A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other, somewhat more respectable, members of their family plot to steal the estate from him. Murder and mayhem ensue.
An English king comes to terms with his affection for his close friend and confidant, who finds his true honor by observing God's divine will rather than the king's.
Director:
Peter Glenville
Stars:
Richard Burton,
Peter O'Toole,
John Gielgud
San Francisco police detectives Freebie and Bean are determined to bust local crime boss Red Meyers at any cost, even if this means destroying the whole city in the process.
As he approaches manhood, Ben Meechum struggles to win the approval of his demanding alpha male father, an aggressively competitive, but frustrated marine pilot.
Director:
Lewis John Carlino
Stars:
Robert Duvall,
Blythe Danner,
Michael O'Keefe
In a bold coup a Palestinian terrorist group captures the yacht Rosebud and kidnaps the millionaires five daughters on it. At first they demand film clips to be shown on major European TV ... See full summary »
Director:
Otto Preminger
Stars:
Peter O'Toole,
Richard Attenborough,
Cliff Gorman
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes. Written by
John Vogel <jlvogel@comcast.net>
The picture was actor Peter O'Toole's previous cinema film made before My Favorite Year (1982). As such, it was back-to-back consecutive pictures about show-business for O'Toole as The Stunt Man (1980) was about movie-making whereas My Favorite Year (1982) was about 1950s live television. Moreover, O'Toole was Best Actor Oscar nominated for both films, but did not win the award for either. See more »
Goofs
Just before jumping into the water to rescue Nina, Cameron is already all wet. See more »
Quotes
Eli Cross:
[after a cameraman says cut because there's only 22 seconds of film left]
In 22 seconds, I could break your fucking spine. In 22 seconds, I could pinch your head off like a fucking insect and spin it all over the fucking pavement. In 22 seconds, I could put 22 bullets inside your ridiculous gut. What I seem unable to do in 22 seconds is to keep you from fucking up my film!
See more »
Crazy Credits
After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
This is a very funny and entertaining movie that doesn't fit into any one category. It's about a slightly crazed movie director who is making a WW1 movie in Southern California who hires a fugitive to replace his top stuntman. Peter O'Toole gives perhaps his best performance ever as the egomaniacal filmmaker who will do anything, perhaps even murder someone, in order to protect his artistic vision. The underrated Steve Railsback is good also as the paranoid Vietnam vet turned fugitive from the law. The action scenes are very funny and well-done, especially the rooftop chase. The music score is appropriately clever and matches what's happening on screen. Real-life stunt man Chuck Bail has a good part as a stunt coordinator who shows Railsback the ropes. The editing techniques help blur the line between reality and make-believe. The film is a bit too long, though, and some key scenes go on longer than necessary. These are minor complaints, however, because a film like this doesn't get made very often anymore.
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This is a very funny and entertaining movie that doesn't fit into any one category. It's about a slightly crazed movie director who is making a WW1 movie in Southern California who hires a fugitive to replace his top stuntman. Peter O'Toole gives perhaps his best performance ever as the egomaniacal filmmaker who will do anything, perhaps even murder someone, in order to protect his artistic vision. The underrated Steve Railsback is good also as the paranoid Vietnam vet turned fugitive from the law. The action scenes are very funny and well-done, especially the rooftop chase. The music score is appropriately clever and matches what's happening on screen. Real-life stunt man Chuck Bail has a good part as a stunt coordinator who shows Railsback the ropes. The editing techniques help blur the line between reality and make-believe. The film is a bit too long, though, and some key scenes go on longer than necessary. These are minor complaints, however, because a film like this doesn't get made very often anymore.