With the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using a life-generating device, the Genesis Device, as the ultimate weapon.
Admiral Kirk and his bridge crew risk their careers stealing the decommissioned Enterprise to return to the restricted Genesis planet to recover Spock's body.
Director:
Leonard Nimoy
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
To save Earth from an alien probe, Admiral Kirk and his fugitive crew go back in time to 20th century Earth to retrieve the only beings who can communicate with it, humpback whales.
Director:
Leonard Nimoy
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
When an alien spacecraft of enormous power is spotted approaching Earth, Admiral Kirk resumes command of the Starship Enterprise in order to intercept, examine and hopefully stop the intruder.
Director:
Robert Wise
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
Director:
Nicholas Meyer
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy.
Director:
William Shatner
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
Captain Picard, with the help of supposedly dead Captain Kirk, must stop a madman willing to murder on a planetary scale in order to enter an energy ribbon.
Director:
David Carson
Stars:
Patrick Stewart,
William Shatner,
Malcolm McDowell
Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
Director:
Jonathan Frakes
Stars:
Patrick Stewart,
Jonathan Frakes,
Brent Spiner
Set decades after Captain James T. Kirk's 5-year mission, a new generation of Starfleet officers in a new Enterprise set off on their own mission to go where no one has gone before.
Stars:
Patrick Stewart,
Brent Spiner,
Jonathan Frakes
The Federation along with a group of scientists are working on Project Genesis, which is to bring a dead planet to life. So far the preliminary experiments have been a success. Now for the next phase which is to actually bring a planet to life, a dead planet is required. So the Federation sends a starship, the USS Reliant to find one and its first officer is Commander Pavel Chekov. They come across what appears to be a dead planet in the Ceti Alpha system. But the sensors detect something which makes it not a dead planet. But the Captain thinks maybe they can remove it, so he and Chekov go and investigate. But they find what appears to be a lifepod. When Chekov sees something, he tells the Captain they should leave, but they are captured by the inhabitants. When they meet the leader, Chekov recognizes him as Khan Noonien Singh, the genetic superman from late 20th century whom Kirk found 15 years ago. Khan tried to take over the Enterprise and kill Kirk, but Kirk subdued him and left ... Written by
rcs0411@yahoo.com
The main viewer display during the opening sequence indicates that the Kobayashi Maru's captain is Kojiro Vance and that the ship is registered out of the planet Amber (Tau Ceti IV). See more »
Goofs
When Scotty and McCoy are yelling at Spock not to open the main energizer, Scotty's and McCoy's mouths are not moving in sync with the words being spoken. See more »
Quotes
[first lines]
Saavik:
Captain's log: Stardate 8130.3. Starship Enterprise on training mission to Gamma Hydra, section 14, coordinates 22-87-4. Approaching Neutral Zone; all systems normal and functioning.
Sulu:
Leaving section 14 for section 15.
Saavik:
Standby. Project parabolic course to avoid entering Neutral Zone.
Sulu:
Aye, captain.
See more »
Crazy Credits
After the opening credits: "In the 23rd Century." See more »
OK, Trekkies I will only review this one and leave the rest of your dreadful inventory unscathed. My philosophy professor called me the buzz-saw. I only had to go after TNG Insurrection because its ethical retardation was so profound. This is actually entertaining, believe it or not. Montalban was always a great actor. I also applaud Meyer for quoting Melville here is how you say Ahab Picard, use hatred, hello? He is a psycho. Picard quotes him in FIRST CONTACT like he was a knitting grandma in a rocking chair. Montalban quotes him with exactly the rage and hate that Melville wrote him with in Moby Dick. The film moves very quickly, it makes up for its very low budget by cannibalizing footage from Star Trek; The Motionless Model. The studio was almost burned to the ground by angry Trekkies after that horrible, over hyped piece of poo poo came out in 1979. They rushed this out, as fast as possible, you can see the many shots of the Enterprise that were lifted right out of Robert Wise's turkey.
It is surprisingly intense for a Star Trek movie with those brain controlling slug things in the ear. Not terribly likely but hey anything after the frozen model of 1979. Winfield was always an underrated actor and he gives a great performance here. There are weak spots in the acting basically every time, then beautiful, Kirstie Alley speaks. Also, Merrit Butrick is just awful. He sounds like he is reading from a teleprompter. The hairpiece and the girdle are fully functional for Kirk; he is at his best in this film. Just one scene was cringe worthy, when he screams Khan like he is having an aneurysm. The movie is one of the most action packed of the entire set of both crews. It is refreshingly free of the usual humanistic boredom that the TNG films subject us to. There is a slight believability gap of Kirk allowing any ship that close to his ship. In the original series, that never would have happened.
The death scene of Spock is the most moving of all the scenes in any Star Trek movie. That is probably why JJ thought he needed to rip it off in STAR CRAP: INTO MORAL DARKNESS. The nobility of Spock is worth watching the movie for, yes his Vulcan axiom of the needs of the many outweigh the needs of the few or the one is exactly the moral opposite of STAR TREK: INSURRECTION. That is why this film endures while that one disappears. Narcissism is not a pretty picture. If you are going to buy the Star Trek films, which I would not, start with this one. It is like Everest compared to the other films of the series. Especially avoid Star Trek 4: We Need To Pick Up Whales, unless you have been drinking heavily, then it is one of the funniest movies you will ever see.
The intensity, script, acting carry this film over the crummy low budget effects. Please, Regulus looks like a big cheese-ball. You can tell which scenes were taken from the comatose picture by, if they look good, they are not indigenous to the film. I did admire Meyer for always trying to educate those Trekkies. Here it is Herman Melville later in Star Trek 6: The Undiscovered Rest Home it is Shakespeare. I think it is noble; look, he is trying to help them.
23 of 23 people found this review helpful.
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Spoilers Ahead:
OK, Trekkies I will only review this one and leave the rest of your dreadful inventory unscathed. My philosophy professor called me the buzz-saw. I only had to go after TNG Insurrection because its ethical retardation was so profound. This is actually entertaining, believe it or not. Montalban was always a great actor. I also applaud Meyer for quoting Melville here is how you say Ahab Picard, use hatred, hello? He is a psycho. Picard quotes him in FIRST CONTACT like he was a knitting grandma in a rocking chair. Montalban quotes him with exactly the rage and hate that Melville wrote him with in Moby Dick. The film moves very quickly, it makes up for its very low budget by cannibalizing footage from Star Trek; The Motionless Model. The studio was almost burned to the ground by angry Trekkies after that horrible, over hyped piece of poo poo came out in 1979. They rushed this out, as fast as possible, you can see the many shots of the Enterprise that were lifted right out of Robert Wise's turkey.
It is surprisingly intense for a Star Trek movie with those brain controlling slug things in the ear. Not terribly likely but hey anything after the frozen model of 1979. Winfield was always an underrated actor and he gives a great performance here. There are weak spots in the acting basically every time, then beautiful, Kirstie Alley speaks. Also, Merrit Butrick is just awful. He sounds like he is reading from a teleprompter. The hairpiece and the girdle are fully functional for Kirk; he is at his best in this film. Just one scene was cringe worthy, when he screams Khan like he is having an aneurysm. The movie is one of the most action packed of the entire set of both crews. It is refreshingly free of the usual humanistic boredom that the TNG films subject us to. There is a slight believability gap of Kirk allowing any ship that close to his ship. In the original series, that never would have happened.
The death scene of Spock is the most moving of all the scenes in any Star Trek movie. That is probably why JJ thought he needed to rip it off in STAR CRAP: INTO MORAL DARKNESS. The nobility of Spock is worth watching the movie for, yes his Vulcan axiom of the needs of the many outweigh the needs of the few or the one is exactly the moral opposite of STAR TREK: INSURRECTION. That is why this film endures while that one disappears. Narcissism is not a pretty picture. If you are going to buy the Star Trek films, which I would not, start with this one. It is like Everest compared to the other films of the series. Especially avoid Star Trek 4: We Need To Pick Up Whales, unless you have been drinking heavily, then it is one of the funniest movies you will ever see.
The intensity, script, acting carry this film over the crummy low budget effects. Please, Regulus looks like a big cheese-ball. You can tell which scenes were taken from the comatose picture by, if they look good, they are not indigenous to the film. I did admire Meyer for always trying to educate those Trekkies. Here it is Herman Melville later in Star Trek 6: The Undiscovered Rest Home it is Shakespeare. I think it is noble; look, he is trying to help them.