Set in the Argentina of about 1875 in which a customary punishment for killing was a sentence to army service. A young gaucho deserts his army sentence and becomes a bandit leader and also ... See full summary »
A circuit judge in the old west attempts to bring a suspected killer to justice. The judge runs afoul of the killer's rich cattle baron father in the process.
Dardo, a Robin Hood-like figure, and his loyal followers use a Roman ruin in Medieval Lombardy as their headquarters as they conduct an insurgency against their Hessian conquerors.
Director:
Jacques Tourneur
Stars:
Burt Lancaster,
Virginia Mayo,
Robert Douglas
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Former buffalo hunter and entrepreneur Wyatt Earp arrives in the lawless cattle town of Wichita Kansas. His skill as a gun-fighter make him a perfect candidate for Marshal but he refuses ... See full summary »
Clay Douglas an American, comes to England, to find out the truth behind his brothers death during a commando operation in occupied France. After tracking down the surviving members of the ... See full summary »
Barbara Vining is 17 years old and living with her family in a 1950s postwar English village. Her father, Henry, is a newspaper journalist and mother, Vi, a homemaker; her maiden aunt, ... See full summary »
In November 1941, American news photographer Johnny 'Bugsy' Williams manages to escape from the Japanese and finds himself back in Burma where he meets the beautiful Miss Haoli Young. ... See full summary »
In 1871 a convict escapes, with other prisoners, to kill the man that framed him, but has second thoughts after meeting the man's beautiful future wife.
In WW2, U.S. Army Major Joppolo and his troops are tasked with administering the war damaged Italian town of Adano where the locals decry the loss of the town bell.
Set in the Argentina of about 1875 in which a customary punishment for killing was a sentence to army service. A young gaucho deserts his army sentence and becomes a bandit leader and also gets his sweetheart pregnant. Seeing the futility of his ways, he takes her to a church to be married prior to surrendering himself back to the army. Written by
Les Adams <longhorn1939@suddenlink.net>
By the time the shooting of this film was completed in Argentina, Eva Perón had died. For that reason the crew remained in the country, by a request from the government, in order to film the funeral proceedings in Technicolor. See more »
Soundtracks
La Huella, Huella
(uncredited)
Music and Lyrics by Felix R. Palorma
English Lyrics by Philip Dunne See more »
"Way of a Gaucho" was filmed in the wild Argentina of 1950. The beauty of the locations is fantastic and alone makes the movie worth a view. Not only the endless Pampas and the awesome Andes are breathtaking, also the towns and farms, with their ancient, decadent, cracking Spanish-style buildings and churches are incredibly evocative.
The photography is accurate, the colors are magnificent. The story is quick and entertaining, but perhaps too melodramatic. The dialogue is somewhat declamatory. The characters of Martin - Rory Calhoun and Salinas - Richard Boone are not fully realistic: one is too sullen and gruffy to be a youngster, the other is over-bad.
Then, of course, there is Gene Tierney, as Teresa. Her unparalleled splendor wins the beauty of Argentine landscapes (I admit I'm not a fair judge in this matter). At first we see a dishevelled Gene with her shirt torn on a shoulder (she has just been abducted by an Indio, you know). How I like these old-fashioned, good-taste erotic touches! Martin has the incomparable luck to save her. Follows a long ride together in the Pampas, with a pair of my most favorite romantic scenes: Gene sleeping on the high grass, close to a pond with exotic birds, then waking up and looking for her rescuer, with a dreaming look; later, at sunset, Gene resting in the shade of one of those lonely, huge, marvellous trees of the Pampas, silently contemplating Miguel. Love is sprouting: how beautifully romantic.
Let me remark a theme of the movie, much creditable in rendering the climate of the 19th century. Teresa is pregnant, and Miguel repeatedly endangers his life to get to a church, trying to marry her, in order that the coming child could have a "real, legitimate father". The necessity to face death, to get a legal wedding, for both Teresa and Miguel is utter matter-of-factness: another option is inconceivable. This was the actual way people were in the 19th century! By contrast, how preposterous is the show of anachronistic feelings (such as feminist ideology, dislike for religion etc.) in many current movies placed at that epoch.
"Way of a Gaucho" is a good way of spending 90 minutes for everybody, and, of course, a must-see for Gene Tierney's fans.
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"Way of a Gaucho" was filmed in the wild Argentina of 1950. The beauty of the locations is fantastic and alone makes the movie worth a view. Not only the endless Pampas and the awesome Andes are breathtaking, also the towns and farms, with their ancient, decadent, cracking Spanish-style buildings and churches are incredibly evocative.
The photography is accurate, the colors are magnificent. The story is quick and entertaining, but perhaps too melodramatic. The dialogue is somewhat declamatory. The characters of Martin - Rory Calhoun and Salinas - Richard Boone are not fully realistic: one is too sullen and gruffy to be a youngster, the other is over-bad.
Then, of course, there is Gene Tierney, as Teresa. Her unparalleled splendor wins the beauty of Argentine landscapes (I admit I'm not a fair judge in this matter). At first we see a dishevelled Gene with her shirt torn on a shoulder (she has just been abducted by an Indio, you know). How I like these old-fashioned, good-taste erotic touches! Martin has the incomparable luck to save her. Follows a long ride together in the Pampas, with a pair of my most favorite romantic scenes: Gene sleeping on the high grass, close to a pond with exotic birds, then waking up and looking for her rescuer, with a dreaming look; later, at sunset, Gene resting in the shade of one of those lonely, huge, marvellous trees of the Pampas, silently contemplating Miguel. Love is sprouting: how beautifully romantic.
Let me remark a theme of the movie, much creditable in rendering the climate of the 19th century. Teresa is pregnant, and Miguel repeatedly endangers his life to get to a church, trying to marry her, in order that the coming child could have a "real, legitimate father". The necessity to face death, to get a legal wedding, for both Teresa and Miguel is utter matter-of-factness: another option is inconceivable. This was the actual way people were in the 19th century! By contrast, how preposterous is the show of anachronistic feelings (such as feminist ideology, dislike for religion etc.) in many current movies placed at that epoch.
"Way of a Gaucho" is a good way of spending 90 minutes for everybody, and, of course, a must-see for Gene Tierney's fans.