An American patrol has to cross behind enemy lines by skis in order to blow up an important railroad bridge. The task is made harder by conflicts between the platoon's veteran sergeant and ... See full summary »
A group of lonely Viking women build a ship and set off across the sea to locate their missing menfolk, only to fall into the clutches of the barbarians that also hold their men captive. ... See full summary »
A delinquent girls' gang pursues a nice ingenue linked romantically to the male leader of a rival gang, and apparently to the murder of one of their members.
Shalee Jethro (Dorothy Malone) helps her father run a desert stagecoach station. Five desperate outlaws arrive at the station to await a gold shipment they plan to rob, and Shalee becomes ... See full summary »
A frustrated and talentless artist finds acclaim for a plaster covered dead cat that is mistaken as a skillful statuette. Soon the desire for more praise leads to an increasingly deadly series of works.
Director:
Roger Corman
Stars:
Dick Miller,
Barboura Morris,
Antony Carbone
The Nazis imprison an Italian general who was planning to switch sides and turn over his army to the Allied side. Allied headquarters sends a small, somewhat misfit group of soldiers to ... See full summary »
Director:
Roger Corman
Stars:
Stewart Granger,
Raf Vallone,
Mickey Rooney
A crook decides to bump off members of his inept crew and blame their deaths on a legendary sea creature. What he doesn't know is that the creature is real.
Director:
Roger Corman
Stars:
Antony Carbone,
Betsy Jones-Moreland,
Robert Towne
Peter Fonda plays 'Heavenly Blues', the leader of Hell's Angels chapter from Venice, California while Bruce Dern plays 'Loser', his best pal. When they both botch their attempt to retrieve ... See full summary »
Cloud Nine, the local teen hangout, has been taken over by a pair of escaped killers, who hold the local teens hostage. The bartender realizes it's up to him to save the kids.
Machine-Gun Kelly, the famous bank robber, seldom without his Thompson machine gun. The story opens with great jazzy music and a murder shown in shadows. His moll is the driving force ... See full summary »
Director:
Roger Corman
Stars:
Charles Bronson,
Susan Cabot,
Morey Amsterdam
Ev, along with her husband, Harold, and their lawyer friend Martin, are swimming while on vacation in Puerto Rico. When they resurface, they gradually conclude that an unexplained, ... See full summary »
Director:
Roger Corman
Stars:
Betsy Jones-Moreland,
Antony Carbone,
Robert Towne
An American patrol has to cross behind enemy lines by skis in order to blow up an important railroad bridge. The task is made harder by conflicts between the platoon's veteran sergeant and its inexperienced lieutenant and by constant attacks by pursuing German troops. Written by
frankfob2@yahoo.com
Roger Corman had his actors positioned for a ski run down a mountain of virgin snow. When he called for action on his bullhorn, however, the sound waves started an avalanche. No one was hurt, but Corman was frustrated by this unplanned event. There was only one thing he could do. Corman raised the bullhorn to his mouth and ordered his crew to "Stop that snow!" See more »
In a snowy German forest, stranded GI's observe stock WWII footage and evade the enemy. Aside from some testy exchanges with a frosty fraulein, the stick-figure characters bark war-comic banalities (though the script's feverish dialogue and structure might have made a swell comic!). The troop's captain is constantly baited by his smug, war-happy sargeant. One assumes a showdown will ensue, but the budget must not have allowed for even modestly choreographed fistcuffs. The equally anticlimactic finale has the soldiers destroying a bridge that's "an impossible target from the air." (??!) Bereft of stuntwork or even a passable master shot, the lucky viewer is left with a jumble of grimacing-face close-ups and mismatched model train footage that even Al Adamson would disown. Roger Corman always blames this dog's shortcomings on production snafus...yet a rookie director employed most of the same cast,crew, and locations for BEAST FROM HAUNTED CAVE (shot back-to-back with SKI TROOP), and that schlocker turned out OK. Corman's apparent strategy was to grab as much footage in as little time possible and hope to cobble together something watchable in post. As a result, many scenes look interchangeable, and there's little dramatic flow. You can make a good cheap war flick with a tiny cast (BATTLE OF BLOOD ISLAND, '60) and scant action (UNDER FIRE, '57), but this sucker should be avoided like a cloud of mustard gas.
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In a snowy German forest, stranded GI's observe stock WWII footage and evade the enemy. Aside from some testy exchanges with a frosty fraulein, the stick-figure characters bark war-comic banalities (though the script's feverish dialogue and structure might have made a swell comic!). The troop's captain is constantly baited by his smug, war-happy sargeant. One assumes a showdown will ensue, but the budget must not have allowed for even modestly choreographed fistcuffs. The equally anticlimactic finale has the soldiers destroying a bridge that's "an impossible target from the air." (??!) Bereft of stuntwork or even a passable master shot, the lucky viewer is left with a jumble of grimacing-face close-ups and mismatched model train footage that even Al Adamson would disown. Roger Corman always blames this dog's shortcomings on production snafus...yet a rookie director employed most of the same cast,crew, and locations for BEAST FROM HAUNTED CAVE (shot back-to-back with SKI TROOP), and that schlocker turned out OK. Corman's apparent strategy was to grab as much footage in as little time possible and hope to cobble together something watchable in post. As a result, many scenes look interchangeable, and there's little dramatic flow. You can make a good cheap war flick with a tiny cast (BATTLE OF BLOOD ISLAND, '60) and scant action (UNDER FIRE, '57), but this sucker should be avoided like a cloud of mustard gas.