Richard Burton plays a Scottish Army officer put in charge of a disparate band of ANZAC troops on the perimeter of Tobruk with the German Army doing their best to dislodge them.
An RAF squadron is assigned to knock out a German rocket fuel factory in Norway. The factory supplies fuel for the Nazi effort to launch rockets on England during D-Day.
Director:
Walter Grauman
Stars:
Cliff Robertson,
George Chakiris,
Maria Perschy
An American colonel who has never been in combat is assigned to create a special forces unit from Canadian Army troops and a ragtag group of U.S. Army misfits.
Director:
Andrew V. McLaglen
Stars:
William Holden,
Cliff Robertson,
Vince Edwards
Summoned by an Indian princess, Tarzan travels to India where hundreds of wild elephants are in danger. A company is building a hydroelectric dam and the contractors have only a few weeks ... See full summary »
Private eye P.J. is reluctant when he gets a new job: he shall protect Maureen Preble, mistress of millionaire Orbeson, mainly from attacks by his wife and her greedy family. In truth ... See full summary »
Director:
John Guillermin
Stars:
George Peppard,
Raymond Burr,
Gayle Hunnicutt
The tactics of a German fighter pilot offend his aristocratic comrades but win him his country's most honored medal, the Blue Max. The General finds him useful as a hero even though his wife also finds him useful as a love object. In the end the General arranges for him to test-fly an untried fighter. Written by
Ed Stephan <stephan@cc.wwu.edu>
With the exception of the two-seater recon-plane, all the British aircraft featured in the movie, were of the "Royal Aircraft Factory S.E.5" model, or "S.E.5" in short. It was introduced in early 1917 and proved to be an excellent fighter that helped the Allies regaining air superiority in the summer of 1917. It remained in production throughout the war. See more »
Goofs
Carl Schell looked a little old to play Manfred Von Richthofen. The real "Red Baron" was only 25 when he was killed on 21 April 1918. See more »
Quotes
Willi von Klugermann:
[after picking up Stachel from the aid station]
You know, I was quite pleased at first when you posted missing.
Bruno Stachel:
Thank you
[sarcastically]
Willi von Klugermann:
It was just that, the war seemed, a bit more, peaceful. And then, this is the odd thing, I had a sense of loss.
Bruno Stachel:
I'm touched
Willi von Klugermann:
No, no, seriously, I've had things in my life too easy. I'm inclined to be lazy. I need a challenge. Some one around me who is hard to beat. And you fulfill that role.
See more »
At the beginning of The Young Lions Marlon Brando tells Barbara Rush how difficult it is to rise in class in Europe as opposed to America. It's one of the reasons he's thinking that Adolph Hitler and the Nazis will be a good thing for Germany.
George Peppard plays a more ruthless version of the Brando character in the previous generation in The Blue Max. He's a survivor of the trenches who gets an opportunity to learn to fly and transfer in the Air Corps. What comes with it is a commission and while Peppard is now an officer he's no gentleman.
There's a whole different ethic operating in the Air Corps. The pilots see themselves as an updated version of the Teutonic Knights of old. A view by the way shared by both sides. The fliers on both sides see themselves as old fashioned chivalrous sorts who glory in single combat. They are also upper middle class and aristocratic types and Peppard doesn't quite fit in.
You can put him in a biplane and give him rank, but his outlook doesn't change. What Peppard does see is that if he makes 20 confirmed kills he gets awarded the Blue Max decoration and his future and respectability is secure.
James Mason who commands the Flying Corps takes an interest in Peppard's rise. His political instinct tells him revolution is in the body politic. Make heroes out of someone like Peppard who would be part of the proletarian masses will help give those masses a vested interest in the Wilhelmine regime and would forestall revolution. Of course wife Ursula Andress has some different ideas about Peppard.
I like The Blue Max because it is a film about more than aviation. It is about what was happening in Germany during those last days of World War I when Germany was desperately trying to break the stalemate on the western front and pull out a victory before American troops were in sufficient numbers. They almost pulled it out in fact. It's about attitudes, old, new and changing. All three of the leads suit their roles perfectly.
As a veteran of World War I if he didn't gain the respectability out of the war he craved, Peppard would have been ripe for the Nazi propaganda that filled Germany and was finally heeded during the Depression. The Nazis filled their ranks with Peppards up and down Germany.
Which is why The Blue Max should be seen and learned from because it is not just about World War I aviators as good as the aerial footage is here.
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At the beginning of The Young Lions Marlon Brando tells Barbara Rush how difficult it is to rise in class in Europe as opposed to America. It's one of the reasons he's thinking that Adolph Hitler and the Nazis will be a good thing for Germany.
George Peppard plays a more ruthless version of the Brando character in the previous generation in The Blue Max. He's a survivor of the trenches who gets an opportunity to learn to fly and transfer in the Air Corps. What comes with it is a commission and while Peppard is now an officer he's no gentleman.
There's a whole different ethic operating in the Air Corps. The pilots see themselves as an updated version of the Teutonic Knights of old. A view by the way shared by both sides. The fliers on both sides see themselves as old fashioned chivalrous sorts who glory in single combat. They are also upper middle class and aristocratic types and Peppard doesn't quite fit in.
You can put him in a biplane and give him rank, but his outlook doesn't change. What Peppard does see is that if he makes 20 confirmed kills he gets awarded the Blue Max decoration and his future and respectability is secure.
James Mason who commands the Flying Corps takes an interest in Peppard's rise. His political instinct tells him revolution is in the body politic. Make heroes out of someone like Peppard who would be part of the proletarian masses will help give those masses a vested interest in the Wilhelmine regime and would forestall revolution. Of course wife Ursula Andress has some different ideas about Peppard.
I like The Blue Max because it is a film about more than aviation. It is about what was happening in Germany during those last days of World War I when Germany was desperately trying to break the stalemate on the western front and pull out a victory before American troops were in sufficient numbers. They almost pulled it out in fact. It's about attitudes, old, new and changing. All three of the leads suit their roles perfectly.
As a veteran of World War I if he didn't gain the respectability out of the war he craved, Peppard would have been ripe for the Nazi propaganda that filled Germany and was finally heeded during the Depression. The Nazis filled their ranks with Peppards up and down Germany.
Which is why The Blue Max should be seen and learned from because it is not just about World War I aviators as good as the aerial footage is here.