Geoffrey Thorpe, a buccaneer, is hired by Queen Elizabeth I to nag the Spanish Armada. The Armada is waiting for the attack on England and Thorpe surprises them with attacks on their galleons where he shows his skills on the sword.
When Prince John and the Norman Lords begin oppressing the Saxon masses in King Richard's absence, a Saxon lord fights back as the outlaw leader of a rebel guerrilla army.
Directors:
Michael Curtiz,
William Keighley
Stars:
Errol Flynn,
Olivia de Havilland,
Basil Rathbone
Highly fictionalized account (see 'goofs' for examples) of the life of George Armstrong Custer from his arrival at West Point in 1857 to his death at the battle of the Little Big Horn in ... See full summary »
Director:
Raoul Walsh
Stars:
Errol Flynn,
Olivia de Havilland,
Arthur Kennedy
A platoon of special ops are tasked to parachute into the remote Burmese jungle and destroy a strategic Japanese radar station, but getting out isn't as easy.
Union officer Kerry Bradford escapes from Confederate Prison and is set to Virginia City in Nevada. Once there he finds that the former commander of his prison Vance Irby is planning to send $5 million in gold to save the Confederacy.
Director:
Michael Curtiz
Stars:
Errol Flynn,
Miriam Hopkins,
Randolph Scott
As bareknuckled boxing enters the modern era, brash extrovert Jim Corbett uses new rules and dazzlingly innovative footwork to rise to the top of the top of the boxing world.
Two noble Scottish brothers deliberately take opposite sides when Bonnie Prince Charlie returns to claim the throne of Scotland in order to preserve the family fortune.
Geoffrey Thorpe is an adventurous and dashing pirate, who feels that he should pirate the Spanish ships for the good of England. In one such battle, he overtakes a Spanish ship and when he comes aboard he finds Dona Maria, a beautiful Spanish royal. He is overwhelmed by her beauty, but she will have nothing to do with him because of his pirating ways (which include taking her prized jewels). To show his noble side, he suprises her by returning the jewels, and she begins to fall for him. When the ship reaches England, Queen Elizabeth is outraged at the actions of Thorpe and demands that he quit pirating. Because he cannot do this, Thorpe is sent on a mission and in the process becomes a prisoner of the Spaniards. Meanwhile, Dona Maria pines for Thorpe and when he escapes he returns to England to uncover some deadly secrets. Exciting duels follow as Thorpe must expose the evil and win Dona Maria's heart. Written by
Julie Sherman <jsherma@hubcap.clemson.edu>
While the film was already in production, Seton I. Miller raised a fuss over Howard Koch's determination to receive sole screen credit for the script. In a letter to the studio dated March 18, 1940, Miller outlined the similarities in the two scripts, noting a few minor details added by Koch, such as a softening of the characterizations of Elizabeth and the two villains, a change in the nationality of the servant of the Spanish noblewoman, and the addition of a pet monkey for Captain Geoffrey Thorpe. Miller conceded that Koch had tightened the structure of the story, shortening some scenes, eliminating others, adding a few new ones, and changing some of the dialogue. But he also insisted the meaning of the dialogue was the same and in some cases lifted wholesale from his own script, while the basic story and characters were all present in Miller's version. He suggested that fair credit would be Original Story by Seton Miller (since, contrary to the studio's initial decision to include Sabatini's name, the screenplay had nothing to do with the original novel) and Screenplay by Koch and Miller. A couple days later, Koch countered that while Miller was correct in many of his facts, he was mistaken in "most of his conclusions." Koch also insisted he did not want sole credit but that he did feel he should get top billing. By the end of that week, Miller agreed to take second screenplay billing and not go into arbitration. The studio also dropped Sabatini's name from the credits. See more »
Goofs
Just before the Albatross engages with the Spanish ambassador's ship, one of Thorpe's men says "We're sucking the wind out of the Spaniard's sails." In order to employ such a tactic, one ship must be directly upwind of the other. Then the wind does not reach the downwind ship because it was "sucked up" by the upwind ship. The positions of the two ships do not at all support that tactic. See more »
Quotes
[first lines]
King Philip II:
The riches of the New World are limitless, and the New World is ours - with our ships carrying the Spanish flag on seven seas, our armies sweeping over Africa, the Near East, and the Far West; invincible everywhere... but on our own doorstep. Only northern Europe holds out against us; why? Tell me, why?
See more »
My favorite Errol Flynn movie has always been The Sea Hawk. Flynn made this in 1940 at the height of his career. All it is missing is Flynn's usual screen partner in that period, Olivia DeHavilland.
Errol Flynn plays the fictional privateer Geoffrey Thorpe who with the well known real characters like Drake, Frobisher, and Hawkins, raid the rich Spanish commerce from the New World which is what Europeans of the day were referring to the western hemisphere as. Queen Elizabeth of England gave all knowing wink to their activities and the realm took a cut of their loot.
One day Flynn attacks the ship carrying the Spanish ambassador Claude Rains and his niece Brenda Marshall who's English on her mother's side. That's it for Flynn.
But Queen Elizabeth has some traitors in her midst. The clever Lord Wolfingham played by Henry Daniell is in the Spanish pay. Daniell was one of the best screen villains ever. He was always a cold and calculating individual and had a voice with a built in sneer. He very cleverly deduces Flynn's future plans and lays a trap for him. See the film and find out, but suffice it to say Daniell is no fool.
Jack Warner saw that Flynn's films were always well scored musically. Flynn swashbuckled to some of the best film music ever composed. Here the composer is Erich Wolfgang Korngold, in other films with Warner Brothers, it's Max Steiner. Korngold's score isn't quite on par with the one he did for Robin Hood, but it's one you will not forget.
This was the last film Errol Flynn did with director Michael Curtiz. David Niven in his memoirs made of Curtiz a figure of some fun, he was the guy with the fractured English who uttered the memorable phrase that became Niven's title for his memoirs, 'bring on the empty horses.' Flynn in his memoirs hated him with a passion in that Curtiz put his players in some dangerous situations without regard for safety. After this he refused to work with him. But between them, Curtiz and Flynn did some grand entertainment. Curtiz later won an Oscar for directing Casablanca.
Flora Robson repeats her role as Queen Elizabeth, she had previously portrayed Elizabeth in Fire Over England back in the old country. It's probably the part she's most identified with in her career.
Brenda Marshall who is probably better known for being Mrs. William Holden, pinch hits for Olivia DeHavilland. Olivia was trying to get some better acting roles that she knew she could do and not be a crinolined heroine all the time. Jack Warner refused to see her as anything else for a long time.
Others in the cast who stand out are Alan Hale, Una O'Connor, Gilbert Roland and William Lundigan has a death scene that will haunt you for a long time.
The Sea Hawk is also a film that made use of a film process known as sepia tone. It's probably the film best known for it. The whole sequence of when Flynn sails his ship, the Albatross, to Panama is photographed in sepia tone. It makes the film come out a kind of brackish yellow. Since Warner Brothers didn't want to spring for full technicolor, this process is effective in demonstrating the jungle heat that Flynn and his men and the Spaniards for that matter operate under.
It is also no accident that this film was made in 1940 showing brave England refusing to buckle under to a tyrant from the European continent. Phillip II of Spain, played by Montagu Love, controlled a whole lot of the world's real estate at that point in time and wanted more. The meaning for the audiences of 1940 could not have been more clear.
The Sea Hawk is grand entertainment. In my humble opinion Errol Flynn's best film and one of the best of the swashbuckling genre.
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My favorite Errol Flynn movie has always been The Sea Hawk. Flynn made this in 1940 at the height of his career. All it is missing is Flynn's usual screen partner in that period, Olivia DeHavilland.
Errol Flynn plays the fictional privateer Geoffrey Thorpe who with the well known real characters like Drake, Frobisher, and Hawkins, raid the rich Spanish commerce from the New World which is what Europeans of the day were referring to the western hemisphere as. Queen Elizabeth of England gave all knowing wink to their activities and the realm took a cut of their loot.
One day Flynn attacks the ship carrying the Spanish ambassador Claude Rains and his niece Brenda Marshall who's English on her mother's side. That's it for Flynn.
But Queen Elizabeth has some traitors in her midst. The clever Lord Wolfingham played by Henry Daniell is in the Spanish pay. Daniell was one of the best screen villains ever. He was always a cold and calculating individual and had a voice with a built in sneer. He very cleverly deduces Flynn's future plans and lays a trap for him. See the film and find out, but suffice it to say Daniell is no fool.
Jack Warner saw that Flynn's films were always well scored musically. Flynn swashbuckled to some of the best film music ever composed. Here the composer is Erich Wolfgang Korngold, in other films with Warner Brothers, it's Max Steiner. Korngold's score isn't quite on par with the one he did for Robin Hood, but it's one you will not forget.
This was the last film Errol Flynn did with director Michael Curtiz. David Niven in his memoirs made of Curtiz a figure of some fun, he was the guy with the fractured English who uttered the memorable phrase that became Niven's title for his memoirs, 'bring on the empty horses.' Flynn in his memoirs hated him with a passion in that Curtiz put his players in some dangerous situations without regard for safety. After this he refused to work with him. But between them, Curtiz and Flynn did some grand entertainment. Curtiz later won an Oscar for directing Casablanca.
Flora Robson repeats her role as Queen Elizabeth, she had previously portrayed Elizabeth in Fire Over England back in the old country. It's probably the part she's most identified with in her career.
Brenda Marshall who is probably better known for being Mrs. William Holden, pinch hits for Olivia DeHavilland. Olivia was trying to get some better acting roles that she knew she could do and not be a crinolined heroine all the time. Jack Warner refused to see her as anything else for a long time.
Others in the cast who stand out are Alan Hale, Una O'Connor, Gilbert Roland and William Lundigan has a death scene that will haunt you for a long time.
The Sea Hawk is also a film that made use of a film process known as sepia tone. It's probably the film best known for it. The whole sequence of when Flynn sails his ship, the Albatross, to Panama is photographed in sepia tone. It makes the film come out a kind of brackish yellow. Since Warner Brothers didn't want to spring for full technicolor, this process is effective in demonstrating the jungle heat that Flynn and his men and the Spaniards for that matter operate under.
It is also no accident that this film was made in 1940 showing brave England refusing to buckle under to a tyrant from the European continent. Phillip II of Spain, played by Montagu Love, controlled a whole lot of the world's real estate at that point in time and wanted more. The meaning for the audiences of 1940 could not have been more clear.
The Sea Hawk is grand entertainment. In my humble opinion Errol Flynn's best film and one of the best of the swashbuckling genre.