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Storyline
When he sustains a rodeo injury, star rider Jeff McCloud returns to his hometown after many years of absence. He signs on as a hired hand with a local ranch, where he befriends fellow ranch hand Wes and his wife Louise. Wes has big dreams of owning his own little farm, and rodeo winnings could help finance it. Wes convinces Jeff to coach him in the rodeo ways, but Louise has her doubts. She doesn't want her man to end up a broken down rodeo bum like Jeff McCloud. Despite Louise's concern, the threesome hit the road in their Woody, chucking a secure present for an unknown future. Will they find success or sorrow? This picture features plenty of rodeo action and thrills. Written by
Thomas McWilliams <tgm@netcom.com>
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Taglines:
A Fast Buck... A Fast Bronc... A Fast Thrill!
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Did You Know?
Goofs
During the Tucson Rodeo sequence, bull rider [Chet?] Peterson switches hands mid-ride.
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Quotes
Rig Ferris:
[
Jeff has just been given a job as a ranch hand by a no-nonsense foreman]
All right, I might as well tell 'ya right now, we got some strict rules on this place. We don't run our cattle like wild Indians 'cause it takes the fat off. We don't rope 'em unless we have to. We got some good-blooded stuff on this ranch and we can't sell 'em with broken legs.
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Fascinating, penetrating glimpse into the world of rodeo competitions and the often foolish lengths that men will go to prove their manhood. Superbly shot, written and acted, it's also a chance to see Robert Mitchum in top form. Criminally confident and cool, he absolutely carries the film despite exhibiting the demeanor of a man dozing in a hammock under a hot summer sun. Fed a steady diet of dead-on dialogue like "Never was a bull that couldn't be rode, Never was a cowboy that couldn't be throwed," and "Hope's a funny thing. A man can have it - even when there ain't no reason," he feasts with a wink and a smile. He and feisty Susan Hayward have great chemistry together and the movie is consistently eventful and exciting, with particularly realistic rodeo footage. (Maltin is right about the very last scene though - it does feel false.) By all means, seek it out - it's one of the most purely entertaining 1950's films I can recall.