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Storyline
Tara B. True is a flight attendant who makes a weekly swing through New York, Miami, and Los Angeles. In each city, she has a man: Edward, older and wealthy; Johnny, a beach bum with gambling debts; and, Davey, a rock musician on the cusp of success. Tara is a free spirit, faithful to each man in her own way, and so stunning that she dresses in a wig and ill-fitting uniform while she's working so men won't harass her constantly. The low-life whom Johnny is in debt to figures out a way to use Tara to help him execute a daring in-flight robbery. But will Tara stand by helplessly, or is superchick ready for action? Written by
<jhailey@hotmail.com>
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Taglines:
Everything You Ever Wanted In A Woman And More... A Lot More!
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Certificate:
R
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Did You Know?
Trivia
Tara B. True is a stewardess for Crown International Airlines, named for the film's original distributor, Crown International Pictures. The airline's logo, which appears on both the outside of a plane and inside its cabin, is the Crown International Pictures "globe" logo with wings attached to it.
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Goofs
Shadow of boom mic visible on hospital wall, next to Tara's head.
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Quotes
Johnny:
You're something else, woman, and that's no lie.
Tara B. True:
The only place there's no lies between a man and a woman is in bed.
Johnny:
Get yourself ready for some truth.
Tara B. True:
A little truth does go a long way.
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Crazy Credits
Actress
Lillian McBride's name is spelled "Lilyan Mac Bride" in the opening credits and as "Lilyan MacBride" in the closing credits.
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This is only somewhat attractive for fans of "bad movie" entertainment. It is more worthwhile for students of 1970's pop culture: the fashions, the furniture, the attitudes, and that great "women's lib" moment of the early 1970's, when it was still fresh and novel for a self-employed, independent woman to exist.
"Superchick" (Joyce Jillson) had a monetarily rewarding if stultifying career (after all, what is a flight attendant but a waitress at 30,000 feet -- that goes for the male ones too), she slept around with multiple men, could protect herself and others (with karate) and wasn't tied down to anything. This is the kind of emancipated woman that scared the juices out of anti-feminists, those retrograde idiots who believe that no woman is complete without a husband.
The "sexy stewardess" was a potent archetype of the late 1960's to 1970's, (geez, even on "The Partridge Family," I remember swinging bachelor Ruben Kincaid constantly hooking up with stewardesses) and from that point of view, this silly film is an important pop culture time capsule of the pre-AIDS, free-love, women's lib, swinging Seventies. The plot is quite awful though. And for those cavemen in the audience, there are few bare breasts to look at.