Skip and Harry are framed for a bank robbery and end up in a western prison. The two eastern boys are having difficulty adjusting to the new life until the warden finds that Skip has a ... See full summary »
Director:
Sidney Poitier
Stars:
Gene Wilder,
Richard Pryor,
Georg Stanford Brown
George has been in a mental hospital for 3 years and is finally ready to go out into the real world again. Eddie Dash, a dedicated con-man, is supposed to keep him out of trouble, but when ... See full summary »
The complete innocent, Michael Jordon, is drawn into a web of secrecy and government secrets when a girl carrying a mysterious package gets into a taxi with him. When she is later murdered, Michael is the chief suspect and on the run.
A neurotic baker travels to Hollywood to attend a talent search for an actor to rival the great Valentino. Although not an actor, through blind luck he succeeds - to a certain degree!
The younger brother of the consulting detective tries to steal Sherlock's glory by solving an important case assisted by an eccentric Scotland Yard detective and a lovely but suspicious actress.
A Polish rabbi wanders through the Old West on his way to lead a synagogue in San Francisco. On the way he is nearly burnt at the stake by Indians and almost killed by outlaws.
A minor-league baseball player has to spend $30,000,000 in thirty days in order to inherit $300,000,000. However, he's not allowed to tell anyone about the deal.
A somewhat daffy book editor on a rail trip from Los Angeles to Chicago thinks that he sees a murdered man thrown from the train. When he can find no one who will believe him, he starts doing some investigating of his own. But all that accomplishes is to get the killer after him. Written by
Alfred Jingle
As the train enters the station after the cars have been uncoupled, it crosses all the way to the right hand side and enters the station on the last approach track, but when it cuts to the next two shots tracks even further to the right of the train are visible. See more »
Quotes
Jerry Jarvis:
I can't take that responsibility. I better get my boss.
Chief Donaldson:
You better do something, you idiot, because in ten minutes you're going to have two hundred tons of locomotive smashing through Central Station on its way to Marshall Field's.
See more »
Arthur Hiller's 1976 film is the epitome - and one of the best and at times, the worst - example of what Hollywood came synonymous for in the 1970s.
Ending with one of those truly great action set-pieces, when such were actually filmed and not with a computer mouse and starting out with the oh-so-smooth Gene Wilder getting his wicked way with the delectable Jill Clayburgh, an awful lot happens in-between.
Taking - and featuring huge chunks of influence from James Bond (inc 'Jaws', the iron-toothed giant), Hitchcock (crime capers on moving trains, espionage, intrigue) and loads of over-the-top big Americanism, this is a rail-road coaster of a ride. You can see bits that have helped influence later films, too and the start of the delicious pairing between Wilder and black comedian Richard Pryor, which spilled out over into the future Stir Crazy and Blazing Saddles.
Yes, a lot of it is nonsense - this is essentially Sunday afternoon TV fun, now. There's clever innuendo, dumb stunts, big scenery and baddies. It does pop up on Film 4 and Sky Movies every once in a while, showing that it is still has a place and though obviously looking pretty dated now, you can't go far wrong with this one.
3 of 4 people found this review helpful.
Was this review helpful to you?
Arthur Hiller's 1976 film is the epitome - and one of the best and at times, the worst - example of what Hollywood came synonymous for in the 1970s.
Ending with one of those truly great action set-pieces, when such were actually filmed and not with a computer mouse and starting out with the oh-so-smooth Gene Wilder getting his wicked way with the delectable Jill Clayburgh, an awful lot happens in-between.
Taking - and featuring huge chunks of influence from James Bond (inc 'Jaws', the iron-toothed giant), Hitchcock (crime capers on moving trains, espionage, intrigue) and loads of over-the-top big Americanism, this is a rail-road coaster of a ride. You can see bits that have helped influence later films, too and the start of the delicious pairing between Wilder and black comedian Richard Pryor, which spilled out over into the future Stir Crazy and Blazing Saddles.
Yes, a lot of it is nonsense - this is essentially Sunday afternoon TV fun, now. There's clever innuendo, dumb stunts, big scenery and baddies. It does pop up on Film 4 and Sky Movies every once in a while, showing that it is still has a place and though obviously looking pretty dated now, you can't go far wrong with this one.