Bruce Pritchard is paralysed in a soccer game and is confined to a wheelchair in a convalescence home. But this doesn't slow his lust for life. Then he meets Jill and has to think about the... See full summary »
Director:
Bryan Forbes
Stars:
Malcolm McDowell,
Nanette Newman,
Georgia Brown
The tragic 1939 voyage of SS St. Louis carrying hundreds of German Jewish refugees from Nazi Germany that seemingly no nation is willing to save from certain doom.
Mick Travis is a reporter who is about to shoot a documentary on Britannia Hospital, an institution which mirrors the downsides of British Society. It's the day when Her Royal Highness is ... See full summary »
Director:
Lindsay Anderson
Stars:
Leonard Rossiter,
Malcolm McDowell,
Brian Pettifer
This sprawling, surrealist musical serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in Europe. Many actors play multiple roles, giving the film a stagy tone.
Director:
Lindsay Anderson
Stars:
Malcolm McDowell,
Ralph Richardson,
Rachel Roberts
During WW 2, a Basque shepherd is approached by the underground, who wants him to lead a scientist and his family across the Pyrenees. While being pursued by a sadistic German.
Director:
J. Lee Thompson
Stars:
Anthony Quinn,
James Mason,
Malcolm McDowell
In 1942 Britain was clinging to the island of Malta since it was critical to keeping Allied supply lines open. The Axis also wanted it for their own supply lines. Plenty of realistic ... See full summary »
Two escapees (Robert Shaw and Malcolm McDowell) are on the run in an unspecified but seemingly Latin-American country. Everywhere they go they are observed and hounded by a menacing black ... See full summary »
Before finally entering the afterlife, the dead spend a period in a limbo from which they depart only when, among the living, there is no one who remembers them.
Director:
Sergio Citti
Stars:
Vittorio Gassman,
Carol Alt,
Malcolm McDowell
A naive young officer straight from school arrives on the Western front to fight the air war against the Germans. However, the life expectancy of green pilots is not very good. Written by
Orde Saunders <ODS101@York.ac.uk>
When Croft and Captain Sinclair inspects an S.E.5 aircraft the latter says "We had pups before." "We are damn lucky to get these" The "pups" is a reference to the Sopwith Pup fighter aircraft. It entered service in autumn 1916 and had been mostly withdrawn from service by the time the movie takes place (October 1917). See more »
Goofs
Major Gressham is depicted as the leader of 76 Squadron, Royal Flying Corps.
That particular squadron was based in England throughout the war and never saw action in France or elsewhere. See more »
Quotes
Mess Corporal Bennett:
[as the pilots set off early in the morning on a dangerous mission]
How many for breakfast? Any of them?
See more »
Crazy Credits
Opening credits prologue: England October 1916 See more »
Written from the English point of view, this film seems to have it's tongue in it's cheek at times, but it's not at all funny. There are several flashes of humor in the early scenes, at the expense of the British upper class, but those quickly give way to the special horrors of the first war fought in the air.
Patriotic young pilots straight out of college lost their lives in literally a few days time, due to their inexperience and the stress of this new kind of battle. Malcolm McDowell has the unwelcome task of leading the 76th Squadron and also visiting colleges to drum up recruits, all the while knowing he's inviting them to an almost certain death. He keeps these new recruits at arms length to soften the blow to his mental health when they invariably get shot down. When he shows up at his own alma mater, an idealistic young man, played by Peter Firth, signs up for McDowell's squadron. On his arrival at the airfield, Firth sees the evidence of the turnover in pilots but fails to see the connection to his own longevity; a family photo and personal effects are whisked out of the room he's been assigned, right in front of his eyes. He is introduced to Simon Ward, a stony-faced pilot who by the end of the movie is finally driven insane by the awful, daily anticipation of his own death in battle.
The young pilots experience the respect that their station in the Air Corps elicits from the locals and from women, but at the same time they see how they are more likely to be killed than the average filthy foot soldier. Firth is taken with a local cabaret girl, who invites him to her room one night. The next night, when he expects her to be glad to see him, she ignores him and pays attention to an older, richer officer. The very next day the pilots are given the task of destroying German spotter balloons, which always have heavy gun and air protection, and the older pilots know this is almost a death warrant. Six planes go out, with McDowell and Firth in two of them, but you'll have to watch the film to find out how many come back.
A very good, but depressing, film, McDowell is subdued in his performance and seems to come out of his cocoon only at the end. This is necessary, I think, for his character to survive in the surroundings of constant tragedy. Firth is naive in the extreme, and this probably a correct portrayal of a green recruit in WWI, where there was no frame of reference for how dangerous those early airplanes were. The film shows us just how little the commanders valued the lives of their men by sending them out unprepared and inexperienced, and that they know after one group of fliers is decimated, there is always a fresh batch of innocent boys to take their place. I recommend the film highly, since it has a firm anti-war message.
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Written from the English point of view, this film seems to have it's tongue in it's cheek at times, but it's not at all funny. There are several flashes of humor in the early scenes, at the expense of the British upper class, but those quickly give way to the special horrors of the first war fought in the air.
Patriotic young pilots straight out of college lost their lives in literally a few days time, due to their inexperience and the stress of this new kind of battle. Malcolm McDowell has the unwelcome task of leading the 76th Squadron and also visiting colleges to drum up recruits, all the while knowing he's inviting them to an almost certain death. He keeps these new recruits at arms length to soften the blow to his mental health when they invariably get shot down. When he shows up at his own alma mater, an idealistic young man, played by Peter Firth, signs up for McDowell's squadron. On his arrival at the airfield, Firth sees the evidence of the turnover in pilots but fails to see the connection to his own longevity; a family photo and personal effects are whisked out of the room he's been assigned, right in front of his eyes. He is introduced to Simon Ward, a stony-faced pilot who by the end of the movie is finally driven insane by the awful, daily anticipation of his own death in battle.
The young pilots experience the respect that their station in the Air Corps elicits from the locals and from women, but at the same time they see how they are more likely to be killed than the average filthy foot soldier. Firth is taken with a local cabaret girl, who invites him to her room one night. The next night, when he expects her to be glad to see him, she ignores him and pays attention to an older, richer officer. The very next day the pilots are given the task of destroying German spotter balloons, which always have heavy gun and air protection, and the older pilots know this is almost a death warrant. Six planes go out, with McDowell and Firth in two of them, but you'll have to watch the film to find out how many come back.
A very good, but depressing, film, McDowell is subdued in his performance and seems to come out of his cocoon only at the end. This is necessary, I think, for his character to survive in the surroundings of constant tragedy. Firth is naive in the extreme, and this probably a correct portrayal of a green recruit in WWI, where there was no frame of reference for how dangerous those early airplanes were. The film shows us just how little the commanders valued the lives of their men by sending them out unprepared and inexperienced, and that they know after one group of fliers is decimated, there is always a fresh batch of innocent boys to take their place. I recommend the film highly, since it has a firm anti-war message.