Kitten with a Whip (1964)A rising political star faces scandal and blackmail when the young woman he tries to help turns out to be a juvenile delinquent. Director:Douglas Heyes |
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Kitten with a Whip (1964)A rising political star faces scandal and blackmail when the young woman he tries to help turns out to be a juvenile delinquent. Director:Douglas Heyes |
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Cast overview, first billed only: | |||
Ann-Margret | ... | ||
John Forsythe | ... |
David
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Peter Brown | ... |
Ron
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Patricia Barry | ... |
Vera
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Richard Anderson | ... |
Grant
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Skip Ward | ... |
Buck
(as James Ward)
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Diane Sayer | ... | |
Ann Doran | ... |
Mavis
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Patrick Whyte | ... |
Varden
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Audrey Dalton | ... |
Virginia
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Leo Gordon | ... |
Enders
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Patricia Tiara | ... |
Striptease Dancer
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Nora Marlowe | ... |
Matron
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Frances Robinson | ... |
Martha
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Maxine Stuart | ... |
Peggy
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Jody, a juvenile delinquent, escapes from reform school by stabbing a matron and attempting to burn down the building and then takes refuge in a house owned by an ambitious politician David Patton. Despite the hellcat's ample charms, the would-be officeholder wants nothing to do with her and tries to drive her away. She responds by shortly returning to his house accompanied by a gang of delinquent pals and taking him hostage. A sudden act of violence causes more trouble, leading Jody and her gang to hijack David and force him to drive a getaway car to Mexico. Written by alfiehitchie
Ann-Margret gets her first dramatic role, that of a delinquent sociopath named Jody who's all out for KICKS! The part stuck her with a 'bad girl' rep for a number of years, but the good news is A-M seems to relish this change of pace and gives an exceptionally strong performance. Unfortunately, the general handling of "Kitten With a Whip" is far too broad and quasi-colorful, and the film fails as a message picture, though its stale J-D clichés and overwrought dialogue ("You're so nothing painted blue!", "Where the hell is T-town?!") turns it into a dizzying dark comedy. John Forsythe plays a weakling politician who gets mixed up with the girl and her creepy post-teenage buddies, and the plot-developments become increasingly far-fetched. Still, the black-and-white cinematography is excellent, Ann-Margret is electric, and the pacing seldom flags. *** from ****