Sergeant Joe Gunn and his tank crew pick up five British soldiers, a Frenchman and a Sudanese man with an Italian prisoner crossing the Libyan Desert to rejoin their command after the fall ... See full summary »
An American tanker is sunk by a German U-boat and the survivors spend eleven days at sea on a raft. They're next assigned to the liberty ship "Sea Witch" bound for Murmansk through the sub-stalked North Atlantic.
Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-marshaled out of the army and boards a Japanese ship for the Orient in late 1941. But has ... See full summary »
Directors:
John Huston,
Vincent Sherman
Stars:
Humphrey Bogart,
Mary Astor,
Sydney Greenstreet
Down-on-his-luck ex-sportswriter Eddie Willis is hired by shady fight promoter Nick Benko to promote his latest find, an unknown but easily exploitable phenom from Argentina.
When a US Naval captain shows signs of mental instability that jeopardizes the ship, the first officer relieves him of command and faces court martial for mutiny.
After being released from prison, notorious thief Roy Earle is hired by his old boss to help a group of inexperienced criminals plan and carry out the robbery of a California resort.
Sergeant Joe Gunn and his tank crew pick up five British soldiers, a Frenchman and a Sudanese man with an Italian prisoner crossing the Libyan Desert to rejoin their command after the fall of Tobruk. They and the Germans are greatly in need of water. Written by
Ed Stephan <stephan@cc.wwu.edu>
Humphrey Bogart had recently signed a new contract with Warner Brothers and one of the perks of his new deal was that he was allowed to act in one film per year outside of his home studio. Bogart quite liked Harry Cohn, head of Columbia Pictures, and decided that he would enjoy working on a Columbia produced film. Bogart's friendly relationship with Cohn was noteworthy, as many members of the film industry found Cohn to be notoriously unpleasant and abrasive. Bogart's decision to work for Columbia, even in a one film per year deal, was massive for the studio, which lacked the star power of its rivals. This film marked the first of several film collaborations between Bogart and Columbia Pictures, at the rate of one per year. While he was on loan to Columbia, Bogart was the studio's biggest star. See more »
Goofs
One of the dog-tags held by Gunn at the end is from a US soldier, but the name on the tag is 'George Sperry' of Hollywood. There was no character of that name on the film. See more »
Opening credits prologue: In June, 1942, a small detachment of American tanks with American crews, joined the British Eighth Army in North Africa to get experience in desert warfare under actual battle conditions.
History has proved that they learned their lesson well - - See more »
Shot in the American desert instead of the real Sahara due to the war, this movie is one of the best war films ever made. The desert is so bleak and barren, and the sun so bright, you can almost feel the heat in your living room. Sahara shows us just how brutal the conditions were in North Africa during the war, and how nature brought suffering to both sides. The Allied soldiers are a mix of a lot of different nationalities (American, British, French, South African, Irish, Sudanese) and we see how these men from diverse backgrounds come together to survive against the elements and the Germans. The Germans themselves have the usual stereotyping of nastiness that is found in most films of the 1940s, but even they are shown to be individuals and not a faceless enemy. Get a cool drink and watch Sahara - it's a great movie.
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Shot in the American desert instead of the real Sahara due to the war, this movie is one of the best war films ever made. The desert is so bleak and barren, and the sun so bright, you can almost feel the heat in your living room. Sahara shows us just how brutal the conditions were in North Africa during the war, and how nature brought suffering to both sides. The Allied soldiers are a mix of a lot of different nationalities (American, British, French, South African, Irish, Sudanese) and we see how these men from diverse backgrounds come together to survive against the elements and the Germans. The Germans themselves have the usual stereotyping of nastiness that is found in most films of the 1940s, but even they are shown to be individuals and not a faceless enemy. Get a cool drink and watch Sahara - it's a great movie.