During the Battle of the Bulge, an anachronistic count shelters a ragtag squad of Americans in his isolated castle hoping they will defend it against the advancing Germans.
Forced to trade his valuable furs for a well-educated escaped slave, a rugged trapper vows to recover the pelts from the Indians and later the renegades that killed them.
Harry Kilmer returns to Japan after several years in order to rescue his friend George's kidnapped daughter - and ends up on the wrong side of the Yakuza, the notorious Japanese mafia...
A priest (William Holden) arrives at a mission-post in China accompanied by a young native girl who has joined him along the way. His job is to relieve the existing priest (Clifton Webb), ... See full summary »
Cross is an old hand at the CIA, in charge of assassinating high-ranking foreign personalities who are an obstacle to the policies of the USA. He often teams up with Frenchman Jean Laurier,... See full summary »
A wagon train heads for Denver with a cargo of whisky for the miners. Chaos ensues as the Temperance League, the US cavalry, the miners and the local Indians all try to take control of the ... See full summary »
Lt. Col. Robert (Dutch) Holland was a third baseman for the St. Louis Cardinals, not a pitcher. While at spring training a B-36 flew over the field and Dutch was standing on third base. ... See full summary »
After fierce war chief Ulzana and a small war party jump the reservation bent on murder and terror, an inexperienced young lieutenant is assigned to track him down.
A band of mercenaries led by Captain Curry travel through the Congo across deadly terrain, battling rival armies, to rescue $25 million in uncut diamonds.
Toward the end of World War II, a small company of American GI's occupy an ancient castle. Their commander has an affair with the countess in resident. One guy falls in love with a Volkswagon. A baker among them moves in with another baker's wife. A group of shell shocked holy rollers wander the bombed out streets. A GI art historian tries vainly to protect the castle and its masterpieces. Written by
Jim Sadur <jsadur@keyflux.com>
Ronald "Butcher" DeFeo Jr. claimed he was watching this movie before he shot his parents and four younger siblings to death in Amityville, NY in 1974. See more »
Goofs
When the soldiers push the VW into the moat, the passenger side window is open. The car sinks and then pops to the surface and floats (air tight and they really do float) ... but when it surfaces, the passenger window is up. Of course, the car would have stayed on the bottom, had the window been open. See more »
Quotes
Sfc. Rossie Baker:
[enterting brothel with loaves]
Everybody should eat more bread. Feeds the heart. And remember, the heart's the second-most important organ in the human body.
See more »
A cult film that Columbia Pictures has done the devil to bury, keeps resurfacing because of it's exceptional poetry, invention, and flawless execution - on the part of director, editor, and camera crew, but also thanks to some of the most powerful acting on film, especially from Lancaster and Falk.
The writers and the director have striven hard to push the boundaries of cinematic story telling, and to do so without looking 'low budget', as many other more intellectually advanced films of the period did.
In the last analysis, calling this film 'anti-war' is as inappropriate as saying that of Sam Fuller's "Big Red One". Like Fuller's film, this is simply war as it was fought - garnished, for dramatic (and comic) effect, with more than a touch of the undeniably surreal. But as Fuller made plain in his wholly realistic film, war creates just the sort of environment where the surreal happens.
BTW, what made this a cult film in the first place is not any 'anti-war' message (the message is actually more 'anti-European' if you follow the dialog closely), but rather its remarkable comedic sense of the absurd, made most famous by the affair with the Volkswagen, but actually more impressive with Falk's baker (who moves in with the Belgian town's baker's wife, because, well, that's what bakers do, they live with baker's wives).
All this adds up to a stunning, even shocking film, that is still highly entertaining. I suspect those that find it confusing haven't lived much life yet, or don't want to. This film is not dated in the least; it will survive all the CGI crap that Hollywood vomits up, as long as there are people who want to think and to feel while watching a film.
9 of 12 people found this review helpful.
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A cult film that Columbia Pictures has done the devil to bury, keeps resurfacing because of it's exceptional poetry, invention, and flawless execution - on the part of director, editor, and camera crew, but also thanks to some of the most powerful acting on film, especially from Lancaster and Falk.
The writers and the director have striven hard to push the boundaries of cinematic story telling, and to do so without looking 'low budget', as many other more intellectually advanced films of the period did.
In the last analysis, calling this film 'anti-war' is as inappropriate as saying that of Sam Fuller's "Big Red One". Like Fuller's film, this is simply war as it was fought - garnished, for dramatic (and comic) effect, with more than a touch of the undeniably surreal. But as Fuller made plain in his wholly realistic film, war creates just the sort of environment where the surreal happens.
BTW, what made this a cult film in the first place is not any 'anti-war' message (the message is actually more 'anti-European' if you follow the dialog closely), but rather its remarkable comedic sense of the absurd, made most famous by the affair with the Volkswagen, but actually more impressive with Falk's baker (who moves in with the Belgian town's baker's wife, because, well, that's what bakers do, they live with baker's wives).
All this adds up to a stunning, even shocking film, that is still highly entertaining. I suspect those that find it confusing haven't lived much life yet, or don't want to. This film is not dated in the least; it will survive all the CGI crap that Hollywood vomits up, as long as there are people who want to think and to feel while watching a film.