No Way Out
(1973)
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Title: No Way Out (1973)
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Cast
| Cast overview, first billed only: | |||
| Alain Delon | ... |
Tony Arzenta
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| Richard Conte | ... |
Nick Gusto
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Carla Gravina | ... |
Sandra
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Marc Porel | ... |
Domenico Maggio
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Roger Hanin | ... |
Carré
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Nicoletta Machiavelli | ... |
Anna - wife of Tony
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Guido Alberti | ... |
Don Mariano
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Lino Troisi | ... |
Rocco Cutitta
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Silvano Tranquilli | ... |
Montani - the Interpol officer
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Corrado Gaipa | ... |
Arzenta's Father
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Erika Blanc | ... |
The Prostitute as a decoy
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Rosalba Neri | ... |
Cutitta's Wife
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Carla Calò | ... |
Arzenta's Mother
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Ettore Manni | ... |
Gesmundo - the sauna owner
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Francesco Bonetti |
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Plot Summary
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Add Synopsis
Storyline
A mob hitman wants to retire, but his bosses don't think that's a good idea. Complications--and many bloody shootouts-ensue.
Taglines:
By mistake they killed his wife and child - THAT was a hell of a mistake!Parents Guide:
Add content advisory for parents »
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See full technical specs »
Details
Language:
ItalianRelease Date:
23 August 1973 (France) See more »Also Known As:
No Way Out See more »Company Credits
Show detailed
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IMDbPro »
Technical Specs
Sound Mix:
MonoColor:
Color (Eastmancolor)Aspect Ratio:
1.85 : 1
Edit
Antonio Amurri (as A. Amurri) - Bruno Canfora (as B. Canfora)
Edizioni Curci - Milano
Disco PDU - PA 1012
canta Mina
See more »
Did You Know?
Trivia
Italian censorship visa # 62913 delivered on 8-8-1973. See more »Soundtracks
VORREI CHE FOSSE AMOREAntonio Amurri (as A. Amurri) - Bruno Canfora (as B. Canfora)
Edizioni Curci - Milano
Disco PDU - PA 1012
canta Mina
See more »
'Tony Arzenta' is a truly absorbing euro-crime from expert genre director Duccio 'Puzzle' Tessari. Not too sure why this cracking yarn doesn't get mentioned in the same bated breath as 'High Crime', 'Violent Professionals', or 'Violent Rome' as it is clearly on par with them, and in some specific area's it actually usurps them. Having the ice-cool, Gallic master of understatement, Alain Delon as your vengeful hit man is a casting godsend, and as our idiosyncratic, enigmatic arbiter of righteous retribution makes it nigh on impossible to take your eyes away from his blazing a balletic trail of brutal revenge deep into the swollen underbelly of the Cosa Nostra. I readily admit that the premise of a hit man wishing to break free from their nefarious clutches is a well-thumbed conceit; but when said coda is interpreted by the likes of Delon/Tessari and propelled by a lively, infectious score from the woefully underrated, Gianni Ferrio, any hint of formula is quashed beneath an electrifying torrent of cinematic savvy.