Hollywood action film star Rafe Stoker has sunk $130,000 of his own money into his own production, but can't find legitimate financing to complete the film. His mob-connected investor ... See full summary »
A traveling salesman is lured by a precocious teenage girl to her shack in the desert for some sexual escapades. However, a scuzzy biker comes along and they both find themselves dominated and tormented by him.
Angel, a member of a tough motorcycle gang roaming the Southwest, gets on offer from a major news magazine. In exchange for giving the magazine a big scoop by exposing the inner workings of... See full summary »
This is the story of Buford Pusser's final days, not only of his life but also as Sheriff. It seems that times are changing and the people of Pusser's town, who once adored him are now ... See full summary »
Slaughter, a former Green Beret, avenges the killing of loved ones by the Mob, and in so doing is coerced by the Feds into traveling to Mexico to finish off surviving mobsters.
Hollywood action film star Rafe Stoker has sunk $130,000 of his own money into his own production, but can't find legitimate financing to complete the film. His mob-connected investor demands an exorbitant amount of collateral and a guarantee that Rafe hand over a commercially acceptable film in 4 weeks, then hires a gang of psycho bikers to sabotage the picture to ensure he collects Stoker's collateral. As if a cranky local cop and bad weather didn't slow production enough, Crazy Harvey decides to take Rafe out of the picture after Rafe shows him up once too often. Written by
Sister Grimm <srgrimm@teleport.com>
Star William Smith basically plays himself in this tale of the difficulties low-budget filmmakers face when making their films outside of the Hollywood system. This film is especially cynical about the ways in which these films get financed and how the good guys always get ripped off in the end. Smith just wants to make movies so he puts up his house as collateral and borrows mob money while he's being harassed by some old psycho biker buddies looking for easy money. This film makes you appreciate the hell that is low-budget B-movie filmmaking.
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Star William Smith basically plays himself in this tale of the difficulties low-budget filmmakers face when making their films outside of the Hollywood system. This film is especially cynical about the ways in which these films get financed and how the good guys always get ripped off in the end. Smith just wants to make movies so he puts up his house as collateral and borrows mob money while he's being harassed by some old psycho biker buddies looking for easy money. This film makes you appreciate the hell that is low-budget B-movie filmmaking.