Gilliat,a fisherman/smuggler is in jail, and is offered a pardon, if he undertakes a mission to sail to France to rescue Douchette, an English agent, whose cover has been blown,and who has now been jailed. Gilliat accepts the challenge.
After being released from prison, former gun-fighter John Wesley Hardin hopes to have his autobiography published in order to rehabilitate his tarnished reputation.
Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
Wealthy Samuel Fulton is getting older and has no family of his own. He decides to leave his estate to the family of his first love, who turned down his marriage proposal years ago because ... See full summary »
In present-day U.S., Dr. Michael Parker, a prominent surgeon, unexpectedly runs into his German-born wife whom he thought was dead. Victor, an artist and his "dead" wife's now boyfriend, ... See full summary »
Directors:
Jerry Hopper,
Douglas Sirk
Stars:
Rock Hudson,
Cornell Borchers,
George Sanders
Mantha Starr grows up as a privileged southern Belle in the ante-bellum South but after her father dies broke, her world is destroyed when she discovers her mother was black.
Director:
Raoul Walsh
Stars:
Clark Gable,
Yvonne De Carlo,
Sidney Poitier
Roger Willoughby is considered to be a leading expert on sports fishing. He's written books on the subject and is loved by his customers in the sporting goods department at Abercrombie and ... See full summary »
Circa 1900, runaway boy Nugget arrives in an Oklahoma boom town to find his brother...who's a dealer in the casino section of a palatial bawdy house, and lover of the madam, Tacey Cromwell.... See full summary »
Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her... See full summary »
Gilliatt, a fisherman-turned-smuggler on the isle of Guernsey, agrees to transport a beautiful woman to the French coast in the year 1800. She tells him she hopes to rescue her brother from the guillotine. Gilliatt finds himself falling in love and so feels betrayed when he later learns this woman is a countess helping Napoleon plan an invasion of England. In reality, however, the "countess" is an English agent working to thwart this invasion. When Gilliatt finds this out, he returns to France to rescue the woman whose true purpose has been discovered by the French. Written by
dinky-4 of Minneapolis
Drouchette swam with the Australian crawl, not the breast stroke, which would have been more common then. See more »
Crazy Credits
Opening credits prologue: Guernsey in the Channel Islands near the coast of France in the year 1800, where fishermen, prevented by war from following their usual livelihood, turned to other occupations.... See more »
The dialogue in this movie is ploddingly pedantically awful - and there is so much of it! Maybe it is because the film is set the early 19th Century and people are trying to make it look classy but everyone in this film gives full weight to every syllable of their every line. There is not a single "ain't," "shalln't," "can't," or "won't" in the whole thing. Everything is delivered in a very stagy mock-formal manner that, had it been camped up might have been amusing, but, as it wasn't, is merely grindingly dull.
The writer, Borden Chase, was obviously much happier with westerns - he wrote the classic Red River amongst others - and seems to have been overawed by the language when adapting a novel by such a revered writer as Victor Hugo (who also wrote Les Misrables) - or he was just plain out of his depth when attempting to write a 'period' piece. For whatever reason, the dialogue is stilted and clumsy; sounding at times like a dubbed Italian movie rather than a film written by someone who's first language was English.
Not as bad as some - but dull.
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The dialogue in this movie is ploddingly pedantically awful - and there is so much of it! Maybe it is because the film is set the early 19th Century and people are trying to make it look classy but everyone in this film gives full weight to every syllable of their every line. There is not a single "ain't," "shalln't," "can't," or "won't" in the whole thing. Everything is delivered in a very stagy mock-formal manner that, had it been camped up might have been amusing, but, as it wasn't, is merely grindingly dull.
The writer, Borden Chase, was obviously much happier with westerns - he wrote the classic Red River amongst others - and seems to have been overawed by the language when adapting a novel by such a revered writer as Victor Hugo (who also wrote Les Misrables) - or he was just plain out of his depth when attempting to write a 'period' piece. For whatever reason, the dialogue is stilted and clumsy; sounding at times like a dubbed Italian movie rather than a film written by someone who's first language was English.
Not as bad as some - but dull.