and exact care. It also has a way of holding the reader, of moving between Brooklyn and Mexico City, capturing the essence of two worlds, capturing the essence of two people who were lucky enough to fall in love.” —Colm Toibin, author of Brooklyn

From the Publisher

Praise for SAY HER NAME

“Quietly devastating . . . Powerful . . . As the story builds—inevitably, unbearably—toward Aura’s last day, Goldman has so convincingly brought her to life that her death still somehow comes as a shock. . . . Goldman’s beautifully written, deeply felt ode to his wife . . . lets you meet this unusual woman through Goldman’s lovestruck gaze, and you can’t help falling for her a little too. Even after the book ends, the sting of Aura’s absence lingers.” —Entertainment Weekly (A-)

"A masterpiece of storytelling and scene-setting."—Colm Toibin, The Guardian (Best Books of 2011)

"Goldman's searing novel Say Her Name is for me the book of the year. . . . A soaring paean to a brilliant young woman and to the infinite invincible power of love."—Junot Diaz, New York (Favorite Books of the Year)

“Passionate and moving . . . Beautifully written… the truth that emerges in this book has less to do with the mystery of [Aura’s] death . . . than with the miracle of the astonishing, spirited, deeply original young woman Goldman so adored….So remarkable is this resurrection that at times I felt the book itself had a pulse.”—The New York Times Book Review

“To call Francisco Goldman’s book about the death of his young Mexican wife an elegy hardly represents it. Lament is closer, but insufficient. It is a chain of eruptions, a meteor shower; not just telling but bombarding us in a loss that glitters. With the power and fine temper of its writing, it is as much poem as prose. . . . Tense set pieces, respectively heartbreaking and chilling…generate the book’s propulsive drama. What they propel, though, is its most remarkable achievement: the incandescent portrait of a marriage of opposites.”—The Boston Globe

"Say Her Name brings something new to the rime of the grieving survivor: fresh supplies of imagination, ruthlessness and over-the-edge crazy love. . . . The intensity, tenderness and heat of this love is extraordinary; how many of us have ever been loved so well? Or would recognize such love, were it not laid out with such intelligence and precision?” —Newsday

“[Say Her Name] is exhilarating, a testament to love that questions our suppositions about luck, fate, good fortune, and tragedy, and demands our agency in interpreting the narrative arc of an altered life. . . . Goldman’s novel stands as an incisive, diamond-sharp act of love.” —Vanity Fair

“Extraordinary . . . The more deeply you have loved in your life, the more this book will wrench you. . . . In a voice that is alternately lush and naked, lyrical and sardonic, philosophical and wry . . . Say Her Name will transport you into the most primal joy in the human repertoire—the joy of loving…[It] pushes back against the tides of forgetting, and gives Aura a new body, a literary body, to inhabit—a body so vivid that by the end of the book we feel as though we ourselves have met and loved this woman.”—San Francisco Chronicle

“Beautiful, raw, haunting . . . [Say Her Name is] a working diagram of love, all its wiring and bolts. . . . Losing a spouse is like contracting an incurable illness. Many medicines will be essayed [but] the only real cure is the return of the lost. Writing a book must present itself as the next best remedy, given . . . how many writers have had recourse to its purgative powers: Joan Didion, Joyce Carol Oates, Calvin Trillin. . . All wrote memorable books about losing their mates. These are essential volumes in the library of grief and remembrance; with Say Her Name, the inimitable powers of poetic fiction are added to the memorial shelf. . . . Writing like this, immediate, hopeful, vibrant, can only be considered an act of creative restoration. It is also a prayer to prevent another loss: forgetting." —Melissa H. Pierson, The Barnes & Noble Review

“A heartbreaking novel of loss and grief.”—O Magazine

“Goldman has called on his formidable resources to tell the story of Aura’s life, their life together and his grief as a widower. . . . Harrowing and often splendid reading . . . these pages manage to bring Aura Estrada back to life. She is unforgettable. Count me glad and grateful to know her name.” —The Cleveland Plain Dealer

"Riveting . . . In giving Aura’s imagination—as well as her impish humor, her anxieties, her academic and creative struggles, her writing, her love—room to play, Goldman, remarkably, vividly, brings her to life.” —Bookpage

“An earthy, sexy book . . . Say Her Name resonates with sense of place and grasp of character. . . . [Goldman] describes Aura so vividly it is as though she regains life as a free spirit of remarkable imagination.” —Pittsburgh Post-Gazette

"In telling the story of an exuberant young woman coming into her own as a scholar and writer, [Francisco Goldman] finds a kind of haunted solace—and tremendous commemorative power...Published as fiction, Goldman's tribute to his late wife rings devastatingly true." —Vogue

“Goldman's power of description lulls you into forgetting that you're reading a tragedy. . . . He blurs the line between lover and biographer. . . . [Say Her Name] is a map of grief and work and missed chances " —NPR.org

“[Say Her Name] unfolds as a sequence of long flashbacks leading toward Aura’s death, which ticks grimly through the narrative like a bomb. . . . Trapped in a Chinese puzzle box of anguish, [Francisco Goldman] revisits moments, words, thoughts, anecdotes and images. His life with Aura seems still to be happening inside him, playing itself over and over, inevitably interrupted but never ended.” —The Washington Post

“Say Her Name is the real thing—350 mesmerizing pages that don’t fit the usual script. . . . Honest and exquisitely written . . . alove story with real emotional power.” —The Seattle Times

“Wrenching . . . The story moves inexorably toward [Aura’s] death, but along the way it beautifully preserves the mementos of her life . . . touched with essential and painful wisdom about love.” —Wall Street Journal

"Thanks to Goldman’s powers of revivification, Aura [is] about as forgettable as Cleopatra. Both a beautiful evocation of love and loss, and a searing dispatch written from within a personal Ground Zero. . . . [Say Her Name is] the must-read novel of the summer.” —Sunday Times (UK)

“This is a beautiful love story, and an extraordinary story of loss. Say Her Name has a forensic honesty, a way of treating each detail, each moment, each emotion, with detailed and exact care. It also has a way of holding the reader, of moving between Brooklyn and Mexico City, capturing the essence of two worlds, capturing the essence of two people who were lucky enough to fall in love.” —Colm Toibin, author of Brooklyn

"There is beautiful writing in this book—beautiful, perceptive descriptions of places, beautifully turned assaults on the citadel of loss, on the firmament of love and passion, indelible glimpses of the self as bedlam. And thank goodness it's so, because it is such a sad story that only beauty could possibly redeem it." —Richard Ford

“We may feel we know something about love’s burn, the scorching heat of loss, but reading this book is to stand in front of a blow-torch, to take a farrier’s rasp to raw nerve ends. Say Her Name is wrenching, funny, powerful, and beautiful.” —Annie Proulx

“The madness of love, of death, of loss, of literature—Say Her Name is madness knit up into magnificence. We can only suspect that Francisco Goldman is an alchemist, or a magician, or a Faust, or a Job, or all of these things, for with no breathing equipment, he has mined a pearl from the ocean’s darkest depths. This book is fabulous in every sense of the word.” —Rivka Galchen, author of Atmospheric Disturbances

“A beautiful act of remembrance, love and understanding. An essential, unforgettable love story and a living testament to an extraordinary woman.” —Gary Shteyngart, author of Super Sad True Love Story

“Say Her Name is a tender and sacred narrative, many-angled, fearless, incandescent in its frankness. As I read it, I felt I were reading something more alive than life itself, and thought this is surely why one reads, why one writes: that one might mingle oneself with a beloved person, a book, a landscape, and hold it utterly alive.” —Kiran Desai, author of The Inheritance of Loss

“Enrapturing . . . Vivid . . . Goldman has entwined fact and fiction in his previous novels, but never so daringly or so poignantly. . . . Tender, candid, sorrowful, and funny, this ravishing novel embodies the relentless power of the sea, as hearts are exposed like a beach at low tide only to be battered by a resurgent, obliterating force, like the wave that claims Aura’s life on the Oaxaca coast. Out of crushing loss and despair, Goldman has forged a radiant and transcendent masterpiece.” —Booklist (starred review)

“Moving and tragic . . . gorgeous, heartbreaking.” —Kirkus Reviews (starred review)

“Electric and poignant.”—Publisher’s Weekly (starred review)

"The feeling, the memorial incarnation that this book creates, is monumental. Essential . . . This book about tragic death is a gift for the living." —Library Journal (starred review)

“Say Her Name must be the only book about love ever written. It's certainly the only one I'll ever need to read. Francisco Goldman has alchemized grief into joy, death into life, and the act of reading into one of resurrection. His book is a miracle.” —Susan Choi

“Francisco Goldman tells us that in ‘descending into memory like Orpheus’ he hopes he might ‘bring Aura out alive for a moment.’ But in the act of writing, Goldman transcends the constraints of myth, and achieves nothing short of the impossible. Page by page, by the breath of his own words, Say Her Name restores Aura from shade to flesh, and returns her, unforgettably and permanently, to our world.” —Jhumpa Lahiri

“Francisco Goldman’s intimate and elegiac tribute to his late wife initially reads like the latest entry in a long list of tragic love stories starting with Orpheus and Eurydice. That alone would suffice to make this a compelling read. But Goldman goes further . . . [From] Aura’s diaries, laptop and handwritten notes . . . Pygmalion-like, Goldman reconstructs a fully rounded, wise, soulful, funny Aura. . . . Say Her Name sustains Aura Estrada for the ages.” —Washington Independent Book Review

“Say Her Name is part mystery, part biography, part meditation on grief, and, finally—mostly—a love story. Goldman’s writing has astonished me in the past, but Say Her Name is powerful and surprising and even funny in ways that feel unique. He has, in a sense, invented a form.” —The Paris Review online

"Not only beautifully written, but an incredible portrait of a marriage and the tragedy that eventually pulls it apart."—Devyani Saltzman, The Globe and Mail (Favorite Book of the Year)

“This book lingers in the spell of love, drawing it out, savoring each note, each dissonance, its mystical strangeness. . . Say Her Name shimmers with power.” —Zyzzyva

“A beguiling, many-layered portrait of a happy marriage…and a gut-wrenching account of being its sole survivor.” —The St. Petersburg Times

“An exceptional book . . . A love letter to a woman who could have been a great writer . . . A letter of goodbye from a man falling apart…an amazing tribute, beautifully written, reminiscent of the vulnerability of Joan Didion’s The Year of Magical Thinking.” —The Independent (UK)

“Sensitive [and] elegiac . . . A luminously loving account . . . Say Her Name is a work of raw grief refined into lyrical elegance.” —Sunday Telegraph (UK)

Praise for ART OF POLITICAL MURDER

“Francisco Goldman is a wonderful writer and this is an extremely important book.”—Salman Rushdie

“This is an impressive book. Goldman has focused his superb novelist’s talents—compassion, precision, muscularity, great thoroughness and an instinct for the exotique—on modern-day Guatemala’s ineradicable crime against itself. This remarkable book would seem not to remind us of ourselves, yet somehow it does.” —Richard Ford, author of The Lay of the Land

Kirkus Reviews