An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.
An aging Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons--his sole purpose being to bring down his old friend Billy the Kid.
Director:
Sam Peckinpah
Stars:
James Coburn,
Kris Kristofferson,
Richard Jaeckel
In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
Director:
Sam Peckinpah
Stars:
James Coburn,
Maximilian Schell,
James Mason
During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a ... See full summary »
Director:
Sam Peckinpah
Stars:
Charlton Heston,
Richard Harris,
Jim Hutton
Ace Bonner returns to Arizona several years after he abandoned his family, Junior Bonner is a wild young man. Against the typical rodeo championship, family drama erupts.
Truckers form a mile long "convoy" in support of a trucker's vendetta with an abusive sheriff...Based on the country song of same title by C.W. McCall.
Director:
Sam Peckinpah
Stars:
Kris Kristofferson,
Ali MacGraw,
Ernest Borgnine
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in ... See full summary »
A family scandal causes a wealthy and powerful Mexican rancher to make the pronouncement--'Bring me the head of Alfredo Garcia!' Two of the bounty-hunters thus dispatched encounter a local piano-player in their hunt for information. The piano-player does a little investigating on his own and finds out that his girlfriend knows of Garcia's death and last resting place. Thinking that he can make some easy money and gain financial security for he and his (now) fiancée, they set off on this goal. Of course, this quest only brings him untold misery, in the form of trademark Peckinpah violence. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Isela Vega received a Best Actress nomination at the 1975 Ariel Awards held by the Academia Mexicana de Artesy y Ciencias Cinematograpficas. She lost to Pilar Pellicer, who won the Ariel for her role in Emilio Fernández's La choca (1974). See more »
Goofs
In the driving scene, when Bennie tells Elita he is going after Alfredo's head, the same blue and white Dodge Dart appears twice within seconds. See more »
Quotes
Bennie:
Hell, I wasn't trying to hit them, you know
Elita:
I know you weren't.
Bennie:
I used to shoot a lot of pistols when I was in the army.
Elita:
You're a nice gringo. You didn't have a thing to do in the army anyways.
Bennie:
You'd be surprised, honey.
See more »
It is my humble opinion that Bring Me the Head of Alfredo Garcia comes as close to capturing the maddening drive of man as any movie. That is to say that it sits at the same table as the greats, perhaps across the way from Citizen Kane or Raging Bull. If you contest this it is perhaps only because the film is not as beautiful, not as magnificent, as the rest of its ballpark. I would argue that that is partially the point.
Bennie's quest is stripped to its core so that the brutality of the film is expressive of Bernie himself. There is not a violent film with more validity for its actions than this one, it is the maddening human mind which causes deaths here. Peckinpah shows us everything that is important in this man's life and then shows us what a man is capable of doing once all that is taken away. The difference between this film and other similar films is perhaps that the movie has such humble beginnings. We build ourselves inside of Bennie. When we first meet him he is casually and happily playing the piano, quietly dreaming of settling into a different kind of love. We share a quiet picnic with him, witness his wedding proposal.
Perhaps also there has never been a chaotic killing spree that has seemed this environmental. While usually the hero goes on a rampage in a way that is appropriately heroic itself, Bennie is no hero. He is a man forced into a situation by the world around him, as it seems he is always forced into situations. Since he is never the man he wants to be it seems natural that he would become the kind of man that is the amalgamation of love and hate.
All the emotion a movie in this genre could handle.
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It is my humble opinion that Bring Me the Head of Alfredo Garcia comes as close to capturing the maddening drive of man as any movie. That is to say that it sits at the same table as the greats, perhaps across the way from Citizen Kane or Raging Bull. If you contest this it is perhaps only because the film is not as beautiful, not as magnificent, as the rest of its ballpark. I would argue that that is partially the point.
Bennie's quest is stripped to its core so that the brutality of the film is expressive of Bernie himself. There is not a violent film with more validity for its actions than this one, it is the maddening human mind which causes deaths here. Peckinpah shows us everything that is important in this man's life and then shows us what a man is capable of doing once all that is taken away. The difference between this film and other similar films is perhaps that the movie has such humble beginnings. We build ourselves inside of Bennie. When we first meet him he is casually and happily playing the piano, quietly dreaming of settling into a different kind of love. We share a quiet picnic with him, witness his wedding proposal.
Perhaps also there has never been a chaotic killing spree that has seemed this environmental. While usually the hero goes on a rampage in a way that is appropriately heroic itself, Bennie is no hero. He is a man forced into a situation by the world around him, as it seems he is always forced into situations. Since he is never the man he wants to be it seems natural that he would become the kind of man that is the amalgamation of love and hate.
All the emotion a movie in this genre could handle.